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How to keep your camera safe when using sunscreen and bug spray

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Photo: Jaromir / Moment via Getty Images

Summertime is ripe with photographic opportunities thanks to longer days and warmer weather. Many of us flock to the outdoors this time of year, whether to capture landscapes, document weddings or photograph animals. But with this extra time outside with our cameras comes added risk to our gear due to chemicals found in bug spray and sunscreen. While those products may be essential for protecting your body, they can damage your expensive gear. If you'll be lathering up with sunscreen or bug spray this summer, here are some things to remember.

Impacts of DEET bug spray Photo: Lokibaho / iStock Unreleased via Getty Images

Many bug sprays use DEET to keep pesky (and potentially dangerous) pests away. While that's sometimes necessary to stay safe, DEET is a plasticizer. That means it can soften, deform or even dissolve certain plastics and rubber, especially if you're using a high-concentration version of it.

Of course, cameras and lenses are largely made up of plastics and rubber, so exposing your gear to DEET-based bug spray can result in deterioration of your gear. Damage from DEET could simply take the form of dissolved labels on buttons and markings on your lenses. But it could be far more substantial, potentially melting parts of your camera or lens body.

Even a small amount of DEET on your hands could be enough to have an impact. To keep your gear safe, don't spray bug spray anywhere near cameras or lenses. It's best to keep the camera in your bag or the car until you're done applying. If you get DEET bug spray on your hands, wash them off as well as you can before handling your camera. Also, if you use the viewfinder, make sure you don't get any DEET on your face.

Even a small amount of DEET on your hands could be enough to have an impact.

If DEET bug repellent gets on your camera, make sure to act quickly. The sooner you clean it off, the less damage there will be. Don't use a dry cloth to wipe it off, either, as that could spread the chemical and potentially push it into seams or textured surfaces, causing more damage. Instead, lightly dampen a clean cloth and gently blot to remove the DEET. Use a fresh corner of the fabric for different parts of the camera to avoid spreading it.

If you want to be extra cautious, you can avoid DEET altogether by using a Picaridin-based bug spray – research has found that it doesn't damage plastics – or by wearing clothing treated with Permethrin. While both chemicals (and DEET) have been proven to be safe for use on humans, we couldn't find any conclusive studies about their safety for pets, so it's worth exercising some caution when using these products around cats or dogs. Always read the safety label for whatever insect repellent you're using.

Take care with sunscreen, too Photo: Oscar Wong / Moment via Getty Images

While sunscreen isn't as harmful as DEET, it isn't very kind to cameras, either. Some chemicals found in certain sunscreens may potentially interact with plastics, causing them to degrade faster, though there is limited research on the subject. However, all sunscreens can cause discoloration and leave residue. Plus, it can make things downright slippery, which isn't ideal when working with expensive gear. And that greasy residue on your lens won't be great for image quality if it's on your lens.

As with bug repellent, it's best to apply sunscreen well away from your camera. That's especially true of aerosol sunscreens, which go everywhere. Once you're done applying, be sure to wash your hands, ideally with soapy water or hand sanitizer, to break down the oils.

If you get sunscreen on your camera, you'll want to clean it off as soon as possible. When you're still out and about, you can use hand wipes or a cloth with some hand sanitizer to clean it off. You could also use a cloth with a small amount of dishwashing liquid and water.

If there's sunscreen on your lens, make sure you use a cleaning solution made for optics, as you don't want to remove the special coatings. Disposable lens wipes are always ideal to have on hand in such situations, as then you don't have to worry about spreading it around more the next time you use your lens cloth.

Just a bit of fun? You can now scrutinize the Fujifilm's X half images more than makes sense

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Don't let the similarities fool you: there is essentially no overlap between what the X100 and X half cameras offer.

Photo: Richard Butler

The Fujifilm X half isn't a camera where absolute image quality is fundamental to its appeal. And if that idea seems anathema to you - 'a camera? where image quality isn't neccessarily paramount?' - I'd suggest you don't read any further.

To some extent, it doesn't really make sense to subject the X half to our standard testing: it's like analyzing the nutritional value figures of cotton candy / candyfloss / fairy floss.

However, given the X half uses a sensor that's many times larger than those used in the likes of the Yashica Y35 – and other cameras designed for fun, as much as photographic competency – we thought it was worth seeing how it performs. Especially as it also costs a fair bit more than most other 'fun' cameras on the market.

It's like analyzing the nutritional value figures of candyfloss

Also, given its stylistic similarities with the larger, much more serious X100 cameras, we wanted to be able to make clear just how big the difference is.

So, despite being aware of the foolishness of the task, we committed outselves to trying to align and shoot a camera whose small, low-res screen and lack of custom white balance setting meant it was likely to be something of a handful. And whose images come out the wrong way 'round.

In practice we were pleasantly surprised: quickly discovering a Kelvin white balance setting that gave a near-perfectly neutral result, and finding its contrast-detection AF gave very consistent results, shot-to-shot. A quick look at the EXIF data allowed us to over-write the orientation metadata tag and present the images in the landscape format without having to re-save or re-encode the image and risk changing the image quality.

Studio test scene Image ComparisonThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab.

At the center of the chart, the X half's images look broadly comparable to those of the RX100 series, with its similarly sized sensor and pixel count (the X half uses a 4:3 crop from a 3:2 sensor), appreciably behind the much larger X100VI sensor but ahead of a traditional Type 1/2.3 compact.

The performance drops away as you get further from the center of the image, with the Fujifilm not showing the level of fine detail that the RX100 does.

The difference becomes less pronounced as the light levels fall and ISO has to rise, and the gap between the Type 1 sensor Fujifilm and Sony and the small sensor compact grows.

The X half's sensor is around 4x larger than the one in the Panasonic FZ80 (and around 6x the size of the Type 1/3 sensors in the likes of the Yashica FX-D 100, Kodak C10 and Minolta MND 23), and consequently it gives a result around two stops better than the smaller sensor camera (and in the region of two stops behind the X100VI).

Summary

The results are broadly what we'd expect, in terms of noise and image quality. Despite the use of a prime lens, the X half isn't pulling out nearly as much detail from its captures as the RX100 is. But it's fair to say that pixel-peeping with a camera like the X half isn't a rational way to spend one's time. After all, it's a camera that doesn't even pretend to take itself seriously (we almost wonder whether its lack of Raw recording it to avoid giving off mixed messages about its intent, rather than anything so prosaic as a lack of processing power).

A more pertinent line of enquiry might be how the X half's images look, compared to an RX100's, once resized and recompressed for the social media platforms they're designed to be shared through. Because if you're planning on printing its images on anything other than Instax (or, at most, a 6 x 4), then you're making even stranger choices with your life than we are.

Cough syrup protects the brain from dementia in clinical trial first

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A safe and affordable treatment to slow the advancement of Parkinson's dementia has emerged – in the form of a commonly available cough syrup that's already being studied for its positive effect on other degenerative diseases.

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Category: Alzheimer's & Dementia, Brain Health, Body & Mind

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Two shipping containers transformed into surprisingly livable tiny house

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We never tire of seeing what talented designers can do with the humble shipping container, and the Seaholme is definitely one of the more impressive examples to date. The tiny house is created by two containers, which are arranged into an L-shape, and features a clever space-saving interior.

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Category: Tiny Houses, Outdoors

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Vitamin C switches on ‘dormant’ genes to rebuild aging skin

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Perhaps best known as a immune-system boost or antidote to scurvy, vitamin C has been found to rejuvenate aging skin by reactivating genes responsible for cell growth. By promoting DNA demethylation, vitamin C enhances the proliferation of cells that result in thicker and healthier skin. This discovery opens new avenues to genetically revive aging skin.

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Category: Aging Well, Wellness & Healthy Living, Body & Mind

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Paralyzed rats walk again, thanks to breakthrough spinal cord implants

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Researchers in New Zealand have demonstrated a minimally invasive technology that has effectively aided in restoring movement in paralyzed rats. This breakthrough could mean we're a big step closer to treating spinal cord injuries in humans and pets – which are presently incurable and often lead to a loss of motor function.

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Category: Biology, Science

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Migraines halved after treatment with existing GLP-1 drug

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A current weight-loss and diabetes drug has become a surprise candidate for migraine treatment, with a new pilot study showing the GLP-1 receptor agonist provided significant relief to sufferers of these debilitating, severe headaches. It reduced both frequency and disability experienced during episodes.

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Show us your landscape photos! The July Editors' photo challenge is open for entries

Digital Photography Review news -

Steam rises over the rim of the Kilauea Volcano crater on the Big Island of Hawaii at sunrise. I rose early to catch the morning light, but hadn't anticipated the steam rising from the volcano below. Lucky me.

Samsung NX1 | NX 16-50mm F2-2.8 S | F8 | 1/640 sec | ISO 100
Photo: Dale Baskin

The theme for our July Editors' photo challenge is "Landscape Photography."

This is your chance to show us your favorite landscape photos featuring the beauty of the natural world. From sweeping vistas to creative compositions, we want to see your most stunning shots where the natural world is the main focus.

This challenge is also open to stitched panoramas.

Photos can be submitted between Sunday, July 6, and Saturday, July 12 (GMT). The challenge is open to photos captured at any time.

Important: Images MUST include a title and a caption of at least 25 words to be eligible. We need to be able to share the story behind your photo. We will consider both photos and captions when selecting our winners, so make sure to tell us that story!

Visit the challenge page to submit your photo to the challenge. Winners will be featured on the DPReview homepage later this month.

Submit your photo to the Landscape challenge

BMW's reimagined i3 electric is coming for the Tesla Model 3

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BMW is working on introducing a new 3 Series that will include a standalone electric vehicle called the i3, alongside the standard ICE and plug-in hybrid models. And unlike the oddball carbon-fiber hatchback that was once known by that name, the next-generation electric i3 is set to be an out-and-out sedan.

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Category: Automotive, Transport

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