Συλλέκτης ροής

Victorinox Alox Swiss Army knife emerges with skeletal, lockup build

Gizmag news -

Victorinox has updated its massive Swiss Army knife lineup with a few compact, lightweight everyday carriers that put a modern spin on the classic multitool. The new Alox Refined Collection features a skeletonized version of Victorinox's anodic aluminum oxide scales, providing sure-gripping performance, ultralight carry and a unique look. The flagship of the three-knife series, the Synergy X brings nine handy tools to your pocket, including a straight blade, pair of screwdrivers and scissors.

Continue Reading

Category: Knives and Multitools, Gear, Outdoors

Tags: , , , ,

Backwoods bunkhouse base camper stashes hideaway panoramic glasshouse

Gizmag news -

The all-new Walkabout is a different type of RV than we're used to from the folks at Keystone. It feels like a cross between the typical American travel trailer and a hardcore off-road Australian caravan. The split-personality rig is a rough-hewn, hard-nosed adventure support vehicle outside and an exceptionally comfortable and livable home-on-a-hitch inside. Both areas are built to take care of the smallest details so the entire family can just sit back, recreate, relax and enjoy the trip.

Continue Reading

Category: Camping Trailers, Adventure Vehicles, Outdoors

Tags: , , , , , ,

Sport Scout RT: Indian Motorcycle’s first bike since Polaris split

Gizmag news -

Now that Indian is functioning as an independent bikemaker after Polaris sold a major stake in the American company, there will be even more eyes on it, scrutinizing every move, every launch, and every motorcycle it puts out ... and the Sport Scout RT becomes the first bike in Indian Motorcycle's bold new adventure.

Continue Reading

Category: Motorcycles, Transport

Tags: , , , , , ,

Windows users are finally getting their version of Apple’s Magic Trackpad

Gizmag news -

Years of waiting could soon be over for Windows users who’ve long envied Apple’s Magic Trackpad. Hyper, a California-based innovator with 20 years in the tech industry, introduced the HyperSpace Trackpad Pro on Kickstarter last month. The fundraising goal was reached within minutes of launch, so this overlooked gap in the market may soon be filled.

Continue Reading

Category: Electronics, Consumer Tech, Technology

Tags: , , ,

This new platform brings thousands of educational resources to photographers

Digital Photography Review news -

Logo: PPA

The Professional Photographers of America (PPA) has announced the launch of PhotoVision, a new resource for photographers looking for educational content. The new subscription-based streaming platform is aimed at all levels and various disciplines, with updated videos and resources each week.

At the time of its launch, PPA's PhotoVision platform featured more than 2500 videos and 1700 articles. PPA will release new content weekly, so that number will only continue to grow. The videos range from short options, similar to YouTube Shorts, to long-form, step-by-step content and documentary-style stories. There are also curated playlists that offer multiple videos around a single topic.

A screenshot from the PPA PhotoVision website.

PPA says that PhotoVision is aimed at helping photographers at every stage of their professional and personal journey. As a result, it offers a broad range of articles and videos. That includes inspirational content, business-focused materials, on-set segments and tutorials on lighting, posing and more. PPA says it's meant to "nourish the educational, experiential and entertaining vision" of photographers.

The Professional Photographers of America (PPA) is a nonprofit association dedicated to supporting photographers. The PhotoVision platform is just the latest of its offerings, which already include equipment insurance, certification programs, business advice, contract templates, networking, legal advocacy and more.

PhotoVision is free for all new and existing PPA members. Alternatively, if you prefer not to become a PPA member, you can still access the full PhotoVision platform for $50 per year or $5 per month.

Press release:

Professional Photographers of America Launches PhotoVision, the World’s Largest Curated Streaming Platform for Photography Content

Immersive platform provides photographers of all skill levels with engaging videos, tutorials and more to elevate their craft and expand their business, with new content drops weekly

Professional Photographers of America (PPA), the world’s largest nonprofit photography association for professional photographers, today announces the launch of PhotoVision, a new streaming platform boasting 2,500+ videos and 1,700+ articles, with new content drops weekly, designed to educate photographers at every stage of their professional and personal journey.

PPA has been serving professional photographers since its formation in 1868, empowering and safeguarding pro photographers through insurance, certification, education and copyright protection offered through PPA membership. In 2024, PPA recognized the demand and need to elevate its offerings to members and engage new generations of part-time photographers, videographers, lifelong learners, content creators and photography enthusiasts through a platform like PhotoVision.

Investing more than 18 months of time and resources, PPA created what is now the world’s largest immersive streaming hub for expert-level instruction, tutorials, business insights and inspiring photography content. PhotoVision features smart, personalized learning with curated channels and intelligent searches that guide every user to the content that matters most to them. It will continuously nourish the educational, experiential and entertaining vision of every photographer’s journey.

"PhotoVision changes everything," says Mark Campbell, President, PPA. "For the first time, the photographic industry has a place to come together. It feels familiar the moment you arrive. It's inspirational. It's mesmerizing. It's a lot of fun!"

PhotoVision access is complimentary for all current PPA members. Non-members can activate a PhotoVision subscription for an annual fee of $49.99 or a monthly fee of $4.99 to access content that includes:

  • Curated learning paths: Handpicked series so members can "build your business your own way"—from startup pricing to advanced lighting and sales.
  • Multiple formats, one destination: Shorts for quick wins, step-by-step long-form classes and documentary stories that reveal the "why" behind the work.
  • Trusted business education: Clear guidance on pricing, licensing, sales and sustainable studio operations—backed by PPA’s standards.
  • Real-world access: Live demos, on-set/behind-the-scenes segments and working-pro walkthroughs that translate directly to client work.
  • Weekly content updates: Browse thousands of resources and get fresh content delivered every week from photography experts.

Offering content for photographers of every skill level to learn, grow and pursue their passion, PhotoVision pairs practical ‘how-to’ education with the kind of inspiration that sustains a career.

"I'm so excited that professional photographers have a place they can come every single day to find inspiration, education and connection," says Angela Kurkian, Deputy CEO. "Through PhotoVision, we're able to share more information and stories than ever before, celebrating our diverse community, and the extraordinary ways that photography shapes how we see the world."

For more information about PhotoVision, visit PPA.com/PhotoVision.

Slowing climate change by using aerosols to block sunlight? Maybe not such a good idea

Gizmag news -

Holy sun-repellant spray, Batman! Could injecting billions of kilograms of sunlight-dimming aerosols into the atmosphere save the planet from industrial climate destruction? Or is that just Joker-level insanity? A new Columbia Climate School report definitely suggests that caution is warranted.

Continue Reading

Category: Environment, Science

Tags: ,

How could they omit IBIS? A look at how the X-T30 III compares

Digital Photography Review news -

When you use DPReview links to buy products, the site may earn a commission. Photo: Richard Butler

The Fujifilm X-T30 III is a subtle refresh of the company's least expensive SLR-shaped X-mount mirroless camera. It sits above the rangefinder-styled X-M5, adding a viewfinder, and below the image stabilized X-S20, and shares its 26MP APS-C sized BSI CMOS sensor with all three models.

The update brings more advanced subject recognition autofocus, improved video capabilities and a Film Simulation dial, putting one of its key distinguishing features to the fore.

But how does that leave it fitting into the marketplace, particularly in the light of inflation and tariff led price increases? The Fujifilm X-T30 III retails for $1000, body-only or $1150 with a 13-33mm F3.5-6.3 OIS kit zoom.

Fujifilm X-T30 III Nikon Z50II Canon EOS R10 Fujifilm X-S20 MSRP $1000,
$1150 w/ 13-33mm $1010,
$1150 w/
16-50mm $1100,
$1250 w/
18-45mm $1500.
$1600 w/
15-45mm

We're primarily going to compare it with the similarly-priced Nikon Z50II and Canon EOS R10, both also mirrorless cameras with unstabilized APS-C sensors. We'll also look at the more expensive X-S20, which is built from very similar components but with a different control system and image stablization.

And, although they don't really fit in the tables, we're going to include some detail about the OM System OM-5 II ($1200) and Sony a6400 ($1000) too.

Resolution

There's not much to choose between cameras in this class, in terms of resolution. At 26MP the Fujifilms have a few more megapixels then the EOS R10, but not to a degree that makes any real difference.

Fujifilm X-T30 III Nikon Z50II Canon EOS R10 Fujifilm X-S20 Resolution 26MP 21MP 24MP 26MP

There's a bit more of a gap to the 21MP Nikon and the 20MP OM-5 II, but it's still only about a 12% difference in linear resolution, so we wouldn't recommend selecting between these cameras on the basis of pixel count. All the current cameras use sensors that are modern enough that there's not a huge difference in performance (the move to BSI doesn't make a big difference to IQ in sensors this big).

Stabilization Photo: Mitchell Clark

None of the $1000 APS-C models from Fujifilm, Canon, Nikon or Sony includes in-camera stabilization.

Fujifilm X-T30 III Nikon Z50II Canon EOS R10 Fujifilm X-S20 Stabilization Lens only Lens only Lens only In-body
(up to 7EV)

All of them tend to come bundled with stabilized lenses, which means you can use slower shutter speeds without having to worry about hand shake, when you're using that lens. But you'll have to upgrade to a more expensive camera if you want an in-body stabilization system that tends to work better for video. The OM System OM-5 II is the least expensive option, while you'll need to spend a fair bit more again to get in-body stabilization and an APS-C-sized sensor.

Buy now:

$1099 at Amazon.com Continuous shooting and Autofocus Photo: Richard Butler

As comparatively lowly models in their respective ranges, none of these cameras is designed as an out-and-out action camera, and yet they all boast shooting rates (at least in their distortion and flicker prone e-shutter modes) that exceed those offered by professional sports cameras, not much more than a decade ago.

Fujifilm X-T30 III Nikon Z50II Canon EOS R10 Fujifilm X-S20 Cont. burst rate 8fps Mech
20fps Elec 11fps Mech
15fps Elec 15fps Mech
23fps Elec 8fps Mech
20fps Elec

None of these models has an especially deep buffer, so don't imagine any of these will perform well, pitch-side, but they'll do pretty well for capturing short bursts of movement.

The Nikon has the most reliable AF system here: tracking whatever you point it at pretty well. The Canon is a touch behind, but still very capable. All four models have subject recognition modes trained to identify and lock onto specific subjects, and if you're shooting one of these subjects, the performance gap between the Fujifilm and its peers definitely narrows.

The Sony is very good at general tracking and eye detection but has little subject recogniton beyond this. The OM-5 II is also limited to humans in terms of subject recognition and its tracking AF is well off the pace.

Viewfinder and screens Photo: Shaminder Dulai

There's not a lot to choose in this class in terms of viewfinders: they're all built around the same 2.36M dot OLED panels, with the optics mounted in front of them affecting how large the finder ends up looking. Nikon does the best job here, though its large viewfinder hump also making it the tallest camera here by some margin, as a consequence.

Fujifilm X-T30 III Nikon Z50II Canon EOS R10 Fujifilm X-S20 EVF 2.36M dots
0.62x mag 2.36M dots
0.67x mag 2.36M dots
0.59x mag 2.36M dot
0.62x mag Rear screen 1.62 dots
3.0"
Tilt up/down 1.04M dots
3.2"
Fully-artic. 1.04M dots
3.0"
Fully-artic. 1.84 dots
3.0"
Fully-artic.

There's a bit more of a decision to be made when it comes to rear screens. The X-T30 III has the highest resolution screen, with its 900 x 600 pixel resolution, but it's also the only one that tilts up and down, rather than extending to the side and rotating.

The Nikon promises a slightly larger panel, but with slightly reduced 720 x 640 pixel res. The Canon offers this resolution and the smaller panel. It's a similar story with the OM-5 II: a 2.36M dot EVF with somewhat modest 0.5x magnification, and a 3.0" 1.04M dot fully articulated rear screen. The Sony has the largest viewfinder, at 0.7x magnification but also the lowest res rear screen: approximately 720 x 415 pixels in a 16:9 aspect ratio.

Video Photo: Richard Butler

Video is one of the areas that distinguishes between cameras at this price. All four of the main cameras we're looking at can shoot 10-bit footage, either as Log footage to maximise flexibility for color grading, or as HDR footage for playback on high dynamic range displays.

Fujifilm X-T30 III Nikon Z50II Canon EOS R10 Fujifilm X-S20 Video options 6.2K/30 open gate
4K/60 1.18x crop
4K/30 full-width 4K/60 1.44x crop
4K/30 full-width 4K/60 1.6x crops
4K/30 full-width 6.2K/30 open gate
4K/60 1.18x crop
4K/30 full-width Mic / 'phones? 2.5mm / Via USB adapter Yes / Yes Yes / No Yes / Yes

All these cameras boast pretty good specs, including the ability to capture 4K/60 if you can tolerate some degree of crop (though it makes capturing wide-angle footage harder and will tend to be noisier). The Nikon has the most dependable video autofocus in this group, and also lets you capture and monitor external audio without the need for adapters. Only the X-S20 has image stabilization, though, and even then it's not the smoothest of systems.

Both the OM-5 II and a6400 show their age or, at least, the age of their processors, by only being able to capture 8-bit video. This limits the flexibility of its Log footage (especially the more ambitious S-Log3 curve, and means it can't shoot true HDR footage.

OM System's in-body stabilization means the OM-5 II is an easier camera to shoot video with than most of the others here, but its autofocus undermines it, in this regard, so all of them will require a bit of work in one way or another.

Dimensions

The X-T30 III is the smallest of cameras here, by some margin, and also the lightest.

Fujifilm X-T30 III Nikon Z50II Canon EOS R10 Fujifilm X-S20 Dimensions 118 x 83 x 47mm 127 x 97 x 67mm 123 x 88 x 83mm 128 x 85 x 65mm Weight 378g 550g 429g 491g

There are some definite downsides to this: the X-T30 III has lots of external controls but also the least surface space to fit them on, so, perhaps unsurprisingly, it feels the most fiddly and cramped to operate.

The Nikon is the only camera in this group not to have an autofocus joystick; something that's also the case for the OM-5 II and a6400. And, while the Nikon's tracking AF makes up for this to an extent, we generally find it more engaging to be able to pre-position or move the AF point via a tactile control point.

Ergonomics are ultimately a matter of taste, but it's only really this omission that stops the Nikon being the standout camera, in this regard. For us, the Canon and the Nikon are the most comfortable of this cohort to shoot with.

Kit lenses Photo: Richard Butler

One of the biggest differences between the cameras in terms of real-world use isn't down to the cameras themselves at all: it's the lenses they come bundled with. A lot of users in this price bracket tend to primarily use these 'kit' zooms, so choosing the most flexible one makes a significant difference.

Fujifilm X-T30 III Nikon Z50II Canon EOS R10 Fujifilm X-S20 Default kit lens 13-33mm F3.5-6.3 OIS 16-50mm F3.5-6.3 VR 18-45mm F4.5-6.3 IS 15-45mm
F3.5-5.6 PZ In equivalent terms 20-51mm eF5.5-9.7 24-77mm eF5.5-9.7 29-73mm eF7.3-10.2 23-69mm
eF5.5-8.7

The X-T30 III comes with a retractable manual zoom that goes much wider than the ones offered by its peers, which is hugely useful, especially if you're used to shooting with the relatively wide angle lenses that smartphones tend to feature. The Nikon and X-S20's power zoom lenses perhaps offer the best balance between wide-angle capability and reach at the other end, but we've liked what we've seen of the new 13-33mm so far.

The OM-5 II's default 12-40mm F4.0 kit lens comes from the company's 'Pro' series and, as the branding implies, it's a rather more substantially built option than its peers. It has a constant F4.0 maximum aperture, so while it's a third of a stop darker in absolute terms and a whole stop darker in equivalent terms at the wide end, it's brighter by both metrics at the long end. And its 24-80mm equivalent range is pretty handy, too, though it takes the combined cost to $1600, $450 more than most of these other rivals.

Summary

The Film Simulation dial is one of the X-T30 III's changes, relative to its predecessor and also represents one of the camera's stand-out features, relative to its peers.

Photo: Richard Butler

The cost of an 'entry-level' camera has risen markedly in recent years. There are a couple of cameras for sale cheaper than these, but you really notice the corners that have been cut and the build quality that's been sacrificed. But if you can stretch to the $1000 mark, you have a choice of very capable models.

Buy now:

$1099 at Amazon.com

All these cameras offer excellent image quality, increasingly sophisticated autofocus and video capabilities that would have been unthinkable, quite recently. There are definitely factors to help you choose between them, whether that's the Fujifilm's attractive range of color modes, the provision of an AF joystick or the inclusion of a headphone socket for audio monitoring, but for the most part it's hard to go far wrong.

The Fujifilm X-T30 III is a very subtle refresh of its predecessor. We can't imagine many Mark II owners choosing to make the upgrade, but its specs are enough to keep it competitive against its immediate peers.

Read our intial impressions of the Fujifilm X-T30 III

Every piece of gear a conflict photographer carries (and why)

Digital Photography Review news -

War photography is incredibly demanding, requiring superb technical skills, a finely tuned kit and the ability to adapt and survive in harsh environments. Photojournalist Jonathan Alpeyrie knows this all too well, having spent more than 20 years covering major conflicts across the globe, including those in Ukraine, Iraq, Syria, Gaza and the international drug trade. In a recent video, Alpeyrie walked through his kit for assignments, while also sharing his experiences and insight into being a conflict photographer.

Alpeyrie said that he has been packing the same way for over 20 years, and his kit is straightforward: a camera, flak jacket, phone, bag and computer. These days, his gear includes the Canon EOS R camera, which he said he likes because it's discreet and allows him to look more like a tourist than anything else.

On the lens side, Alpeyrie recommends not skimping on quality. "The lens is where you want to spend your money. The body you can pick and choose," he explains in the video. His current lens of choice is the Canon EOS R 50mm F1.2L USM. He says the 50mm lens is the only one he uses right now, in part because the wide aperture is ideal for working in dark situations. It's also smaller than other lenses, which is helpful when you're taking cover from artillery fire. He says he has had larger lenses, such as 200mm or 300mm, break in these situations.

Beyond gear choices, Alpeyrie shares lots of valuable insights in the video. He touches on how he protects his camera and memory cards in dangerous places, the importance of knowing your camera and how to use manual settings, tips on framing and composition, and so much more. It's well worth a watch all the way through.

Raw power move: DxO update challenges Adobe's Raw editing workflow

Digital Photography Review news -

Image: DxO

Software company DxO has announced a modest update for its Raw processing software, PureRaw, which promises to make it easier to use as an alternative to Adobe's Camera Raw (ACR). It should result in a more streamlined and flexible workflow when using PureRaw and Photoshop in combination. The company also announced minor changes to PhotoLab and Nik Collection.

DxO announced PureRaw 5 earlier this year, which offered more robust upgrades. PureRaw 5.5 is a minor update, featuring a single change: the ability to edit non-destructively by opening files from PureRaw as Smart Objects in Photoshop.

The new workflow means users can process files in PureRaw instead of Adobe Camera Raw, and then open them in Photoshop to continue editing. Because it's a Smart Object, users can also re-process the Raw file at any point, even after saving and closing the Photoshop file. It unlocks the ability to use PureRaw as an alternative to ACR while still maintaining a non-destructive editing workflow.

DxO says that PhotoLab 9.2 offers better AI masking tools.
Image: DxO

Outside of the PureRaw update, DxO also announced small updates to PhotoLab and Nik Collection. With PhotoLab 9.2, the company says its AI masking tools, which were added to PhotoLab 9 this summer, are now even better. It promises greater precision and fewer artifacts and smudging around selections. Additionally, the company added the ability to reorganize masks and submasks, and created the ability to filter your library by editing stage.

In Nik Collection 8.2, DxO expanded its Analog Efex option with a new paper texture tool. You can access Analog Efex from a toolbar option in Photoshop, and then select from 30 different paper textures, including fine-art matte and watercolor paper. You can adjust various parameters to fine-tune the link, including changing the color of the paper and selecting different blending modes.

PureRaw 5.5 is available for free for owners of DxO Pure Raw 5. All others will need to purchase either a new license for $130 or an upgrade license from DxO PureRaw 3 or 4 for $90. Likewise, PhotoLab 9.2 is free for those with DxO PhotoLab 9, or $120 to upgrade from 7 or 8 and $240 for a new license. Nik Collection 8.2 is available for free to Nik Collection 8 users and costs $100 for an upgrade license or $170 for a new license.

Press release:

DxO PureRAW 5.5 transforms Photoshop RAW editing, delivering cleaner, sharper, more detailed images

By leveraging Smart Filters, DxO PureRAW becomes a seamless alternative to Adobe Camera Raw inside Photoshop.

Paris (France): DxO, the global leader in RAW image processing, today announces the release of DxO PureRAW 5.5, a free update that introduces a game-changing integration with Adobe Photoshop. With the ability to work as a Photoshop Smart Filter, DxO PureRAW now gives photographers direct access to its world-class RAW conversion tools — including the recently released DeepPRIME 3 and DeepPRIME XD3 for X-Trans sensors — without ever leaving Photoshop.

"With DxO PureRAW 5.5, Photoshop users finally have a true alternative to Camera Raw — one that delivers visibly superior results straight from their RAW files," said Jean-Marc Alexia, VP of Product Strategy. "This is a major step forward for photographers who demand the highest image quality without compromising on workflow flexibility."

Photoshop, supercharged

Until now, Photoshop users have relied on Adobe Camera Raw to handle the first stage of RAW development. With DxO PureRAW 5.5, they gain an alternative that seamlessly slots into their workflow, offering unmatched noise reduction, detail recovery, and optical corrections. The new Smart Filter integration means PureRAW can be applied non-destructively, with the
flexibility to return and fine-tune processing at any point in the editing journey.

Cleaner, sharper, more detailed images

  • The third generation of DxO’s pioneering technology, DeepPRIME 3, delivers
    unprecedented image quality — free of noise and with exceptional color rendering — for images captured at high ISO levels.
  • DxO’s DeepPRIME XD technology is designed for the most demanding files captured in challenging conditions. As well as eliminating noise, it draws out unprecedented detail from the RAW file. Introduced in DxO PureRAW 5, DeepPRIME XD3 for X-Trans brings DxO’s most advanced denoising technology to Fujifilm users.
  • Exclusive to DxO software and built on more than 20 years of cutting-edge research and analysis, DxO Modules automatically optimize lens sharpness, and correct distortion, vignetting, and chromatic aberration, delivering the best possible performance from more than 100,000 camera and lens combinations.
  • New in DxO PureRAW 5.5, integration with Photoshop’s Smart Filters ensures complete control, giving users the freedom to revisit DxO PureRAW settings at any time.

Price and availability

DxO PureRAW 5.5 is available today from the DxO website (shop.dxo.com) for macOS and
Windows machines:

New license 129.99$ / 119.99€ / 109.99£

Upgrade from DxO PureRAW 3 or 4 89.99$ / 79.99€ / 69.99£

A 14-day free trial is available from dxo.com/en/dxo-pureraw/download.

Version 5.5 is available as a free update to owners of DxO PureRAW 5.

Press release:

DxO PhotoLab’s acclaimed AI masks get even better in version 9.2 — plus workflow upgrades to match

The ultimate RAW photo editing software continues to evolve, with more accurate selections, re-organizable masks, and new PhotoLibrary filters.

Paris (France): DxO, the imaging science pioneer and developer of the world’s most advanced RAW photo editing software, today announces the release of DxO PhotoLab 9.2, bringing significant improvements to its widely acclaimed AI-powered masking tools alongside a set of workflow enhancements designed to make photographers more productive than ever.

“We’ve been delighted with how our AI masks have been received, and now we’ve made them even better,” said Jean-Marc Alexia, VP of Product Strategy. “With these enhancements, photographers can guarantee more accurate selections, freeing them up to concentrate on their creativity.”

Acclaimed AI Masks get further improvements

DxO’s AI masks — introduced in PhotoLab 9 — already allow photographers to make complex local adjustments in just a few clicks, with a flexible mask and submask system that lets them build sophisticated, interacting selections for even greater precision and control.

With version 9.2, these masks become even more powerful thanks to improved matting and an upgraded sensibility threshold for cleaner, more accurate edges around complex subjects. The result is an AI masking system that feels smarter, faster, and more intuitive than ever.

Workflow upgrades photographers will love

DxO PhotoLab 9.2 also introduces several workflow refinements:

  • Re-organizable masks with improved labelling — With this update, users gain even greater control over their local adjustments. Masks and sub-masks can now be freely reordered, making it easier to keep complex edits organized and intuitive. In addition, when a mask is duplicated, the software automatically labels the new version with a sequential number, saving time and avoiding confusion. These refinements streamline workflows and help photographers stay focused on the creative process rather than on file management.
  • New PhotoLibrary filters — File management and image curation become even more efficient in DxO PhotoLab 9.2 thanks to the addition of three new filters designed to speed up the way photographers locate their work. Alongside the existing options, users can now instantly display only Unedited Images, quickly isolate Edited Images, or focus specifically on Edited Images featuring Local corrections. Whether you want to return to untouched RAW files, review your overall edits, or check exactly where you applied selective adjustments, these new filters make it faster and simpler to navigate even the largest photo libraries.
  • Improved History panel for Windows — Already available on macOS, the History panel now remembers every step of an edit even after the software is closed and reopened. Windows users can now step back to any point in their editing workflow across multiple sessions, ensuring complete editing continuity.

Industry-acclaimed AI masks with next-level precision

DxO PhotoLab 9’s AI masks have already redefined what photographers can expect from
intelligent local adjustments, earning widespread praise in the industry press. They allow users to instantly isolate subjects, skies, or backgrounds, and their advanced functionality means masks can be organized with sub-masks that interact with one another for highly complex, layered selections.

Whether combining, subtracting, or refining, DxO PhotoLab 9 makes intricate editing workflows both powerful and remarkably fluid. And when even greater precision is needed, DxO’s renowned U Point™ technology offers intuitive fine-tuning with control points and brushes.

Price and availability

DxO PhotoLab 9.2 is available today from the DxO website (shop.dxo.com) for macOS and
Windows machines:

New license 239.99$/ 239.99€ / 219.99£

Upgrade from DxO PhotoLab 7 or 8 119.99$/ 119.99€ / 109.99£

A 30-day trial is available from dxo.com/en/dxo-photolab/download.

Version 9.2 is available as a free update to owners of DxO PhotoLab 9.

Press release:

Nik Collection 8.2, the essential Photoshop plugin suite, expands Analog Efex with new paper texture tool for print-inspired looks

The creative powerhouse introduces 30 new overlays to give images a tactile, storytelling edge, adding to a wealth of vintage looks.

Paris (France): DxO, the pioneering imaging software company, is pleased to announce the release of Nik Collection 8.2, the latest update to its powerful suite of creative plugins for photographers and retouchers. This new version introduces a fresh set of authentic paper textures, expanding the creative possibilities for artists who want to give their images unique depth, tactility, and character.

With Nik Collection’s renowned filters and effects already helping photographers transform their work, the addition of paper textures brings a whole new dimension. From fine-art matte finishes to richly grained watercolor surfaces, these textures let users add subtle atmosphere or bold artistic style with just a few clicks.

“Texture is a versatile tool in creative photography,” said Boris Oliviero, Product Director. “With the new paper textures in Nik Collection 8.2, photographers can now infuse their images with the timeless look of print and fine art, while enjoying the speed and flexibility that makes Nik Collection the gold standard for creative expression.”

The art of texture, redefined

Nik Analog Efex celebrates the art of imperfection, recreating the charm and unpredictability of classic cameras, lenses, and films. With its rich palette of analog-inspired effects — from light leaks and lens distortions to vintage film grains and color casts — it gives photographers the freedom to transport their images into another era.

The new tool for adding paper textures offers:

  • 30 authentic paper surfaces — Inspired by traditional photographic, artistic and antique papers, the new textures add grain, depth, and character to images.
  • Fine control — Adjust intensity, blend modes, and tonal integration to achieve everything from subtle mood to striking artistic impact.
  • Effortless workflow — Nik Collection 8 integrates effortlessly with Adobe Photoshop, and works efficiently alongside DxO PhotoLab, Adobe Lightroom Classic, and Affinity Photo.

Nik Collection 8.2 continues DxO’s commitment to creative freedom, blending heritage with cutting-edge technology. Alongside the new paper textures, users benefit from ongoing stability improvements and performance optimizations across the suite’s seven plugins.

Price and availability

Nik Collection 8.2 is available today from the DxO website (shop.dxo.com) for macOS and
Windows machines:

New license 169.99$ / 159.99€ / 144.99£

Upgrade from Nik Collection 6 or 7 99.99$ / 89.99€ / 79.99£

A 30-day trial is available from nikcollection.dxo.com/download.

Version 8.2 is available as a free update to owners of Nik Collection 8.

Royal Enfield's electric scrambler lands late 2026 with a ton of tech

Gizmag news -

Back in May, Royal Enfield revealed details about its plans for its Flying Flea electric motorcycle brand, and mentioned two models. We'd seen a lot of the C6 meant for city streets, and only got a grainy glimpse of the off-roady S6. The company's properly unveiled the scrambler at EICMA 2025 in Milan, and it sure looks like a treat for folks willing to get it out onto their favorite trailheads.

Continue Reading

Category: Motorcycles, Transport

Tags: , , ,

Remnants of a prehistoric 'proto-Earth' may still lurk beneath our feet

Gizmag news -

Scientists have long wondered why Earth's overall makeup doesn't fully match the mix of materials found in ancient meteorites. One hypothesis has been that our proto-Earth (what the earliest stages of the Earth is referred to, before the Moon formed) gathered different kinds of material than it did after the giant impact that created the Moon.

Continue Reading

Category: Science

Tags: , ,

Simple saliva test catches heart failure before you know you have it

Gizmag news -

In a breakthrough for diagnostics, scientists have created an easy and effective test that identifies a heart failure biomarker in saliva, opening the door to more rapid and accessible life-saving medical interventions for the disease.

Continue Reading

Category: Heart Disease, Illnesses and conditions, Body and Mind

Tags: , , , , , ,

How animals really get their 'perfectly imperfect' spots and stripes

Gizmag news -

There are many purposes that spots and stripes serve in nature, but how they form has been more of a mystery to scientists. Now, researchers have advanced their breakthrough theory – and it could help us design materials that can respond to the environment and change color on demand.

Continue Reading

Category: Biology, Science

Tags: , , , , , , , ,

Bird flu virus found surviving in certain cheeses

Gizmag news -

A dangerous type of bird flu virus (called H5N1) continues to circulate among dairy cows in the US. The virus targets the mammary gland's milk-secreting epithelial cells, causing painful infections in the udder. It also leads to large amounts of virus being released into the milk. This infected milk can expose other cows, pets, wild animals, and possibly humans to the virus, a potential threat beyond just the farm.

Continue Reading

Category: Infectious Diseases, Illnesses and conditions, Body and Mind

Tags: , , ,

Σελίδες

Subscribe to ΠΛΗΡΟΦΟΡΙΚΗ συλλέκτης