Η ΓΝΩΣΗ ΤΗΣ ΣΤΟ ΣΧΟΛΕΙΟ ΚΑΙ ΠΕΡΑ ΑΠΟ ΑΥΤΟ
We've seen some mad Hayabusa custom bikes over the years, but this one's right out of the box. It ditches the original engine for a massive two-stroke V6, but Meggatech Projects plans to make it look close to a standard Suzuki once it's finished.
Category: Motorcycles, Transport
Tags: Custom Bikes, Suzuki, Custom, Engineering, Outboard Motor, Two-stroke, Crazy
Scientists in Japan have created hybrid plant-animal cells, essentially making animal cells that can gain energy from sunlight like plants. The breakthrough could have major benefits for growing organs and tissues for transplant, or lab-grown meat.
Tags: Cells, Animals, Plants, Photosynthesis, University of Tokyo, Artificial organs, Lab grown meat, Hybrid
"Atlas uses a machine learning (ML) vision model to detect and localize the environment ... There are no prescribed or teleoperated movements; all motions are generated autonomously online. The robot is able to detect and react to changes in the environment (e.g., moving fixtures) and action failures (e.g., failure to insert the cover, tripping, environment collisions) using a combination of vision, force, and proprioceptive sensors."
Category: AI & Humanoids, Technology
Tags: Boston Dynamics, Robot, Machine Learning, Artificial Intelligence
To commemorate the 60th anniversary of the release of the Bond thriller Goldfinger, Rolls-Royce has built a one-off Phantom Extended that is a modern take on the 1937 Phantom III Sedanca de Ville that the eponymous villain built out of smuggled gold.
Category: Automotive, Transport
Tags: Rolls Royce, James Bond
If you've ever woken up in the middle of the night with sudden painful thigh, calf or foot cramping, you'll know just how awful the experience is – and, unfortunately, the frequency of these nighttime disturbances increases with age.
Category: Diet & Nutrition
Tags: Age-Related, Aging, Sleeping, Muscle, musculoskeletal, Chronic, Diet
When someone receives an implant such as an artificial hip, there's a real risk of an infection occurring at the implant site. According to a new study, however, a covering of bacteria-frying gold nanorods could keep that from happening.
Category: Medical Devices, Medical Innovations, Body & Mind
Tags: Chalmers University of Technology, Implant, Antibacterial, Gold
Updated October 2024
Travel can expose you to once-in-a-lifetime sights and experiences, and a good camera can be the perfect way to preserve those memories. We've looked at a range of models that offer great image quality, good autofocus and excellent video, so you'll be prepared to capture whatever you run into.
We've also tried to select relatively small cameras so they don't interfere with your trip, though it's worth touching briefly on lens size. If you choose a system with a Four Thirds or APS-C sensor, you'll be able to use lenses that are lighter and more compact than their full-frame counterparts. Full-frame sensors, however, offer the potential for even better image quality, so it's worth considering whether portability or image quality matters more to you and doing some research on what types of lenses you'd like to use and how big the full-frame versions are.
Our recommendations61MP BSI CMOS sensor | 4K/60p video with 10-bit color | Dedicated ‘AI’ processor for AF system
Photo: Richard ButlerBuy now:
$2998 at Amazon.com What we like:The Sony a7CR is a relatively compact full-frame camera with an image-stabilized 61MP CMOS sensor. You sacrifice the convenience of an AF joystick and get a pretty small and basic viewfinder to keep the camera's size down, but there's little else that delivers this much image quality in such a compact package.
You'll need to pick your lenses carefully to keep the camera portable but the a7CR's autofocus means it can respond rapidly to just about anything you encounter on your travels.
The a7CR is impressively small for a full-frame camera. The addition of a front control dial improves handling significantly. Notably, there’s no joystick for positioning the AF point, and the viewfinder is small and very low resolution for a camera costing this much. Autofocus performance on the a7CR is very good and is helped by a dedicated processor for crunching complex machine learning-trained algorithms. Subject recognition is quick, and the AF system tracks subjects tenaciously around the frame in either stills or video. 8 fps burst shooting with continuous AF results in a dependably high hit rate. "If you're looking for maximum resolution in a travel-sized body, the a7RC is tough to beat." The a7CR captures 4K video at up to 60 fps. The most detailed, oversampled footage results from a 1.2x crop of the sensor, which makes it challenging to maintain wider focal lengths. Auto Framing mode uses AI algorithms to mimic the way a camera operator might punch in on subjects, keeping them framed and in focus. The a7CR's 61MP sensor can capture a lot of detail, putting it ahead of most full-frame rivals; though it is a little noisier in low light. JPEG colors are pleasing, and excellent sharpening makes the most out of the 61MP sensor. Raw files provide plenty of latitude to pull up shadows at base ISO. The a7CR delivers impressive results for its size. It essentially provides the same level of image quality, and most of the same features, as Sony's a7R V, but in a smaller package. In exchange for the small size, you make a few compromises, like no AF joystick, but if you're looking for maximum resolution in a travel-sized body, the a7CR is tough to beat.Read our Sony a7CR initial review
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. All-round compact capability: Sony a670026MP BSI CMOS sensor | 4K/60p video capture | Fully articulating screen
Photo: Richard ButlerBuy now:
$1398 at Amazon.com$1398 at Adorama$1398 at B&H Photo What we like:The Sony a6700 is built around a 26MP APS-C-sized sensor. Its excellent autofocus performance means it excels at both stills and video capture. There's a good choice of relatively compact lenses available, too. We'd suggest avoiding the really small 16-50mm F3.5-5.6 though: it's not the lens to get the most out of this camera.
The a6700 has a thumb-and-forefinger dial interface missing from Sony's less expensive models. It’s just slightly larger than previous models in the line, but in exchange, you also get a fully articulating display. However, it lacks the AF joystick found on many cameras in its class.Fast, dependable autofocus with a selection of subject recognition modes means the a6700 will help maximize your chances of capturing the unexpected moments on a trip.
"Excellent photo and video quality with best-in-class AF in stills and video make it an excellent choice for enthusiasts." The camera produces very detailed 4K video up to 60p with 10-bit color, with good rolling shutter performance. There’s also a 4K/120p mode, albeit with a 1.58x crop. Autofocus performance is top-notch, with a well-designed touch interface. It's a strong option both for videographers and vloggers. Excellent photo and video quality, best-in-class AF in stills and video, and a deep set of features to support both make it an excellent choice for enthusiasts. Sony's E-mount also includes a good range of available lenses.Read our full Sony a6700 review
See the Sony a6700 studio scene
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. The great travel kit: Fujifilm X-T50 w/ 16-50mm F2.8-4.840MP APS-C BSI CMOS sensor | In-body image stabilization rated to 7EV | 6.2K 10-bit video recording
Photo: Richard ButlerBuy now:
$1399 at Amazon.com$1399 at Adorama$1399 at B&H Photo What we like:The X-T50 can be purchased with Fujifilm's excellent 16-50mm F2.8-4.8 kit lens, which provides a versatile focal length for travel and should be able to keep up in darker environments. Fujifilm also sells a wide variety of relatively fast, compact primes.
The X-T50 has dials for important exposure settings, and a small but useful grip. Its rear screen can tilt up or down. Its joystick and some buttons can be awkward to use, but the film simulation dial encourages the use of one of the camera's key features. Its autofocus can recognize and accurately track several subject types, but its general tracking isn't the most reliable. Its 8fps mode isn't particularly fast. The X-T50's controls and auto mode make it great for beginners, who can expect it to keep up with them as they grow. More experienced shooters will appreciate Fujifilm's robust lens selection.Read our full Fujifilm X-T50 review
See the Fujifilm X-T50 studio scene
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. The other FujifilmWe haven't fully reviewed the Fujifilm X-M5 yet, but if you're looking for an APS-C camera that's even smaller than the X-T50, it may be worth considering. It's substantially cheaper, though it's easy to see where the company has saved money: it uses a lower-resolution 26MP sensor, which isn't stabilized, and there's no EVF. It does have the same film simulation dial and autofocus subject recognition modes, though, so those tradeoffs may be worth it if size or price are your top priority.
Buy now:
$899 w/ 15-45 at Amazon.com$799 at Adorama$799 at B&H Photo Truly compact mirrorless: OM System OM-520MP Four Thirds CMOS sensor | 4K/30p video | In-body stabilization rated to 6.5EV (7.5 with some lenses)
Photo: Brendan NystedtBuy now:
$1299 w/ 12-45mm F4.0 at Amazon.com$999 at Adorama$1299 w/ 12-45mm F4.0 at B&H Photo What we like:The OM System OM-5 is a compact interchangeable lens camera with a 20MP Four Thirds sensor in a compact body with plenty of external control.
That relatively small sensor means it can remain fairly small, even with a lens attached, and the Micro Four Thirds lens system provides extensive options in that regard, from compact zooms to small prime lenses.
The OM-5 has a compact body but a decent number of control points and offers a high degree of customization. Its menu system is quite cluttered by the camera's extensive array of features. Viewfinder and rear screen are typical for the price. It has good phase-detect autofocus with face detection, but tracking for other subjects is distinctly unreliable. Using a single point or zone of focus and trying to keep up with the subject yields best results, but is somewhat awkward due to the lack of an AF joystick. "Its combination of IP-rated weather sealing, image stabilization and compact size helps the OM-5 offer something different" The OM-5's 4K video isn't the most detailed, but this is made up for by some of the best image stabilization on the market, making the OM-5 a competent hand-held video option. Video AF tracks faces and people decently, but can struggle with other kinds of subjects. The OM-5 offers strong all-round capability with excellent image stabilization in a compact IP53-rated weather-sealed body and access to one of the largest mirrorless camera lens systems.Read our OM System OM-5 review
See the OM System OM-5 studio scene
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Another Micro Four Thirds optionThe Panasonic Lumix G9 II is more expensive and less compact than the OM-5, though it still uses the same size lenses. For the extra bulk and cost you'll get a modern USB-C charging port, dual card slots and improvements in image quality, autofocus tracking performance and video features. However, the weather sealing likely won't be as good as OM Systems, which has an official IP53 rating.
Buy now:
$1697 at Amazon.com$1898 at Adorama$1898 at B&H Photo The stylish travel companion: Nikon Zf24MP full-frame BSI CMOS sensor | Full-width 4K/30 video, cropped 4K/60 | Stabilization rated to 8EV
Photo: Richard ButlerBuy now:
$1796 at Amazon.com$1997 at Adorama$1997 at B&H Photo What we like:The Nikon Zf is a classically styled full-frame camera built around a 24MP full-frame sensor that's used by many of its peers. The angular 80s-style body isn't the most comfortable to hold in your hand for extended periods, but the lack of stick-out grip makes it smaller than many of its rivals, making it a tempting travel companion.
At least in its all-black form, there's a chance of it being mistaken for a film camera, which may help avoid the wrong kind of attention when you're out and about in an unfamiliar setting.
The Zf gives the choice of using the dedicated control dials or customizable command dials. In most respects it copies its well-polished control system from other recent Nikons. Not everyone will enjoy the angular early 80's handling but it handles just as well as the cameras it resembles. The Zf's autofocus is impressive, with both subject recognition and AF tracking both working well. It's perhaps not quite as confidence-inspiring as the latest Sony cameras, but it's not far off. It'd be nice to have an AF joystick but the rear control pad does a decent job. "The Zf's looks may date from 1981, but its performance is completely contemporary" The Zf has a very solid video feature set. Oversampled 4K/30 and cropped 4K/60 is standard for this sensor, but the Zf also adds a waveform display that's especially useful for exposing its 10-bit Log footage. The Zf uses a very familiar 24MP BSI sensor that has underpinned numerous cameras in recent years, and the results are predictably good. There's plenty of dynamic range and enough detail capture for all but the most demanding applications. The Nikon Zf's performance lives up to its looks. It's not as comfortable to hold for long periods as more modern designs, but it's also distinctive and engaging in a way they're arguably not. We're still completing our testing, but it hasn't disappointed yet.Read our review of the Nikon Zf
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Best pocketable travel camera: Ricoh GR III24MP APS-C sensor | 28mm equiv. F2.8 lens | Wi-Fi + Bluetooth
The Ricoh is a pocketable compact with a large APS-C sensor.
Photo: Barney Britton
Buy now:
$1,066 at B&H Photo $1,066 at Adorama $1016 at Amazon What we like:The Ricoh GR III HDF is the latest entry in the company's series of classic compact cameras with large APS-C sensors and a 28mm equivalent lens. This version is almost identical to the regular GR III, but swaps the built-in ND filter for a highlight diffusion one, which can be activated to give photos a dreamy look.
It's not the most flexible camera, but it's one of the most pocketable and has built up a dedicated following of photographers who find it a joy to shoot with. Unfortunately, most GR III models are currently difficult to buy, as they're out of stock or unavailable almost everywhere.
The GR III handles well, despite its size, thanks to well-placed controls, flexible customization options and a responsive touchscreen. The grip is just the right size for easy one-handed operation. The GR III focuses swiftly and accurately in good light, but it slows significantly as light levels drop. There's also a Snap Focus option, where the user can preset a focus distance the camera 'snaps' to with a full press of the shutter button. The GR III's battery life is disappointing, at a rated 200 shots per charge. "Offers direct control and excellent image quality in a pocketable camera"Our only concern, in terms of using the GR III for travel are that some users have found dust can get into the lens. So it's worth trying to find some sort of protective bag to keep it in.
The Ricoh GR III offers direct control and excellent image quality in a pocketable camera. Its short battery life and fixed focal length lens mean this camera certainly isn't for everyone, but it's a compelling offering for travel, street and casual photographers alike.There's also the GR IIIx, a variant with a longer, 40mm equivalent lens on it. This may be a little tight for documenting your travels, but it's historically a popular focal length.
See the Ricoh GR III studio scene
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. The classic choice: Fujifilm X100VI40MP BSI CMOS APS-C X-Trans sensor | 35mm equiv F2 lens | Hybrid viewfinder
The Fujifilm X100VI is a refinement of everything that made the X100V great, but it's still difficult to buy.
Photo: Richard Butler
Buy now:
$2199 at Amazon.com$1599 at Adorama$1599 at B&H Photo What we don't:Like the Fujifilm X100V before it, the Fujifilm X100VI is a classically styled fixed lens camera with a 35mm equivalent F2 lens. Updated with in-body image stabilization rated at up to 6EV of correction and a 40MP BSI CMOS APS-C X-Trans sensor, the X100VI is a significant upgrade over its predecessor despite looking virtually identical. And those improvements in part explain the X100VI's $200 increase in list price to $1,600.
It's not smallest or most inconspicuous camera, but its fixed focal length means you develop an 'eye' for the photos it'll take, essentially making it a better quality, more engaging alternative to snapping away with your phone.
The addition of subject-detection autofocus has given the X100VI the ability to recognize animals, birds, automobiles, motorcycles and bikes, airplanes, and trains though human (face/eye) detection is a separate mode. However, the lens the X100VI shares with the X100V is not the fastest to autofocus, prioritizing sharpness over speed.
The X100VI brings a level of polish you would expect from a sixth iteration of a camera. Fujifilm has done a great job keeping the X100-series up to date without messing with the formula that's made it so popular. No surprise, this is the best X100 yet.
Unfortunately, despite ramped-up production, demand for the X100VI seems to have outstripped supply with the camera already on backorder at virtually all dealers.
Read our Fujifilm X100VI review
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Why you should trust usThis buying guide is based on cameras used and tested by DPReview's editorial team. We don't select a camera until we've used it enough to be confident in recommending it, usually after our extensive review process. The selections are purely a reflection of which cameras we believe to be best: there are no financial incentives for us to select one model or brand over another.
Image: Apple
Apple has announced its new suite of MacBook Pros, which now come equipped with the M4, M4 Pro and M4 Max chips. The company is also making its 'nano-texture' matte display option available for the first time in its laptop lineup.
Apple says the new laptops also come with an upgraded webcam that supports Center Stage, a feature which crops in on the subject, keeping them in the middle of the frame even if they're moving around.
The display can also now go up to 1,000 nits in SDR mode; previously, you could only attain that brightness while looking at HDR content. That should make it easier to see the monitor, even in harsh lighting conditions. If you consistently work outside or in front of a window, it may also be worth considering the $150 'nano-texture' display option, which Apple says will "reduce glare and reflections in bright spaces."
As with the previous generation, there's one computer that stands a little apart from the others: the 14-inch MacBook Pro with the regular M4. It starts at $1,599 and includes a 10-core CPU and GPU, 16GB of RAM, and a 512GB SSD. While it has most of the features of the other models, it misses out on Thunderbolt 5, which promises up to 120Gbps transfers, instead getting stuck with the previous-generation 40Gbps interface. However, it now has a third Thunderbolt port on the right side of the computer; the previous model only had two, both on the left side.
The M4 Pro was announced yesterday alongside the refreshed Mac Mini, but the M4 Max is new to the lineup. CPU-wise, it starts at the same level as the top-end M4 Pro with 14 cores, but you can add two more. The GPU is also much more powerful; it starts at 32 cores and goes up to 40. This also allows it to support up to four external displays, while the M4 and M4 Pro models can only handle two.
The M4 Pro and Max models are available with both 14- and 16-inch displays; the base M4 is only available in the 14-inch chassis.
M4 M4 Pro M4 Max Screen size 14" 14" / 16" 14" / 16" CPU 10 core (4 performance, 6 efficiency) 12 core (8 performance, 4 efficiency) / 14 core (10 performance, 4 efficiency) 14 core (10 performance, 4 efficiency) / 16 core (12 performance, 4 efficiency) GPU 10 core 16 core / 20 core 32 core / 40 core Memory 16GB base, up to 32GB 24GB base, up to 48GB 36GB base, up to 128GB Storage 512GB, up to 2TB 512GB, up to 4TB 1TB, up to 8TB Connectivity Thunderbolt 4 Thunderbolt 5 Thunderbolt 5One minor disappointment that won't surprise anyone who's been following the iMac and Mac Mini announcements: the new MacBook Pros are still using Wi-Fi 6E instead of the newer Wi-Fi 7. It's an easier flaw to overlook on desktop computers that mostly come equipped with Ethernet ports, but on a mobile-first computer, it's a bit of a strange decision. Otherwise, the MacBook Pros have very similar connectivity to their predecessors: three Thunderbolt ports, a headphone jack, an HDMI port, an SD card reader and MagSafe power adapter.
The new MacBook Pros are available for pre-order today and will ship on November 8th.
Apple has announced that the M2 and M3 MacBook Air will now come standard with 16GB of RAM, fixing a major flaw on otherwise great computers.
The laptops previously came with a restrictive 8GB of memory, forcing people to decide whether they wanted a computer that could struggle when multitasking or to pay the exorbitant $200 upgrade fee to jump to 16GB. Now, that's no longer a consideration; the MacBook Air now just comes with double the RAM for the same starting price: $999 for the M2 model and $1099 for the M3-equipped version.
If this news has made you consider getting one – they are quite capable laptops for their price and can handle a fair amount of photo editing – you should be a bit cautious. 8GB models will likely still be floating around at various retailers for a while. At the time of writing, Best Buy is currently selling a 13-inch M3 MacBook Air with a lower amount of RAM for $1,099, the same price as the 16GB model now costs from Apple.
It would be an understatement to say that there are currently a lot of bit-driver-equipped multitools on Kickstarter. A new one sets itself apart from the pack, however, in that it sports a total of six features including storage space for four bits.
Tags: Multitools, Titanium, Wrench, Kickstarter
As someone who constantly battles with their overly distracting phone, I'm glad to see more minimalist handsets on the scene that are designed to be used as little as possible – like the upcoming Mudita Kompakt.
Category: Mobile Technology, Consumer Tech, Technology
Tags: Smartphones, Gadgets, Minimalist, Kickstarter, Crowdfunding, E-Ink
Most of us are familiar with the vest-clad beagle that hunts for illegal fruits and plants in the travelers' luggage at airports. Now, a species of giant pouched rat has been trained to fulfill a similar role in finding illegal wildlife products.
Category: Science
Tags: Illegal, Shipping, shipping containers, Duke University, Wildlife, Conservation
In a conversation with XPRIZE Founder Peter Diamandis, Musk laid out what he sees coming from the rising force of AI, while laying out a timeframe for SpaceX's first unmanned and manned Mars missions, and lots more.
Category: AI & Humanoids, Technology
Tags: Elon Musk, Tesla, X (formerly Twitter), LLM (Large Language Model), Artificial Intelligence
Nikon has said it is developing a Nikkor Z 28-135mm F4 PZ power zoom long standard lens for full-frame mirrorless cameras.
The power zoom design will make it particularly suited to video work, with the company highlighting documentary work by small or solo video teams as a possible target audience. The company has provided a single rendering of the lens, showing a short but substantial lens with a removable tripod foot, that's unusual for a lens of this range and aperture, but making it easy to mount directly to sticks or a monopod.
No details of price, availability or expected development date have been provided.
Comparing the rendering to other Nikkor lenses, we estimate the lens will be in the region of 173mm long and 105mm wide. The image shows the lens as taking a 95mm filter, though a matte box is likely to be just as common as the use of filters when used for video.
Press release:
Nikon is developing the NIKKOR Z 28-135mm f/4 PZ, a standard zoom lens for the Nikon Z mount systemA Lens with Power Zoom for Video Creators
MELVILLE, NY (October 30, 2024) Nikon Inc. is pleased to announce the ongoing development of the NIKKOR Z 28-135mm f/4 PZ, a standard zoom lens that is compatible with full-frame/FX-format mirrorless cameras for which the Nikon Z mount has been adopted.
The NIKKOR Z 28-135mm f/4 PZ is a standard zoom lens with power zoom that covers the focal range from 28mm to 135mm. It is designed to provide ease of use and superior optical performance for video recording, supporting efficient recording for documentaries and location work by a solo videographer or small crew.
Nikon will continue to pursue a new dimension in optical performance while meeting users' needs, contributing to the development of imaging culture, with the hope of expanding possibilities for imaging expression.
Canon has announced the RF 70-200mm F2.8 L IS USM Z, a telephoto zoom lens aimed at professional photographers and videographers, and designed to work with both EOS and Cinema EOS cameras.
The lens features a non-extending, internal zoom design, with the big news for many users being that it works with Canon's 1.4x and 2x RF-mount teleconverters, enabling focal lengths up to 400mm. It will be available in two colors.
Canon's original 70-200mm F2.8 lens for RF-mount, the RF 70-200mm F2.8 L IS USM, featured a collapsible design for compact size but didn't include teleconverter compatibility. A Canon representative told us the new lens should appeal to people who haven’t upgraded from their EF lenses because the original RF version didn't meet their needs. We're told both will remain in the lineup.
Optically, the lens features 18 elements in 15 groups, including two Super UD, one UD, and three aspherical elements. It also includes Canon's Air Sphere coating to control ghosting and flare and has a fluorine-coated front element and an 82mm filter thread.
Buy now:
$2999 at Adorama$2999 at B&H Photo$2999 at Canon Image: CanonA focusing lens group and a floating focus lens are each driven by Nano USM motors. This design helps give the lens a minimum focus distance of 0.49m (1.61ft) at 70mm, but its maximum magnification of 0.3x occurs at 200mm.
Optical image stabilization is rated up to 5.5 stops at the center of the image and up to 7.5 stops at the center (7.0 stops at the corners) when used on a camera with in-body image stabilization.
The new lens has the same 89mm (3.5") diameter as the collapsible RF 70-200mm F2.8 L IS USM, but at 199mm (7.8") in length, it's a full 53mm longer. A more apt size comparison is Canon's EF 70-200mm F2.8 L IS III USM, the last such lens it made for EF mount, which shares the same dimensions. However, at 1115 g (2.5 lbs), the new lens is about 25% lighter than the EF version.
Canon's telephoto zooms have historically sported a white paint job, but the RF 70-200mm F2.8 L IS USM Z will be available in both black and white variations, including a matching lens hood, reflecting the differing preferences of video and stills shooters.
Image: CanonIn response to one of the most frequent requests it received from owners of its existing 70-200mm lenses, Canon redesigned the zoom ring to operate more quickly, making it possible to "go from 70 to 200mm with the flick of the wrist."
In a nod to hybrid shooters, the lens uses the exact same housing and internal mechanics as the RF 24-105mm F2.8 L IS USM Z, making it easy for video users to switch between the two lenses on a rig without adjustment. It includes weather-sealed electrical contacts and mounting points for Canon's PZ-E2 power zoom adapter, and a clickless aperture ring (compatible with the EOS R5 II and EOS R1) to allow for stepless iris control when shooting video.
Canon claims the lens exhibits minimal focus breathing, though a representative told us it will exhibit the best performance on a camera body that includes breathing corrections.
Price and availabilityThe RF 70-200mm F2.8 L IS USM Z is expected to be available in November at a suggested retail price of $2999. That's $200 more than the existing, retractable RF 70-200mm F2.8 L IS USM, which retails for $2799 and will remain in Canon's lineup.
Press release:
Expanding the Range of Expression: Canon Announces Three New L Series Hybrid LensesMELVILLE, NY, October 30, 2024 – Canon U.S.A., Inc., a leader in digital imaging solutions, has announced the launch of three new RF L series hybrid lenses: RF24mm F1.4 L VCM, RF50mm F1.4 L VCM and RF70-200 F2.8 L IS USM Z. Designed for professional visual storytellers who need to switch between photography and video, these three lenses continue Canon’s steadfast commitment to meeting the demands of high-level photo and video content creators.
RF24mm F1.4 L VCM & RF50mm F1.4 L VCMIf you are on a quest for impressive, dramatic content, RF24mm F1.4 L VCM and RF50mm F1.4 L VCM lenses would be excellent additions to your gear bag. For those who are professional photo/video users, journalists or in-house production creators, these two lenses are designed for hybrid use and optimized for those switching from photo and video needs quickly. They feature an optical design that utilizes the RF mount to achieve high quality across the entire image area. Quiet, fast and precise AF are thanks to Canon’s latest actuator and focusing system and the unified exterior helps with easier gimbal adjustments for more efficient shooting. The expressive power of a f/1.4 aperture in combination with a wider field of view than what the human eye can capture, makes perspective more prominent and brings images vividly to life. Additional features include:
A telephoto lens that is versatile across the spectrum – including sports, fashion and news reporting – the RF70-200 F2.8 L IS USM Z is an RF L series lens that takes into consideration functions end-users value most. Taking the same exterior case design and internal mechanics of the RF24-105mm F2.8 L IS USM Z, the RF70-200 F2.8 L IS USM Z lens balances well as a companion on gimbals and rigs. Compatible with extenders, the RF70-200 F2.8 L IS USM Z produces high-quality images with its large f/2.8 zoom aperture and has minimal focus breathing, ideal for content creators. Its iris ring enables fine-tuned video recording and its compatibility with power zoom adapters makes it a strong addition for video production needs. Additional features include:
The Canon RF24mm F1.4 L VCM and RF50mm F1.4 L VCM lenses are expected to be available in December at estimated retail price of $1,499.00* and $1,399.00,* respectively.
Canon RF70-200 F2.8 L IS USM Z lens is expected to be available in November at estimated
retail price of $2,999.00*
* Specifications, pricing, and availability subject to change without notice. Actual prices are set by dealers and may vary.
RF 70-200mm F2.8 L IS USM Z specifications Principal specificationsLens typeZoom lensMax Format size35mm FFFocal length70–200 mmImage stabilizationYesCIPA Image stabilization rating5.5 stop(s)Lens mountCanon RFApertureMaximum apertureF2.8Minimum apertureF22Aperture ringYesNumber of diaphragm blades11OpticsElements18Groups15Special elements / coatings2 Super UD, 1 UD, 3 aspherical, Canon ASC (Air Sphere Coating), fluorine coatingFocusMinimum focus0.49 m (19.29″)Maximum magnification0.3×AutofocusYesMotor typeNano ultrasonicFull time manualYesFocus methodInternalDistance scaleNoDoF scaleNoFocus distance limiterYesPhysicalWeight1115 g (2.46 lb)Diameter89 mm (3.48″)Length199 mm (7.83″)SealingYesColourAvailable in black or whiteZoom methodRotary (internal)Power zoomNoFilter thread82 mmHood suppliedYesTripod collarYesBuy now:
$2999 at Adorama$2999 at B&H Photo$2999 at CanonRF 24mm F1.4 L VCM.
Image: Canon
Canon has announced two prime lenses: the RF 24mm F1.4 L VCM and RF 50mm F1.4 L VCM. Both lenses are part of its new 'hybrid' series of lenses designed to work with both EOS and Cinema EOS cameras.
According to Canon, the new lenses are aimed at users who need to switch between photo and video frequently or quickly, including professional shooters, journalists and in-house production creators.
Both lenses are intended to match Canon's previously announced RF 35mm F1.4 L VCM. All three lenses share the same design and have a unified exterior with the same dimensions, at 77mm (3.0") in diameter and 99mm (3.9") long. They're also very close in weight, ranging from 515g (1.1 lbs.) for the 24mm lens to 580g (1.3 lbs.) for the 50mm lens. The 35mm lens sits in the middle at 555g (1.2 lbs.)
Buy now:
Buy at AdoramaBuy at B&H PhotoBuy at CanonRF 50mm F1.4 L VCM.
Image: Canon
In principle, the matched size, control layout, and similar weights should make it much easier for video shooters to use the lenses on a video rig or gimbal without requiring adjustments with each lens change.
Other common lens features include an iris ring for controlling aperture while shooting (compatible with the EOS R5 II and EOS R1), customizable control and focus rings, a lens function button, and a 67mm filter thread.
Optically, the 24mm F1.4 comprises 15 elements in 11 groups, including two UD and one aspherical element. It has a minimum focus distance of 0.24m (9.4") and a maximum magnification of 0.17x. Canon says it should be a good lens for astrophotography, delivering sharp corners and stars without distortion.
The 50mm F1.4's design is made up from 14 elements in 11 groups, including one UD and two aspherical lenses. It has a minimum focus distance of 0.4m (15.7") and a maximum magnification of 0.15x.
Buy now:
Buy at AdoramaBuy at B&H PhotoBuy at CanonRF 24mm F1.4 L VCM mounted on the EOS R5 II.
Image: Canon
Both lenses include Canon's Air Sphere Coating, Super Spectra Coating and a fluorine-coated front element. The wide-angle 24mm F1.4 also includes Canon's Sub Wavelength Coating for controlling internal reflections from light approaching with a high angle of incidence.
Canon claims both lenses will deliver fast, quiet and precise autofocus thanks to a combination of VCM and Nano USM motors. Their independently-driven twin focus group designs also allow the lens to achieve minimal focus breathing for video work.
Price and availabilityThe RF 24mm F1.4 L VCM and RF 50mm F1.4 L VCM are expected to be available in December. The RF 24mm F1.4 L VCM has a suggested retail price of $1499, and the RF 50mm F1.4 L VCM has a suggested retail price of $1399.
For additional information, please see Canon's press release.
RF 24mm F1.4 L VCM & RF 50mm F1.4 L VCM specifications Canon RF 24mm F1.4 L VCMCanon RF 50mm F1.4 L VCMPrincipal specificationsLens typePrime lensMax Format size35mm FFFocal length24 mm50 mmImage stabilizationNoLens mountCanon RFApertureMaximum apertureF1.4Minimum apertureF16Aperture ringYesNumber of diaphragm blades11OpticsElements1514Groups11Special elements / coatings2 UD, 1 aspherical, Canon ASC (Air Sphere Coating), fluorine coating1 UD, 2 aspherical, Canon ASC (Air Sphere Coating), fluorine coatingFocusMinimum focus0.24 m (9.45″)0.40 m (15.75″)Maximum magnification0.17×0.15×AutofocusYesMotor typeLinear MotorFull time manualYesFocus methodInternalDistance scaleNoDoF scaleNoPhysicalWeight515 g (1.14 lb)580 g (1.28 lb)Diameter77 mm (3.01″)Length99 mm (3.91″)Filter thread67 mmHood suppliedYesTripod collarNoCanon has announced the RF-S 7.8mm F4 STM Dual, the latest addition to its EOS VR System, designed for social media content creators and enthusiast videographers. It says the lens offers an affordable way to start exploring the world of VR and spatial content creation.
Canon told us previously that it expects a lot of growth in the VR space and that it's seeing demand from creators for VR, 3D and spatial creation tools, and Apple teased the RF-S 7.8mm F4 STM Dual during its 2024 Worldwide Developers Conference keynote in June.
With a 7.8mm focal length and a 63º angle of view, Canon says the lens will capture photos and video using a square aspect ratio. Its stereoscopic lenses use a straight optical path that's much less complex than those found in its more expensive RF-S 3.9mm F3.5mm STM and RF 5.2mm F2.8 L Dual Fisheye lenses.
Buy now:
$449 at Adorama$449 at B&H Photo$449 at CanonThe interpupillary distance between the two lenses is 11.6mm, and the strongest spatial effects will occur with objects between about 15 and 50cm (6–20") from the lens, so Canon says placing objects in the foreground will enhance the spatial effect. Where necessary, the focus/control ring can be used for fine left/right focus adjustments, and users can swap between the right and left views on the rear screen to confirm focus, though Canon suggests this isn't something that needs to be done regularly.
The RF-S 7.8mm F4 STM Dual mounted on the EOS R7.
Image: Canon
After capturing video, users can use the EOS VR plug-in for Adobe Premiere to convert footage to 3D 180º VR or the EOS VR Utility software (subscription required) to convert footage into 3D 180º VR, 3D Theater, or spatial video for consumption on a device like the Apple Vision Pro or Meta Quest 3.
Canon says the lens was designed for simplicity and operates similarly to a standard 2D camera lens and that the $449 price reflects its intention to make it a cost-effective option for creators wanting to experiment with 3D or spatial content.
The RF-S 7.8mm F4 STM Dual is compatible with the EOS R7 running firmware 1.60.
Price and availabilityThe RF-S 7.8mm F4 STM Dual is expected to be available in November for a suggested retail price of $449.
Press release:
Canon Introduces the RF-S7.8mm F4 STM DUAL Lens: Expanding Capabilities for VR and 3D Content Creators.MELVILLE, NY, October 30, 2024 – Canon U.S.A., Inc., a leader in digital imaging solutions, has announced the new RF-S7.8mm F4 STM DUAL lens, designed for social media content creators and enthusiast videographers. Compatible with the Canon EOS R7 and the latest addition to the growing EOS VR System lineup, this innovative lens offers a practical and affordable way to explore storytelling in the expanding world of VR and 3D content creation.
Previewed at Apple’s WWDC (Worldwide Developers Conference) 2024 keynote, this lens has been crafted for those looking to explore new visual formats, particularly with the rising interest in spatial video content. The 7.8mm focal length and 60-degree angle of view provide an immersive field of vision, for capturing detailed 3D content, allowing creators to deliver captivating and lifelike visual experiences.
Making VR and 3D content creation accessible to a wider audience, Canon has designed the RF- S 7.8mm F4 STM DUAL lens with a focus on simplicity. Even with its advanced features, the lens operates much like a traditional 2D RF-mount lens, with a straightforward workflow that empowers even newcomers to VR and spatial production to achieve impressive results. After capturing video with this interchangeable lens, users can leverage the EOS VR Plug-in for Adobe® Premiere® Pro to convert footage to 3D 180° VR, or the EOS VR Utility software (separately available with a paid subscription) to convert the footage into 3D 180° VR, 3D Theater, and spatial video ready to be experienced on devices like Apple Vision Pro and Meta Quest 3, offering a seamless transition from camera to immersive viewing.
Compatible with the Canon EOS R7 camera body, the high-speed autofocus and high-resolution image sensor, coupled with Canon’s renowned color science, effortlessly captures detailed VR content and Spatial videos whether you’re shooting in controlled environments or on the go.
“With the RF-S7.8mm F4 STM DUAL lens, Canon is not only providing a new visual tool but also enhancing the way creators communicate using emerging VR, spatial and 3D technologies,” said Hiroto Kato, vice president, Imaging Products & Solutions at Canon U.S.A., Inc. “This lens allows users to capture immersive content, bridging the gap between traditional content creation and the latest in VR and Spatial imagery. It’s an exciting step forward in making high-quality 3D content more approachable for everyone.”
As the demand for VR content continues to climb, the need for user-friendly 3D imaging equipment becomes increasingly important. The RF-S7.8mm F4 STM DUAL lens is designed to meet this demand, working seamlessly with devices from Apple Vision Pro to Meta Quest 3, lowering the barriers to creating 3D images, making immersive content more accessible for anyone, from casual hobbyists to dedicated enthusiasts.
Pricing and AvailabilityThe Canon RF-S7.8mm F4 STM DUAL lens is scheduled to be available in November 2024 for an estimated retail price of $449.99*. For additional information, please visit www.usa.canon.com.
* Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.
Canon RF-S7.8mm F4 STM Dual specifications Principal specificationsLens typePrime lensMax Format sizeAPS-C / DXFocal length7.8 mmImage stabilizationNoLens mountCanon RFApertureMaximum apertureF4Aperture ringNoNumber of diaphragm blades7OpticsElements9Groups7Special elements / coatings2 UD lens elementsFocusMinimum focus0.15 m (5.91″)Maximum magnification0.07×AutofocusYesMotor typeStepper motorFull time manualYesFocus methodInternalDistance scaleNoDoF scaleNoPhysicalWeight131 g (0.29 lb)Diameter69 mm (2.72″)Length42 mm (1.63″)Filter thread58 mmHood suppliedNoTripod collarNoBuy now:
$449 at Adorama$449 at B&H Photo$449 at CanonTrakka has long been building some of Australia's most rugged, agile off-grid adventure campers, from its original Volkswagen T2s, to its pop-top Toyota Land Cruisers, to a modern lineup of nomadic workspaces, modular camper kits, and Outback-ready exploration machines. Now it's kicking off what might just be its most luxurious lineup yet. It starts with the 2025 Torino, a 599-cm (236-in) Fiat Ducato that's ready to take off-grid living to new heights with a 48-V electrical system that makes possible premium features like a washing machine, big screen smart TV, and slide-out wood-fire BBQ grill.
Category: Automotive, Transport
Tags: Campervan, Trakka Campers, Off-grid, RV, Outdoors and Camping, Camping, Modular
Imagine an 8K-shooting camera drone that fits in a pocket, costs less than $700, and can be used with or without a remote. That's the HoverAIR X1 ProMax, and while the drone itself is great, one of its optional peripherals is still a work in progress.
Category: Drones, Consumer Tech, Technology
Tags: Reviews, Camera drone
Head- and tail lights definitely help make bicycles visible from the front and back, but what about from the sides? The handlebar-plug-replacing SideLights are designed to address that shortcoming, plus they serve as headlights, tail lights and turn indicators.
Tags: bike lights, Cycling, Road Safety, Kickstarter
