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World's first chatbot trial for mental health may be a watershed moment

Gizmag news -

Love it or hate it, there's no question that chatbots are here to stay. And while an increasing number of people have been turning to the likes of Claude and ChatGPT for personal help, there's only been anecdotal evidence as to their value for mental health. That is, until now.

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Category: AI in Health, Medical Innovations, Body & Mind

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5-man 4x4 camper sets new American standard for backcountry group tours

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Off-road RV specialist Storyteller Overland is switching on a new Mode. Realizing those forever-young, free-living van lifers aren't actually going to stay young forever and might even outgrow their two-person adventure Sprinter, it's building a van for the whole family ... or starting basketball team. The company leaps right past the common four-berth pop-up camper to create a five-seat five-sleeper Sprinter 170 that's every bit as rugged, adventurous and versatile as its smaller 144s. It's the Crew Mode, and it sleeps the most adventurous tribes inside hard walls that run from floor to pop-top.

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Category: Automotive, Transport

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Smart insoles: A boon to expert athletes and rehab patients alike

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Scientists have developed smart insoles that accurately measure the forces created when a foot hits the ground in the real world. The innovative tech has a range of applications, from assisting in rehabilitating injured patients to helping athletes achieve peak performance and prevent injuries.

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Category: Fitness & Exercise, Wellness & Healthy Living, Body & Mind

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New plastic dissolves in the ocean overnight, leaving no microplastics

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Plastics are durable and strong, which is great while they’re being used but frustrating when they end up in the environment. Scientists at RIKEN in Japan have developed a new type of plastic that’s just as stable in everyday use but dissolves quickly in saltwater, leaving behind safe compounds.

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Category: Materials, Science

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World's longest quantum communications link stretches over 8,000 miles

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The world’s longest quantum communications link has been set up between China and South Africa, spanning a record-breaking 12,900 km (8,015 miles). The connection takes advantage of quantum physics for “unbreakable” encryption.

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Category: Telecommunications, Technology

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Panasonic's latest firmware update for the S9 improves startup time

Digital Photography Review news -

Photo: Dale Baskin

Panasonic has released a firmware update for the Lumix DC-S9, offering some smaller performance-related fixes. Firmware Ver.1.3 is mostly subtle, but it promises to address one of the S9's slightly frustrating features: its slow startup speed.

When we reviewed the S9, start-up times were occasionally upwards of four seconds. On paper, that doesn't seem like much, but it was notably slow at times. In many situations, that won't be much of a problem beyond a slight inconvenience. But when you are trying to capture something happening right that moment, four seconds could mean the difference between getting the shot or not. The official note for the firmware update says, "The startup speed when powering on has been improved." We haven't tested the new firmware to see how much of a difference this makes, but it's good to see that Panasonic is addressing the issue.

Beyond startup speed, Ver.1.3 also promises improved operational stability and offers some subtle Wi-Fi-related updates, all of which you can see below. You can download Ver.1.3 now from the Panasonic website.

Firmware Ver.1.3 notes:

Feature changes due to security enhancements

  • When directly connecting the camera and smartphone via Wi-Fi, the connection has been changed to always require password authentication. (The [Wi-Fi Password] menu has been removed.)
  • The [TKIP] encryption method is no longer supported when connecting to Wi-Fi via an access point.
  • The [No Encryption] option in network authentication is no longer supported when connecting to Wi-Fi via an access point.
  • The image transfer feature to PC via Wi-Fi has been removed. (Only European/Ukrainian models)

Other improvements

  • The startup speed when powering on has been improved.
  • The operational stability has been improved.

Conflict, climate and resilience: Powerful images from the 2025 World Press Photo Contest

Digital Photography Review news -

2025 World Press Photo Contest winners

The 68th annual World Press Photo Contest winners have been announced, highlighting outstanding examples of documentary photography and photojournalism worldwide. The contest is divided into six regions: Africa, Asia-Pacific and Oceania, Europe, North and Central America, South America, and West, Central, and South Asia. Each region features Single, Story and Long-Term Project categories, with the latter two including multiple images per winning photographer.

The contest grew this year, with three winners instead of only one selected across the Single and Story categories per region. There is still only one Long-Term Project winner per region. In total, 42 photographers were selected as winners. Of those winners, 30 were local to where they photographed their subjects.

This year's themes included politics, migration, conflict, gender and the climate crisis. Photographers captured some of the world's current conflicts, the impact of climate disasters, secret Pride celebrations, portraits of those impacted by war and much more. The awarded stories will be part of World Press Photo's annual traveling exhibition, which will be held in over 60 locations around the world, beginning with Amsterdam at De Nieuwe Kerk from April 18 to September 21.

World Press Photo prohibits the use of AI in images, including generative fill and fully generated images. The contest uses a multilayered approach to spot fake and manipulated images, partly including verification of the facts behind each story and examinations by digital analysts.

You can see more of the winning images and projects on the World Press Photo website.

Africa – Singles: Temiloluwa Johnson

Photographer: Temiloluwa Johnson

Image title: Mother Moves, House Approves

Date: June 21, 2024

Image details: Participants at “Heavenly Bodies,” an underground drag ballroom event during Lagos Pride, celebrate the “mother of the year” winner. Lagos, Nigeria.

Members of the LGBTQI+ community in Nigeria face legal prosecution, widespread social discrimination, and physical violence. Held in a secret location, “Heavenly Bodies: Notes on Fola Francis” was the third edition of the Pride celebration in Lagos ballroom, one of the largest drag ballroom experiences in Nigeria. The 2024 series was named after the late Fola Francis, a trans icon, activist, and first openly transgender person to walk the runway during Lagos Fashion Week. Despite all risks, the event was an electrifying experience, providing a vibrant space for celebration of love and free self-expression.

Jury comment: In a country where LGBTQ+ peoples have no legal protection and face up to fourteen years in prison, this image portrays a moment to breathe for the queer community. The striking composition seamlessly ties together a busy scene, conveying joy, love, and celebration. Due to the sensitive legal context, this story is often overlooked in the region, but by focusing on body language, gestures, and shapes, the photographer captures the essence of the moment while protecting the identities of those involved.

Africa – Stories: Luis Tato

Photographer: Luis Tato, Agence France-Presse

Series title: Kenya’s Youth Uprising

Date: June 25, 2024

Image details: Two protestors helping injured people are hit with tear gas outside the Kenyan Parliament during a national strike against the Finance Bill 2024. Nairobi, Kenya.

In 2024, the National Treasury of Kenya proposed additional taxes on everyday items to generate additional income and alleviate Kenya’s high debt burden. Protests against the bill erupted, led by young Kenyans who organized actions over social media. On 25 June, protestors stormed Parliament and clashed with police; many were killed or abducted and hundreds were injured. Though President William Ruto withdrew the bill, protests persist into 2025, fueled by anger over economic hardship, corruption, police brutality, and distrust of the political class. All across Kenya, young people have emerged as a driving force, demanding accountability and systemic reforms.

Jury comment: This project offers strong photojournalistic coverage of a key news event from the year, with each shot and the overall edit effectively capturing the unfolding events while also addressing larger issues of generational divides across Kenya, particularly the disillusionment between older and younger generations. The photographer's ability to capture the story from both sides, while being so close to the friction—moments of explosion when fatalities occurred—adds significant depth. The high-level photography aligns perfectly with what the jury was looking for.

Africa – Long-Term Project: Cinzia Canneri

Photographer: Cinzia Canneri, Association Camille Lepage

Project title: Women’s Bodies as Battlefields

Date: June 4, 2021

Image details: Despite experiencing trauma, the girls find strength and support in their
shared experiences, fostering resilience, self-confidence, and collective strength. Um Rakuba Refugee camp, Gedaref, Sudan.

Project details: In 2017, Cinzia Canneri began documenting the experiences of Eritrean women fleeing Eritrea’s repressive government. Since the outbreak of war in the Tigray region of Northern Ethiopia in 2020, her scope has expanded to include the stories of Tigrayan women fleeing from armed invasion. Both groups have been the targets of systematic sexual violence – rape, shooting, torture – that, due to social stigma, limited health facilities, and journalistic access, remains insufficiently reported by news media. By amplifying the stories and voices of the survivors, this project reimagines the idea of resilience as a complex collaborative challenge against pain, trauma, and loss.

Jury comment: This project amplifies the voices of the women affected by the war in the border region of Eritrea, Ethiopia, and Sudan, with remarkable depth and care. The jury was impressed by the photographer's commitment to the story and the trust she fostered with the Tigrinya women she photographed, shedding light on their underreported experiences. Despite working within a challenging media landscape marked by misinformation and difficulty in gaining access, the work offers a rare, intimate perspective, balancing the weight of the subject matter with moments of beauty and tenderness. Furthermore, the photographer’s self-reflective approach—evident in the strong captions, thoughtful sequencing, and acknowledgment of her positionality as an Italian woman in a region shaped by Italy’s colonial history—adds further depth to this powerful work, balancing the weight of the subject matter with moments of beauty and tenderness.

West, Central, and South Asia – Singles: Murat Şengül

Photographer: Murat Şengül, Anadolu Agency

Image title: Drone Attacks in Beirut

Image date: September 29, 2024

Image details: People glance anxiously upwards during an Israeli drone strike, as they take refuge away from buildings in Beirut’s Dahiyeh neighborhood. Jets and drones often fly at low altitudes, causing fear and distress. Lebanon.

Cross-border attacks between Israel and Lebanon-based Hezbollah – ongoing since the outbreak of the war in Gaza – escalated sharply in September 2024. Israel announced a new goal to eliminate the militant group, first launching airstrikes into southern Lebanon, and later a ground offensive. Beirut, initially a refuge for those fleeing airstrikes in southern Lebanon, itself came under fire as attacks spread northwards. From 27 September, Israel targeted buildings, including apartment blocks in Dahiyeh, saying that Hezbollah was headquartered in the densely populated suburb.

Jury comment: This photo captures a paradoxical moment of people seeking safety while sheltering outdoors, highlighting the impact of drones and technological warfare. It brings attention to the psychological trauma endured by those living under constant threat, where safety is elusive, and terror can strike from the sky at any moment. It powerfully conveys the ongoing reality of living in fear.

West, Central, and South Asia – Stories: Ali Jadallah

Photographer: Ali Jadallah, Anadolu Agency

Series title: Gaza Under Israeli Attack

Date: August 9, 2024

Image details: Relatives of people killed in an Israeli attack on the Nuseirat refugee camp
mourn as the bodies are brought to al-Aqsa Hospital. Deir al-Balah, Gaza.

Series details: Israel continued its war on Gaza throughout 2024, leaving much of it in ruins. The UN reports more than 60% of homes have been destroyed and 95% of hospitals are non-functional. Nearly two million people have been displaced amid acute shortages of food, clean water, and medicines, due to Israeli restrictions.

With international journalists effectively barred from Gaza, local photographers risked their lives to document the war. The photographer, who has also lost family members, says: “Every time I photograph a destroyed house, I remember mine. Every time the wounded and martyred are pulled from the rubble, I remember my father and siblings.”

Jury comment: The jury felt this work offers a critical representation of the industrial scale of violence experienced daily by Gazans. Despite the story's graphic imagery, the project serves as a powerful record of the immense human cost and destruction endured by civilians. Additionally, it underscores the vital role of Gazan photographers in bearing witness to these ongoing atrocities, ensuring that the world does not look away especially as international journalists are barred entry.

West, Central, and South Asia – Long-Term Project: Ebrahim Alipoor

Photographer: Ebrahim Alipoor

Project title: Bullets Have No Borders

Date: June 1, 2019

Image details: A kolbar follows an arduous mountain path. Kolbars’ packs can weigh around 50 kg, and crossings take an average of eight to 12 hours. Kurdistan, Iran.

Project details: Kolbars (border couriers) carry goods, such as household appliances, mobile phones, and clothes, on their backs through treacherous terrain from Iraq and Turkey into Iranian Kurdistan. The Iranian government bans import of many such goods to protect local production and save foreign currency in the face of Western sanctions. Decades-long marginalization of Kurds means widespread unemployment in the region, driving many to kolbari. In addition, many kolbars see the activity as legitimate, as they feel ties with fellow Kurds across nation-state borders they do not acknowledge. However, kolbars risk being shot by security forces and border patrols.

Jury comment: The jury felt that this project—shot in Western Iran—provides a rare and deeply nuanced perspective on the complex impacts of economic sanctions, offering a lens rarely seen in mainstream coverage. The photographer's long-term commitment and willingness to take significant personal risks to tell this story is evident in every frame. Each image stands on its own while also contributing to a broader, compelling narrative, inviting viewers to slow down, engage with each caption, and absorb the layered realities of life under sanctions.

Asia-Pacific and Oceania – Singles: Mas Agung Wilis Yudha Baskoro

Photographer: Mas Agung Wilis Yudha Baskoro for China Global South Project

Image title: The Impact of Nickel Mining on Halmahera Island

Date: August 12, 2024

Image details: Workers ride towards a nickel smelting and processing plant, amid heavy rains that continued for two days, causing flooding. Weda, Halmahera, Indonesia.

Nickel mining in Indonesia has ramped up in the past decade, and Weda Bay now accounts for 17% of global production of a metal essential for electric vehicle batteries and renewable energy storage. Research indicates that deforestation from mining leads to longer and more frequent flooding. Air pollution from nickel smelting and coal-based energy production has also surged, with one local health center recording a 25-fold increase in respiratory diseases between 2020 and 2023.

Jury comment: This image captures the impact of foreign industry and mining operations on the local community, pulling together complex issues like the exploitation of raw materials, pollution of the environment, and the influence of corporate power, into a single frame. The strong foreground emphasizes the intertwined social and environmental cycle and trap of industrialization, whereby local communities become dependent on industrial jobs that are simultaneously leading to the ruination of the environment. Direct eye contact from the workers in the frame further draws the viewer into the story, underscoring the human toll of these issues.

Asia-Pacific and Oceania – Stories: Noel Celis

Photographer: Noel Celis for Associated Press

Series title: Four Storms, 12 Days

Date: October 25, 2024

Image details: A boy wades through a flooded street with his pet dogs in a styrofoam
container, after Tropical Storm Trami. Naga City, Camarines Sur, northern Philippines.

Series details: Four consecutive cyclones, three of which developed into typhoons, hit the Philippines in a matter of days in late October and early November 2024. Tropical Storm Trami, followed by Typhoons Yinxing, Toraji, and Usagi left a trail of destruction, mostly in the northern Luzon region.

A Philippine Climate Change Assessment Cycle report points to a 210% increase in typhoons hitting the Philippines since 2012, and other studies indicate that the climate crisis is intensifying extreme rainfall and flooding worldwide.

Jury comment: This selection highlights the increasing frequency of natural disasters in Southeast Asia, illustrating how people are becoming increasingly accustomed to such events. The classic edit includes photographs that juxtapose intimate moments with the broader scale of these storms, capturing both their personal impact and the wider consequences at the local and national scale. The combination of day- and night-time shots emphasize the relentless nature of these extreme weather events, maintaining a consistent aesthetic throughout.

Asia-Pacific and Oceania – Long-Term Project: Tatsiana Chypsanava

Photographer: Tatsiana Chypsanava, Pulitzer Center, New Zealand Geographic

Project title: Te Urewera – The Living Ancestor of Tūhoe People

Date: November 21, 2016

Image details: John Rangikapua Teepa (63) gathers pikopiko, edible fern fronds, near his home. Pikopiko are considered a delicacy among Tūhoe elders. Ruatoki, New Zealand.

Project details: The Ngāi Tūhoe people of the Te Urewera region in New Zealand have maintained a staunch independence. Tūhoe have never lost their connection to their language and cultural identity, and in a groundbreaking 2014 agreement, the New Zealand government opened the way to Tūhoe managing their ancestral lands according to their cultural values.

Recent changes by New Zealand’s right-wing government are seen as reversals of such hard-fought progressive policies regarding indigenous peoples. Yet the Tataiwhetu Trust farm in Te Urewera offers a revitalizing model for a younger generation.

Jury comment: The jury felt this project stood out as a powerful, detailed look at the Ngāi Tūhoe people's fight for the return of their ancestral lands and indigenous rights. It captures the ongoing governance struggles between Te Urewera's ways of being and Western knowledge, along with tensions from far-right political movements. Through a variety of thoughtful frames, the work provides a compelling visual dialogue about relationships to land and cultural preservation, shedding light on an often underrepresented community.

South America – Singles: Anselmo Cunha

Photographer: Anselmo Cunha, Agence France-Presse

Image title: Aircraft on Flooded Tarmac

Date: May 20, 2024

Image details: A stranded Boeing 727-200 surrounded by floodwaters at Salgado Filho International Airport. Porto Alegre, Rio Grande do Sul, Brazil.

Between April and June 2024, record-breaking rainfall in the state of Rio Grande do Sul, Brazil, led to the worst flood in the area’s history. More than half a million people were displaced and more than 183 died in the floods. According to scientists, climate change – driven primarily by the burning of fossil fuels, including those used in passenger air travel – almost certainly intensified the floods. In the larger context of the global climate crisis, this image of a plane suspended between sky and water becomes a foreboding symbol.

Jury comment: The jury was struck by the eerie atmosphere of this image, which contributes to a powerful visual narrative of Brazil’s surreal climate extremes— shifting between record droughts and devastating floods. The frame of the abandoned aircraft captures the unsettling impact of flooding in Rio Grande do Sul, provoking reflection about disasters in modern society and the fragility of man-made systems.

South America – Stories: Musuk Nolte

Photographer: Musuk Nolte, Panos Pictures, Bertha Foundation

Series title: Droughts in the Amazon

Date: October 5, 2024

Image details: A young man brings food to his mother who lives in the village of Manacapuru. The village was once accessible by boat, but because of the drought, he must walk 2 kilometers along the dry riverbed of the Solimões River to reach her. Amazonas, Brazil.

Series details: The Amazon River is experiencing record low-water levels due to severe drought intensified by climate change. This ecological crisis threatens biodiversity, disrupts ecosystems, and impacts local communities reliant on rivers for survival. As droughts intensify, many settlers face the difficult choice of abandoning their land and livelihoods for urban areas, changing the social fabric of this region permanently. This project makes the effects of climate change, which can so often be abstract or difficult to represent, appear as a tangible and concrete reality shaping the futures of vulnerable communities closely connected with the natural world.

Jury comment: The jury felt this project was critical to highlight, as it documents unprecedented drought in the Amazon and its profound impact on communities connected to natural cycles. This work powerfully illustrates the consequences of climate change— landscapes transformed, livelihoods disrupted, and the urgent need for adaptation. The striking contrast of dry, desert-like scenes in the world's largest rainforest makes the absence of water hauntingly visible. The photographer captures the scale of environmental change while centering the human experience, offering a compelling visual narrative of a rapidly shifting reality.

South America – Long-Term Project: Federico Ríos

Photographer: Federico Ríos

Project title: Paths of Desperate Hope

Date: August 2, 2023

Image details: Thousands of migrants wade into the Rio Muerto (“Death River”) at the Darién Gap, where several have drowned in its treacherous waters. They assist one another to prevent drowning in the swift currents. Rio Muerto, Colombia.

Project details: This project documents the perilous journeys of migrants traversing the Darién Gap, a 100-kilometer long stretch of dense jungle connecting Colombia and Panama. Over a million people have braved this route since 2021. They hail from diverse nations – Afghans escaping Taliban rule, Venezuelans seeking refuge from economic collapse, Chinese fleeing authoritarianism, and many others – driven by the pursuit of a better life. Their stories are full of danger: treacherous rivers, unforgiving terrain, and the constant threat of violence and exploitation. Many never make it. Those who succeed find themselves only at the beginning of a different and difficult journey through Central America and Mexico to the United States.

Jury comments: The jury felt this project was exceptionally well done, offering a sincere and touching portrayal of migration through the Darien Gap, one of the most important yet dangerous migration routes in the Americas. The photographer follows families on this journey, giving faces to migrants in search of better lives, humanizing their stories. The selection of images captures both the personal and environmental challenges and hardships— dangerous terrain and threats from wildlife as well as human threats from organized crime— all while showing the hope and desperation that drive these families forward. Each image reflects the diverse range of people on this route and the harsh reality of their journey, making this a powerful and vital story of global migration.

North and Central America – Singles: John Moore

Photographer: John Moore, Getty Images

Image title: Night Crossing

Date: March 7, 2024

Image details: Chinese migrants warm themselves during a cold rain after crossing the US–Mexico border. Campo, California.

Unauthorized immigration from China to the US has increased dramatically in recent years due to a host of factors, including China’s struggling economy and financial losses after strict zero-COVID policies. Moreover, people are being influenced by video tutorials on how to get across the border, shown on Chinese social media platforms. This image, both otherworldly and intimate, depicts the complex realities of migration at the border, which is often flattened and politicized in public discourse in the United States.

Jury comment: This image powerfully connects distant regions through a complex story of migration— portraying migrants from Asia navigating South and Central America on their journey to North America. The frame's otherworldly quality, paired with the tenderness between parent and child, invites reflection and evokes questions about the uncertainty that lies ahead. In a single picture, the photographer conveys both immense vulnerability and resilience.

North and Central America – Stories: Rebecca Kiger

Photographer: Rebecca Kiger, Center for Contemporary Documentation, TIME

Series title: A Town Derailed

Date: May 9, 2023

Image details: The site of the East Palestine train derailment, approximately three months after the disaster. East Palestine, Ohio, United States.

Series details: On 3 February 2023, a Norfolk Southern train derailed in East Palestine, Ohio, a small town of 4,700 residents. The train contained hazardous materials, including known carcinogens. It was one of the most toxic train spills in the history of the United States, which raised concerns about the environmental and public health impacts of the derailment. This project chronicles the aftermath of the disaster and its continuing impact on the local community after national media attention waned. Embedded with residents as they sought corporate accountability and navigated conflicting health information, the photographer captures the nuanced new reality of East Palestine in limbo, highlighting the complex relationships between residents and their environment, health, and governing institutions.

Jury comment: The jury felt that this story effectively tells a story of a town impacted by corporate negligence, putting in focus the persistence of its residents to seek justice. The selection of frames skillfully blends thoughtful, intimate visuals. The photographer's immersive reporting, captures both the human cost and systemic issues with striking sensitivity.

North and Central America – Long-Term Project: Carlos Barrera

Photographer: Carlos Barrera, El Faro, NPR

Project title: Life and Death in a Country Without Constitutional Rights

Date: September 22, 2022

Image details: A group of arrested people awaits entrance to Ilopango jail. Many will spend over a year behind bars without due process. Trials are conducted in groups rather than on a case-by-case basis. Ilopango, San Salvador, El Salvador.

Project details: In 2022, El Salvador’s President Nayib Bukele and its legislative assembly passed a law declaring a “state of emergency” that limited the rights of El Salvadorans to freedom of assembly, privacy of communication, and due process under the law. This temporary measure, designed to curb gang violence responsible for El Savador’s high murder rate, has been renewed 35 times as of March 2025, turning El Salvador into a nation where mass incarceration is the norm. Prisons in El Salvador have become severely overcrowded and reports of inhumane treatment, poor medical care, violence, and murder are common. This project focuses on the stories of individuals and affected families to show the private struggles behind public policy.

Jury comment: The jury felt that this project powerfully captures the personal toll of state violence, offering an intimate view into the lives of individuals who have been unfairly arrested and brutalized. The photographer’s creative approach to protecting identities while maintaining visual impact heightens the sense of descending darkness and terror. The story resonates beyond its borders, reflecting the global implications of migration politics as many Salvadorians face the prospect of being deported back to the violence they once fled. The photographer’s work, undertaken at enormous personal risk, brings viewers closer to the human cost of authoritarianism.

Europe – Singles: Nanna Heitmann

Photographer: Nanna Heitmann, Magnum Photos, for The New York Times

Image title: Underground Field Hospital

Date: January 22, 2024

Image details: A soldier injured near the city of Bakhmut, lies in a field hospital set up in an underground winery. His left leg and arm were later amputated. Donbas, Ukraine.

This soldier was conscripted to fight for the Russian-backed, separatist “republic” of Donetsk in eastern Ukraine on 22 February 2022, two days before the full-scale Russian invasion of the country. Later, Russia unilaterally annexed the territory, and the militia that conscripted him was merged into a unit of the Russian army. Russia has occupied vast swathes of eastern Ukraine, and the city of Bakhmut has seen some of the bloodiest battles of the war.

Jury comment: The jury considered the two singles from Europe about the Russian-Ukrainian war in tandem, recognizing them as a powerful pairing that captures different dimensions of the conflict. The first image, of a soldier conscripted to fight for the Russian-backed, separatist “republic” of Donetsk in eastern Ukraine, carries complex symbolic weight, raising thought-provoking questions about nationality and political divides. The second image, of a Ukrainian child, Anhelina, at rest, offers a contrasting perspective — quiet, suspended, and distanced from direct violence, yet still profoundly shaped by the war and its psychological scars. Together, these images expose both the physical and psychological toll of the war, with the pairing providing a deeper, more nuanced view of a conflict with far-reaching global ramifications.

Europe – Stories: Maria Abranches

Photographer: Maria Abranches

Series title: MARIA

Date: November 27, 2023

Image details: One of Ana Maria’s uniforms hangs ready for work. Originally called Utima (the Kimbundu word for "heart”), she was given her new name by the family that brought her to Portugal. Lisbon, Portugal.

Series details: Ana Maria Jeremias’ life as a carer and domestic worker in Portugal echoes the experience of countless women around Europe. Trafficked from Angola to Portugal aged nine, under false promises of education, Ana Maria has spent more than four decades working in other people’s homes, making a vital contribution to their daily lives. By focusing on Ana Maria’s story, the photographer aims to encourage reflection on privilege, as well as to honor her life (and that of so many women like her).

Jury comment: The jury found this project touching and profoundly layered. The photographer was able to connect with her subject respectfully, recording different moments of her daily life. Through these intimate frames, the photographer highlights telling details—symbolic reminders of the lingering consequences of Portugal's colonial past. The work sparks reflection about how this history continues to shape social structures today.

Europe – Long-Term Project: Aliona Kardash

Photographer: Aliona Kardash, DOCKS Collective, for Stern Magazine

Project title: It Smells of Smoke at Home

Date: August 5, 2023

Image details: Aliona (left) sits with her younger sister Sanya, a mother of two. Aliona has never talked to Sanya about the war and has no idea of what it must be like to raise a son in wartime Russia. Tomsk, Russia.

Project details: Russia’s de facto ban on critical media and suppression of anti-war protests has created an alternative reality with its own take on what Russia calls its “special military operation” in Ukraine instead of a full-scale invasion. In this story, Aliona Kardash, Russian-born, but now resident in Germany, reflects on the loss of home, and on love for people who believe in a different version of reality. Making a return visit to her hometown, Aliona tries to capture how war transforms us, and to sustain the belief that personal bonds are stronger than the forces that tear us apart.

Jury comment: The jury found this long-term project to be a deeply personal insight into the fractures within Russian society since the full-scale invasion of Ukraine, revealing complexities often overlooked when viewing Russia as a monolith. The photographer visually conveys her melancholy regarding her connection to her family as they are influenced by state propaganda, grappling with the universal dilemma of how to hold to loved ones subsumed by state control. As conflict increasingly draws journalists into their own stories, this project reflects the nuance of their narratives, capturing a personal experience with global resonance.

Ring Mouse makes doomscrolling easier than ever

Gizmag news -

We've seen a bunch of wacky mouse-on-a-ring ideas over the years, including this big boy from 2011, and this one that uses a built-in camera to turn your entire desk into a trackpad. A new device that's currently crowdfunding on Kickstarter takes a more straightforward approach, and it looks like something you might actually use.

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Category: Wearables, Consumer Tech, Technology

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Discover the sports photography legend who's first name famous

Digital Photography Review news -

Belgian cyclist Jolien D'Hoore competes in the Women's Omnium Individual Pursuit event during the Rio 2016 Olympic Games on August 15, 2016.

Photo: Elsa / Getty Images

Elsa Garrison is a trailblazer in the world of sports photography. She was the first woman staff photographer at Getty Images and is renowned for her images capturing iconic moments in sports history. She's known in the industry simply by her first name, which says quite a lot. Her work includes coverage of collegiate and professional events worldwide, including (but certainly not limited to) the Olympics, World Series, Super Bowl, NBA Finals, US Open, FIFA World Cup and NCAA Final Four. She is in the depths of a busy time of year, but despite that, she took the time to answer some questions about her work and experiences as a sports photographer.

Elsa's first experience with photography was in ninth grade when she took an elective analog photography class. That quickly segued into working with the school yearbook and newspaper, photographing her friends who played sports to share the experience with them. Then, during her sophomore year, she was matched for a mentorship with local newspaper photographer Steve Kohls, who worked for the Brainerd Daily Dispatch in Brainerd, Minnesota. That experience was followed by a part-time job working for the paper, which involved photographing lots of high school sports.

New York Yankees pitcher Mariano Rivera walks onto the field at Yankee Stadium before facing the San Franciso Giants on September 22, 2013. The occasion marked Mariano Rivera Day, a special tribute to him by the Yankees.

Photo: Elsa / Getty Images

Her interest in photojournalism continued, and Elsa earned a Bachelor of Journalism at the University of Missouri. During her college years, she continued to work part-time, this time with the university's athletic department, the town paper and the Associated Press. In 1996, soon after graduating college, Elsa was hired by Allsport, a sports photo agency. Getty Images acquired Allsport in 1998, but she stayed on as a staff photographer and continues to work there to this day.

"I felt like I had to justify my existence or prove myself every single day."

Sports photography has, like so many other fields, traditionally been a very male-dominated field. "When I first started, a lot of the time, I would be the only woman on the field other than the cheer squad or members of the medical staff," explained Elsa. She said that was true even in cities with larger media markets. There weren't enough women traveling and covering sports like she was when she began her career, which came with its own challenges. "It was often isolating and I questioned my choices a lot," she said. "I felt like I had to justify my existence or prove myself every single day and that is emotionally exhausting."

Sabrina Ionescu, number 20 of the New York Liberty, celebrates with her husband, Hroniss Grasu, after the Liberty secured the WNBA championship against the Minnesota Lynx on October 20, 2024.

Photo: Elsa / Getty Images

Now, though, she sees more women working as team photographers or as photographers for the wires, papers and league social teams. She explained that she has seen tremendous growth especially in the last five years, as more women get opportunities to work in sports.

"My hope is that girls and women see themselves in sport."

Aiding in that growth is important to Elsa; to that end, she actively mentors women and underrepresented photographers. She greatly values mentorship because it can be a pathway to achieving goals and dreams. "There is a saying that if you can see it you can be it. To see women succeeding in sport photography gives others the courage to pursue it," she explained. "My hope is that girls and women see themselves in sport – as an athlete or someone like me who covers it as a photographer – and that they know not only do they belong here, but that their contributions are worthy and needed."

Elsa's work spans just about every sport you could imagine. She said she doesn't have a favorite to document but loves soccer, baseball, tennis and combat sports like boxing and MMA. That said, capturing playoffs and finals of any sport is what she truly loves. "The atmosphere is different than a regular season game as more is on the line. The matchups are usually tight and the environment is electric," she explained.

Brazilian Rebeca Andrade, the gold medalist of the Women's Floor Exercise, celebrates on the podium with silver medalist Simone Biles and bronze medalist Jordan Chiles, both from the United States, during the Medal Ceremony at the Parist 2024 Olympic Games on August 5, 2024.

Photo: Elsa / Getty Images

Of course, photographing those big events comes with challenges, too. "Every venue is different, and it is working out the logistics of where to shoot, what moments are important and how technically to capture those and deliver them in real time," Elsa explains. Photographing major sporting events means images often need to be sent in immediately, with captions, so they can be published right away. To help with this, she uses voice captions that are attached to the photographs, making it faster for the editor to get caption information.

Elsa has photographed many monumental sporting events that are full of memorable moments for fans and athletes. However, she says she generally doesn't grasp the gravity of the moment until after the fact. She's more focused on documenting the scene and technical aspects of what camera and lens choice she needs, so she doesn't process the importance until after the event.

"I love the challenge of capturing the moments that people will be writing about and talking about that day and for years to come."

However, that doesn't mean she doesn't see the importance of her work – she said that having the ability to freeze moments in history is truly special. "I get butterflies in my stomach when I get the feeling something big is going to happen – the final seconds of a World Cup final or the last out of game seven in a world series," she said. "I am not a sports fan per se, but I love the challenge of capturing the moments that people will be writing about and talking about that day and for years to come."

Elsa's work speaks for itself, with countless powerful, iconic shots of major sporting moments. More importantly, though, she has also left a lasting impact on the world of sports photography, paving the way for even more women. You can see more of Elsa's work in most places where sports photos are shown, on her website and on Instagram.

Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab. Photos: Elsa / Getty Images

Cashew plant leftovers are very good at inhibiting fat cell growth

Gizmag news -

Extracts made from parts of the cashew plant that are usually thrown away when the nuts are processed commercially were found to significantly limit the development of fat cells and the accumulation of fat, according to new research. It suggests the cashew plant is a novel way of improving health.

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Category: Obesity, Illnesses and conditions, Body & Mind

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