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United Nations World Oceans Day photo contest spotlights stunning images of marine life

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Winners of the Photo Competition for United Nations World Oceans Day

June 8th is United Nations World Oceans Day, and to celebrate, the winners of the 12th annual photo competition associated with the day were announced. This year's theme for UN World Oceans Day was "Wonder: Sustaining What Sustains Us," which also served as a newly added category for the contest. It joined the recurring Big and Small Underwater Faces, Underwater Seascapes and Above-Water Seascapes categories.

A panel consisting of renowned photographers Ipah Uid Lynn, William Tan, Vanessa Mignon, Marcello Di Francesco and Ellen Cuylaerts selected the winners from thousands of global entries from amateur and professional photographers. The judges selected first, second, and third place winners for all categories, along with an honorable mention for three of the categories.

The 2025 photo competition was coordinated between the United Nations Division for Ocean Affairs and the Law of the Sea, DivePhotoGuide (DPG), Oceanic Global and the Intergovernmental Oceanographic Commission of UNESCO. The competition is free and open to the public, calling on photographers to show the beauty of the ocean and the importance of UN World Oceans Day. Each participant signed a charter of 14 commitments regarding ethics in photography.

You can see the past winners and learn more about the competition at the UN World Oceans Day website.

First Place, Wonder: Sustaining What Sustains Us

Photographer: Rachel Moore, www.unworldoceansday.org

Category: Wonder: Sustaining What Sustains Us

Instagram: @moore_rachel

Caption: This photo, taken in Mo'orea, French Polynesia in 2024, captures the eye of a humpback whale named Sweet Girl, just days before her tragic death. Four days after I captured this intimate moment, she was struck and killed by a fast-moving ship. Her death serves as a heartbreaking reminder of the 20,000 whales lost to ship strikes every year. We are using her story to advocate for stronger protections, petitioning for stricter speed laws around Tahiti and Mo'orea during whale season. I hope Sweet Girl’s legacy will spark real change to protect these incredible animals and prevent further senseless loss.

Second Place, Wonder: Sustaining What Sustains Us

Photographer: Luis Arpa Toribio, www.unworldoceansday.org

Category: Wonder: Sustaining What Sustains Us

Instagram: @luis.arpa.photo

Caption: A juvenile pinnate batfish (Platax pinnatus) captured with a slow shutter speed, a snooted light, and deliberate camera panning to create a sense of motion and drama. Juvenile pinnate batfish are known for their striking black bodies outlined in vibrant orange—a coloration they lose within just a few months as they mature. I encountered this restless subject in the tropical waters of Indonesia’s Lembeh Strait. Capturing this image took patience and persistence over two dives, as these active young fish constantly dart for cover in crevices, making the shot particularly challenging.

Third Place, Wonder: Sustaining What Sustains Us

Photographer: Steven Lopez, www.unworldoceansday.org

Category: Wonder: Sustaining What Sustains Us

Instagram: @explorersphotography

Caption: Shot in Cuba’s Jardines de la Reina—a protected shark sanctuary—this image captures a Caribbean reef shark weaving through a group of silky sharks near the surface. Using a slow shutter and strobes as the shark pivoted sharply, the motion blurred into a wave-like arc across its head, lit by the golden hues of sunset. The abundance and behavior of sharks here is a living symbol of what protected oceans can look like.

Honorable Mention, Wonder: Sustaining What Sustains Us

Photographer: Ollie Clarke, www.unworldoceansday.org

Category: Wonder: Sustaining What Sustains Us

Instagram: @ollieclarkephoto

Caption: Humpback whales in their thousands migrate along the Ningaloo Reef in Western Australia every year on the way to and from their calving grounds. In four seasons of swimming with them on the reef here, this is the only encounter I’ve had like this one. This pair of huge adult whales repeatedly spy hopped alongside us, seeking to interact with and investigate us, leaving me completely breathless. The female in the foreground was much more confident than the male behind and would constantly make close approaches, whilst the male hung back a little, still interested but shy. After more than 10 years working with wildlife in the water, this was one of the best experiences of my life.

First Place, Big and Small Underwater Faces

Photographer: Andrey Nosik, www.unworldoceansday.org

Category: Big and Small Underwater Faces

Instagram: @andreynosik

Caption: This photo of a Japanese warbonnet (Chirolophis japonicus) was captured in the Sea of Japan, about 50 miles (80 kilometers) southwest of Vladivostok, Russia. I found the ornate fish at a depth of about 30 meters (100 feet), under the stern of a shipwreck. This species does not appear to be afraid of divers—on the contrary, it seems to enjoy the attention—and it even tried to sit on the dome port of my camera.

Second Place, Big and Small Underwater Faces

Photographer: Giacomo Marchione, www.unworldoceansday.org

Category: Big and Small Underwater Faces

Instagram: @marchione.giacomo

Caption: On one of my many blackwater dives in Anilao, in the Philippines, my guide and I spotted something moving erratically at a depth of around 20 meters (65 feet), about 10 to 15 centimeters in size. We quickly realized that it was a rare blanket octopus (Tremoctopus sp.). As we approached, it opened up its beautiful blanket, revealing its multicolored mantle. I managed to take a few shots before it went on its way. I felt truly privileged to have captured this fascinating deep-sea cephalopod. Among its many unique characteristics, this species exhibits some of the most extreme sexual size-dimorphism in nature, with females weighing up to 40,000 times more than males.

Third Place, Big and Small Underwater Faces

Photographer: Lars von Ritter Zahony, www.unworldoceansday.org

Category: Big and Small Underwater Faces

Instagram: @larsvonritterzahony

Caption: Trips to the Antarctic Peninsula always yield amazing encounters with leopard seals (Hydrurga leptonyx). Boldly approaching me and baring his teeth, this individual was keen to point out that this part of Antarctica was his territory. This picture was shot at dusk, resulting in the rather moody atmosphere.

First Place, Underwater Seascapes

Photographer: Dani Escayola, www.unworldoceansday.org

Category: Underwater Seascapes

Instagram: @daniescayola

Caption: This year, I had the incredible opportunity to visit a jellyfish lake during a liveaboard trip around southern Raja Ampat, Indonesia. Being surrounded by millions of jellyfish, which have evolved to lose their stinging ability due to the absence of predators, was one of the most breathtaking experiences I’ve ever had.

Second Place, Underwater Seascapes

Photographer: Gerald Rambert, www.unworldoceansday.org

Category: Underwater Seascapes

Instagram: @gerald_rambert

Caption: This shot captures a school of rays resting at a cleaning station in Mauritius, where strong currents once attracted them regularly. Some rays grew accustomed to divers, allowing close encounters like this. Sadly, after the severe bleaching that the reefs here suffered last year, such gatherings have become rare, and I fear I may not witness this again at the same spot.

Third Place, Underwater Seascapes

Photographer: Pedro Carrillo, www.unworldoceansday.org

Category: Underwater Seascapes

Instagram: @pedrocarrillophoto

Caption: “La Rapadura” is a natural hidden treasure on the northern coast of Tenerife, in the Spanish territory of the Canary Islands. Only discovered in 1996, it is one of the most astonishing underwater landscapes in the world, consistently ranking among the planet’s best dive sites. These towering columns of basalt are the result of volcanic processes that occurred between 500,000 and a million years ago. The formation was created when a basaltic lava flow reached the ocean, where, upon cooling and solidifying, it contracted, creating natural structures often compared to the pipes of church organs. Located in a region where marine life has been impacted by once common illegal fishing practices, this stunning natural monument has both geological and ecological value, and scientists and underwater photographers are advocating for its protection. (Model: Yolanda Garcia)

Honorable Mention, Underwater Seascapes

Photographer: Lars von Ritter Zahony, www.unworldoceansday.org

Category: Underwater Seascapes

Instagram: @larsvonritterzahony

Caption: With only orcas as their natural predators, leopard seals are Antarctica’s most versatile hunters, preying on everything from fish and cephalopods to penguins and other seals. Gentoo penguins are a favored menu item, and leopard seals can be observed patrolling the waters around their colonies. For this shot, I used a split image to capture both worlds: the gentoo penguin colony in the background with the leopard seal on the hunt in the foreground.

First Place, Above Water Seascapes

Photographer: Leander Nardin, www.unworldoceansday.org

Category: Above Water Seascapes

Instagram: @akela.world

Caption: A serene lake cradled by arid dunes, where a gentle stream breathes life into the heart of Mother Earth’s creation: Captured from an airplane, this image reveals the powerful contrasts and hidden beauty where land and ocean meet, reminding us that the ocean is the source of all life and that everything in nature is deeply connected. The location is a remote stretch of coastline near Shark Bay, Western Australia.

Second Place, Above Water Seascapes

Photographer: Nur Tucker, www.unworldoceansday.org

Category: Above Water Seascapes

Instagram: @nurtuckerphotography

Caption: Northern gannets (Morus bassanus) soar above the dramatic cliffs of Scotland’s Hermaness National Nature Reserve, their sleek white bodies and black-tipped wings slicing through the Shetland winds. These seabirds, the largest in the North Atlantic, are renowned for their striking plunge-dives, reaching speeds up to 100 kph (60 mph) as they hunt for fish beneath the waves. The cliffs of Hermaness provide ideal nesting sites, with updrafts aiding their take-offs and landings. Each spring, thousands return to this rugged coastline, forming one of the UK’s most significant gannet colonies. It was a major challenge to take photos at the edge of these cliffs at almost 200 meters (650 feet) with the winds up to 30 kph (20 mph).

Third Place, Above Water Seascapes

Photographer: Andrey Nosik, www.unworldoceansday.org

Category: Above Water Seascapes

Instagram: @andreynosik

Caption: Paradise Harbour is one of the most beautiful places on the Antarctic Peninsula. When I visited, the sea was extremely calm, and I was lucky enough to witness a wonderfully clear reflection of the Suárez Glacier (aka Petzval Glacier) in the water. The only problem was the waves created by our speedboat, and the only way to capture the perfect reflection was to lie on the bottom of the boat while it moved towards the glacier.

Honorable Mention, Above Water Seascapes

Photographer: Ken Findlay, www.unworldoceansday.org

Category: Above Water Seascapes

Instagram: @kenfinphoto

Caption: A South Atlantic swell breaks on the Dungeons Reef off the Cape Peninsula, South Africa, shot while photographing a big-wave surf session in October 2017. It’s the crescendoing sounds of these breaking swells that always amazes me.

Top 9 greatest practical stunts in movie history

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Jackie Chan is one of the greatest stuntmen ever, mostly for his willingness to hurl himself into extreme danger and his ability to keep delivering his lines afterward – not to mention basically inventing the Kung Fu comedy genre. The man even has the Guinness World Record for the most film credits in a single film with 12 in Chinese Zodiac (2012). He's suffered enough injuries that he's been blacklisted by insurance companies, and he and his stunt crew pay for medical expenses out of pocket.

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Category: Technology

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Airstream camper channels Frank Lloyd Wright in grand team-up of icons

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How do you improve upon a timeless design that's already the premier icon of its genre? Perhaps by pulling a little inspiration from an all-time master in an adjacent field. For Airstream, that master is none other than architect extraordinaire Frank Lloyd Wright. The all-new Airstream Frank Lloyd Wright Usonian trailer looks like a classic Silver Bullet outside but draws travelers in with a warm, organic multifunctional interior inspired by the architectural giant.

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Category: Outdoors, Lifestyle

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Bright future beyond Bayer: new tech captures color without light loss

Digital Photography Review news -

Diagram showing the structure of Eyeo's color-splitting waveguide technology. The image is focused at the front of the structure, with the waveguides channeling the light down to a conventional CMOS sensor underneath. The geometry and position of the upper, tapered waveguides defines the wavelength at which light is split into parallel beams in the lower, rectangular guide.

Image: Eyeo

A Belgo-Dutch startup is developing an alternative to color filters that would let sensors capture all the light shone on them. This has the potential to push past on of the limitations of existing Bayer sensors, giving up to a stop of improvement in tonal quality and noise, and potentially allowing higher resolution capture.

Its technology uses nano-scale waveguides to split the incoming light depending on its color, meaning the sensor receives all the light projected on it, rather than having to use filters that absorb some of the incoming light.

Eyeo, a spin-off from Imec (a Belgian research organization) has just received €15M in seed funding to develop the technology.

Its system doesn't block or absorb any light, instead redirecting it into neighboring pixels, based on its color.

The technology uses a waveguide that channels the incoming light to a very fine point – the geometry of which is on the scale of the wavelength of light – splitting the light by wavelength. From here it's channelled separately down through a second, rectangular waveguide into a pair of photodiodes below.

The company has shown it can adjust how the colors are split by adjusting the precise geometry and positioning of the waveguides. It has developed pairs of waveguides that split light at the same wavelengths that the human eye does, with one separating red light from cyan (green and blue), and the other separating blue light from yellow (green and red).

Diagram showing the sensitivity of the cones of the human eye to different wavelengths (top) and the output spectra of the two waveguide designs, showing one tuned to give a 480nm crossover (left) and a second with crossover at 580nm (right).

Image: Eyeo

This means you still need four photodiodes to capture full color, but you can measure the light intensity, irrespective of color, with only two; giving a significant resolution boost and with minimal light loss.

Its work suggests these pairs of waveguide stacks, combined with conventional CMOS sensors, should be able to deliver color accuracy comparable with modern cameras, with scope to further improve the performance to at least match the very best examples.

In addition to avoiding light loss to color filters, the design should be able to work with smaller pixels than previous attempts to split colors by diffraction, allowing the used of smaller pixels to give higher resolutions.

The company's focus is, understandably, on the large and potentially lucrative smartphone market. Because its technology doesn't waste as much light and can work with smaller pixels, it allows the creation of smaller sensors that deliver quality comparable with existing Bayer ones, or higher resolution sensors that outperform Bayer sensors of the same size.

However, even in the comparatively huge sensors used in most standalone cameras, avoiding light loss to a color filter array would allow a ∼1EV improvement in tonal quality and noise performance. Current sensors have very high quantum efficiency (generating a signal from a very high percentage of the light that hits them) and very low levels of read noise, meaning there's a limit to how much further you can improve the performance of the CMOS itself. However, the silicon part of the sensor is held back by the need to filter-out around one stop of the 'wrong' colored light before it hits each photodiode.

The 'Vora' values, measuring color filtering accuracy for a large set of cameras, calculated both for the CIE standard observer and a range of other ages and races. Eyeo's technology using off-the-shelf CMOS sensors and a custom-made thin-film perovskite detector are shown on the right.

Image: Eyeo

Although the technology is still at the relatively early development stage, the company tells us its technology is compatible with existing CMOS sensor manufacturing and that the fabrication tech for its waveguides that's already in use at scale.

It says it has worked to ensure the pixels at the edge of the frame maintain high acceptance angles for incoming light, without the use of microlenses, and has patented a methodology for optimizing the design to match typical numerical apertures used in the latest cameras and smartphones.

The original idea dates to 2018, with patents and prototypes following over the next few years. The Eindhoven-headquartered company was established in 2024 and it says it hopes to engage with potential customers in the next year or so, with evaluation kits available next year.

However, when asked, the company didn't give a timescale of when it thought the technology could be ready to appear in a consumer product.

The fascinating reason baboons travel in lines, and it's a very human trait

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It's not a simple case of "follow the leader" when it comes to baboons on foot, traversing their home range. Based on prior research, scientists had a few theories as to why the animals fall into such structured formation and travel in what looks like an orderly line. But what they found was a surprise, and something that can help us better understand human behavior, too.

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Category: Biology, Science

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Potentially life-saving device puts the squeeze – and the roll – on blood clots

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When trying to remove life-threatening clots from blood vessels, current technologies are successful on only about half of the first attempts – if at all. A new surgical tool, however, is claimed to boost that figure to an astounding 90%.

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Category: Medical Devices, Medical Innovations, Body & Mind

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TOP 100 Business Cards of history's most important people - #1-10

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There has always been a marketplace for the personal cards of important people, but the humble ceremonial personal card (aka business card, visiting card, calling card, Carte de Visite) has never received much attention at auction, and has often been used as part of a significant lot to highlight provenance and authenticity.

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Category: Collectibles, Lifestyle

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Fast and wide: Laowa unveils an 8-15mm F2.8 zoom fisheye lens

Digital Photography Review news -

Image: Laowa

Laowa is well known for its unique lenses, offering photographers tools that allow them to stretch their creativity. Now, the company has added another lens to its lineup, announcing the 8-15mm F2.8 full-frame fisheye zoom lens. The lens is manual focus only, but it offers a fast and constant F2.8 aperture for a wide range of full-frame cameras.

The Laowa 8-15mm F2.8 FF Zoom Fisheye has what the company calls a "dual fisheye effect." At the wide end, the lens delivers a 180° angle of view, resulting in a circular image with black edges. However, when zoomed in to 15mm, the lens provides a diagonal fisheye image, which fills the entire rectangular frame without black corners.

Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab. Photos: Laowa

Laowa built the lens with 13 elements in 9 groups and a nine-blade aperture diaphragm. The company promises edge-to-edge clarity. The fast aperture is ideal for low-light conditions, and Laowa also promises beautiful bokeh for greater creative control. It can focus as close as 16cm (6.3"), enabling dramatically exaggerated subjects when up close. It is manual focus only, though.

Image: Laowa

It's a relatively compact lens, with the RF mount version measuring 94.5mm (3.7") long. It weighs approximately 650g (1.43lbs). It's available in E, Z, L and RF mount versions.

The Laowa 8-15mm F2.8 FF Zoom Fisheye is available for purchase as of today for $699. Pricing may vary in other countries.

Buy now: Buy from B&H Buy from Laowa

Press release:

Fish Out Your Creativity - Laowa announces the 8-15mm f/2.8 FF Zoom Fisheye Lens

Anhui China, June 6, 2025 – Introducing the Laowa 8-15mm f/2.8 FF Zoom Fisheye, a one-of-a-kind addition to Laowa’s innovative lens lineup. Designed for photographers and content creators seeking bold, creative perspectives, this lens delivers a dual fisheye effect with a versatile zoom range and an ultra-fast constant f/2.8 aperture. Compatible with full-frame cameras, this lens offers unparalleled flexibility for capturing expansive landscapes, compact cities, action sports, and 360° panoramas.

Dual Fisheye Effect

The Laowa 8-15mm f/2.8 FF Zoom Fisheye Lens delivers a versatile dual fisheye effect,
seamlessly transitioning between two distinct visual styles on full-frame cameras. At the
8mm end, the lens produces a circular fisheye effect, capturing a 180° field of view. At
the 15mm end, it transitions to a full-frame rectangular fisheye effect, filling the entire
sensor with the characteristic fisheye distortion. The zoom capability allows creators to
switch between these effects without changing lenses, enhancing flexibility for
photography and videography applications.

Max. 180° circular fisheye

The Laowa 8-15mm f/2.8 FF Zoom Fisheye Lens offers an extra-wide view, delivering a
sweeping 180° angle of view at its 8mm focal length on full-frame cameras. This
expansive perspective captures vast scenes in a single frame, producing a dramatic
circular fisheye effect with pronounced curvature, ideal for creative effects,
astrophotography, and 360° panoramas.

Diagonal fisheye

As the lens zooms to 15mm, the angle of view narrows slightly, filling the full-frame
sensor with a diagonal fisheye image that retains a wide, distorted perspective. Ideal for
immersive landscapes, astrophotography,

Constant Fast Aperture

The Laowa 8-15mm f/2.8 FF Zoom Fisheye Lens boasts a constant T2.9 aperture
throughout its zoom range, ensuring consistent exposure and depth of field control. This
fast aperture excels in low-light situations, delivering outstanding performance for
nighttime shoots or dimly lit environments, while also providing beautiful bokeh for
creative flexibility in crafting immersive fisheye visuals.

Close Focusing Distance

The Laowa 8-15mm f/2.8 FF Zoom Fisheye Lens features a minimum focusing distance
of 16cm (6.3”), enabling photographers and videographers to capture subjects at close
range with striking visual impact. This close focusing capability enhances the lens’s
fisheye distortion, delivering an exaggerated point of view (POV). Additionally, the close
focus mimics a bugeye effect, creating a playful, almost cartoonish distortion where
subjects appear disproportionately large, adding a unique and bold aesthetic to images
and videos.

Full Frame Coverage

The Laowa 8-15mm f/2.8 FF Zoom Fisheye Lens offers full-frame coverage, unlocking
the full potential of high-resolution cameras. It delivers a true 180° circular fisheye effect
at 8mm and a rectangular fisheye at 15mm, ensuring edge-to-edge clarity and
maximum angle of view without cropping.

Ultra Compact

Dimensions

94.5MM X Ø76.4MM (CANON RF

MOUNT)

Weights ~650G (1.43 LBS, EXCLUDING CAPS)

The Laowa 8-15mm f/2.8 FF Zoom Fisheye Lens is remarkably compact. This portable
design makes it one of the smallest and lightest full-frame fisheye zoom lenses with a
constant f/2.8 aperture, ideal for travel, adventure, and handheld shooting. Perfect for
landscape photographers, vloggers, and drone-based creators, this lens delivers bold
fisheye visuals without the bulk, enhancing mobility and convenience for on-the-go
content creation.

Pricing & Availability

LAOWA 8-15mm f/2.8 FF Zoom Fisheye is available to purchase via Venus Optics
official website (Home - LAOWA Camera Lenses) and authorized resellers from the 6th
June, 2025.

The US price for LAOWA 8-15mm f/2.8 FF Zoom Fisheye is $699. Pricing varies in different countries.

Product Page

LAOWA 8-15mm f/2.8 FF Zoom Fisheye:

https://www.venuslens.net/product/laowa-8-15mm-f-2-8-ff-zoom-fisheye-2

Sample images

https://drive.google.com/drive/folders/1BLfVOj-wyHWfE4-94ay7py9RkzcwHHx8?usp=sh
aring

Product Video

https://www.youtube.com/watch?v=RBjXQJ4aYtA&feature=youtu.be

Specification

Product name LAOWA 8-15mm F2.8 FF Zoom Fisheye Format Compatability Full Frame Focal Length 8-15mm Aperture F2.8-22 Angle of view 175°-180° Lens Structure 13 elements in 9 groups Aperture Blades 9 Focus Throw 70° Zoom Throw 76° Aperture Throw 42° Focus Scale Dual Scale Min. Focusing Distance 16cm Max. Magnification 0.23x Focus Mode Manual Focus Dimensions 94.5mm*Ø76.4mm (measured in RF mount) Weight ~650g Mounts E / Z / L / RF Price USD699

One dose of liposome-laden gel eradicates ear infections in 24 hours

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Babies and small children are prone to middle ear infections, which typically have to be treated with orally administered antibiotics. A new fast-acting topical gel could soon replace such drugs, however, potentially reducing unpleasant side effects.

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Firmware Friday: Power zoom features come to two Nikon cameras

Digital Photography Review news -

Photo: Nikon

It's Friday, so that means it's time to share some firmware updates. The past few weeks saw a few releases, bringing fixes and new features to Nikon, Fujifilm and Sony cameras, along with four Sigma L-mount lenses. Nikon's updates offer the most significant changes, with newly added support for power zoom features on the Z6II and Z7II. Without further ado, let's dive in.

Nikon Image: Nikon

Nikon Z6II Ver. 1.70

  • Added support for the power zoom feature on power zoom lenses.
  • [русский (RU)] has been added to the languages available via the [Language] item in the [SETUP MENU] for Z 6II cameras sold in the Middle East.
  • Fixed the following issues:
    • Shutter release would sometimes be disabled or the frame advance rate would drop after the focus point was moved using [Touch AF].
    • The playback display would unintentionally switch to the shooting display when [Prioritize viewfinder (2)] monitor mode was selected.
    • The focus point would sometimes not be displayed after reactivating the standby timer when [Prioritize viewfinder (2)] monitor mode was selected.
    • The shutter releases on the remote cameras would be unavailable in synchronized release using wireless remote controllers.

Nikon Z7II Ver. 1.70

  • Added support for the power zoom feature on power zoom lenses.
  • [русский (RU)] has been added to the languages available via the [Language] item in the [SETUP MENU] for Z 6II cameras sold in the Middle East.
  • Fixed the following issues:
    • Shutter release would sometimes be disabled or the frame advance rate would drop after the focus point was moved using [Touch AF].
    • The playback display would unintentionally switch to the shooting display when [Prioritize viewfinder (2)] monitor mode was selected.
    • The focus point would sometimes not be displayed after reactivating the standby timer when [Prioritize viewfinder (2)] monitor mode was selected.
    • The shutter releases on the remote cameras would be unavailable in synchronized release using wireless remote controllers.
Fujifilm Photo: Fujifilm

Fujifilm X-S20 Ver. 3.20

  • Exposure tracking during aperture movement gets smoothed when used with the XF16-55mmF2.8 R LM WR II.
    • The above exposure tracking function is enabled under the following setting conditions.
    • [Setting conditions]
    • StillMovie mode ➔ Movie
    • Shooting Mode ➔ Manual (M) Mode
    • ISO ➔ Fixed Sensitivity
  • The “LINEAR” setting in “Focus ring operation” menu can now be set by the focus ring rotating angle.
    • The above function is enabled when used with the following applicable lenses.
    • [Applicable lenses]
    • XF/XC series Prime lenses and zoom lenses
    • Note:Interchangeable lenses with distance indicators (XF14mmF2.8 R, XF23mmF1.4 R and XF16mmF1.4 R WR) are not applicable.
  • A firmware bug is fixed that the image display becomes abnormal in rare cases for the images processed by RAW development from the RAW files shot with the following bracketing function.
    • [Bracketing function]
    • ISO BKT
    • FILM SIMULATION BKT
    • WHITE BALANCE BKT
  • A firmware bug is fixed that the camera does not turn on even if the power lever is on when a specific SD memory card is inserted.
  • A firmware bug is fixed that the “WRITE ERROR” occurs in rare cases after shooting when using specific SD memory cards.
Sony Photo: Sony

Sony ZV-1 Mark II Ver. 2.01

  • Adds Brazilian Portuguese to the list of available languages
  • WPA and WEP functionalities are no longer supported. You will no longer be able to select WPA or WEP when connecting to Wi-Fi. Please use the more secure WPA2 moving forward
  • Improves the operational stability of the camera

Sony ZV-1F Ver. 2.01

  • Adds Brazilian Portuguese to the list of available languages
  • WPA and WEP functionalities are no longer supported. You will no longer be able to select WPA or WEP when connecting to Wi-Fi. Please use the more secure WPA2 moving forward
Sigma Photo: Sigma

Sigma Art 28-105mm F2.8 DG DN (L-Mount) Ver. 1.1

  • The operational stability has been improved.
  • Improved focus tracking performance during zooming.

Sigma Contemporary 100-400mm F5-6.3 DG DN OS (L-Mount) Ver. 1.4

  • The operational stability has been improved.

Sigma Sports 150-600mm F5-6.3 DG DN OS (L-Mount) Ver. 1.3

  • The operational stability has been improved.

Sigma Contemporary 16-28mm F2.8 DG DN (L-Mount) Ver. 1.1

  • The operational stability has been improved.

Is the Fujifilm X-M5 worth the wait?

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When you use DPReview links to buy products, the site may earn a commission. The X-M5 seems to have turned into a hot-ticket item.

Despite being released in late 2024, the Fujifilm X-M5 isn't the easiest camera to get your hands on, especially in the US – a situation not helped by tariffs. That raises the question: is it worth putting in an order to try and get one, or are there more readily available cameras that will scratch the same itch?

As with the X100VI, the answer will depend on why you're considering an X-M5 in the first place (though, thankfully, it's not essentially unique like Fujifilm's fixed-lens offering). If you want one primarily for shooting video, the best alternative will be different than if you're looking for a small, sub-$1000 mirrorless to mainly shoot stills with.

I want an X-M5 just for stills

While the X-M5 is shaped like a lot of vlogging cameras – it has a boxy body with no EVF, and a rather insubstantial grip – it's generally nicer to shoot with than most vlogging-focused cameras thanks to its two top-plate dials. It also has a mechanical shutter, essential if you want to shoot flash.

The Nikon Z30 shares the same list of benefits and has a very similar form factor, and while its autofocus system will probably be about as reliable as the X-M5's, it's not Nikon's latest and greatest: it has fewer subject recognition modes, which can make it easier to set your focus point, depending on what you're shooting. While the Z mount has a more limited selection of lenses than X mount, Nikon has started allowing third-party companies to make some autofocusing primes for its system. If you want a zoom lens, though, you're still stuck with Nikon's lackluster offerings.

The Z50II has different styling, but is aimed at a similar audience.

If you're not married to the easier-to-pocket boxy shape, you'll have even more options, such as the Nikon Z50II and Canon EOS R10. Both cameras include viewfinders, which makes them easier to use in direct sunlight at the cost of some bulk. The Z50II has a newer autofocus system than the Z30, as well as a color profile system that can at least get you closer to the aesthetic choices you can make with Fujifilm's famous film simulations. The EOS R10, meanwhile, has a healthy selection of zoom lenses, including some quite fast options from Sigma and Tamron.

I want an X-M5 for video

The X-M5 is aimed at content creators and has a fairly robust suite of vlogging features, dedicated microphone and headphone jacks, and the ability to shoot 6.2K open-gate and 4K60p video, though the latter comes with a 1.29x crop.

If you're mostly interested in video, the Sony ZV-E10 II is a worthy alternative. It can't shoot open-gate, so you won't have as much flexibility in post, but it makes up for it with much more reliable autofocus and tracking and a faster sensor with less rolling shutter distortion and less of a crop in 4K 60p. It's also capable of producing nice photos, though the experience of taking them won't be as engaging, thanks to its lack of a second top-plate command dial.

While the Z30 is also pitched as being good for video, it falls short of the X-M5 in a number of ways: it doesn't have a headphone jack, can't shoot 4K 60p and can't shoot 10-bit video, which provides you more room to color-grade in post.

The Canon PowerShot V1 is another option, though it's quite different from the other cameras on this list. It's explicitly aimed at video creators but has a built-in 16-50mm equiv. F2.8-4.5 lens rather than a mount and uses a smaller Type 1.4 (226mm²) sensor instead of an APS-C (~367mm²) one. That means you lose out a lot on flexibility and a bit on image quality, but given how many people only ever use their camera's kit lens, that may not be a huge con for you. It has a fan for extended recording time, a built-in ND filter and quite reliable autofocus, making it a useful video tool if you're willing to put up with its limitations.

I was hoping to shoot a little of both

Part of what makes the X-M5 so interesting is that it packs a lot of photo and video capabilities into a small, stylish body. It's that last part where most of its peers don't quite measure up; if you want something with this form factor that has classic styling and is equally capable for photos and videos, you may well need to wait for the X-M5.

Buy now:

$899 w/ 15-45 at Amazon.com$799 at Adorama$799 at B&H Photo

If you're willing to get something a bit bigger with less emphasis on aesthetics, though, the story is the same as the stills. The EOS R10 and Z50II are both quite capable hybrids and have more reliable autofocus, though their 4K60p modes come with a slightly higher crop than the X-M5's (1.56x and 1.5x, respectively).

Ultimately, there's no direct substitute that does everything the X-M5 does, especially if you're attracted to the wide range of lenses available for X-mount. But depending on your priorities, there are at least some reasonable alternatives, unlike with the X100VI.

Volvo's new adaptive seatbelt knows who you are, protects accordingly

Gizmag news -

In 1959, Volvo engineer Nils Bohlin created the three-point seatbelt and offered the design plans for free to automakers around the world. Since its introduction, the relatively simple but game-changing design has been credited with saving more than a million lives worldwide. Now the safety-focused car brand is back, giving the humble seatbelt a high-tech upgrade.

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Category: Automotive, Transport

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