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Gear we love: My decade-long test of the Lowepro Photo Sport 300 photo pack

Digital Photography Review news -

The Lowepro Photo Sport 300 AW II alongside the Panasonic GH7 with 12-60mm F2.8-4 and Olympus 40-150mm F2.8 Pro for scale.

Photo: Dale Baskin

We don't usually test a product for a decade before reviewing it, but in the case of the Lowepro Photo Sport 300 AW II camera pack, I'm going to do precisely that. Why? Because this is a piece of gear I genuinely love. Over the past ten years, I've probably used it as much as any other product I own, except for my mobile phone.

I've auditioned many camera packs: I've bought some, borrowed some, tried packs that came through the DPReview offices and built my own DIY solutions. None worked as well for me as the Photo Sport 300 AW II.

Let's agree up front that there's no such thing as a perfect camera pack, but I'll explain why this pack has traveled everywhere with me for ten years. This long-term review is based on my own experience using the Photo Sport 300 AW II for a decade.

Lowepro Photo Sport 300 AW II overview

The Photo Sport 300 AW II backpack is part of Lowepro's 'Photo Sport' line, aimed at hikers and outdoor enthusiasts, and it looks more like an outdoor pack than a camera pack.

A configurable camera cube sits at the bottom of the pack, accessed through a side panel. It provides adequate space for most full-frame mirrorless cameras, like a Sony a7, Nikon Z6, or Canon R6, with a lens attached, along with a second lens.

The configurable camera cube has enough space for most full-frame (or similarly sized) mirrorless cameras and a second lens as long as it's not a big telephoto. Don't plan on putting a Nikon Z9 or Canon R1 in it, though.

Photo: Dale Baskin

The upper section of the pack is top-loading and closes with a drawstring, similar to many climbing packs. The top flap includes an integrated storage compartment, and the side has a pocket for carrying a water bottle or a small tripod.

There's also a 2-liter compartment for a water reservoir. A small compartment on the bottom hides a very capable rain cover, so it's always with you.

The upper section of the pack closes with a drawstring, similar to some climbing packs. You can stuff a lot of gear inside as long as you don't mind the pack getting a little bit taller.

Photo: Dale Baskin

The back panel is pretty minimalist. It doesn't have a mesh design for ventilation, which I know many people like, but I prefer the simpler design. I've never found it too hot, even in the Amazon jungle. After years of hiking with it, I've worn through the fabric right down to the padding, but it still works great.

The back panel has a minimalist design, but I find it still breaths well and keeps the pack compact. At the bottom, you can see where I've worn through the fabric after years of daily use.

Photo: Dale Baskin

Lowepro no longer makes this exact model; its successor, the Photo Sport Outdoor Backpack BP 24L AW III, has a similar design and should perform similarly. You can read our full review of the Photo Sport 24L AW III to learn more about it.

Buy the Photo Sport Outdoor Backpack 24L AW III: $249 at Amazon $249 at B&H $249 at Adorama What I like

For me, the Photo Sport 300 AW II is a Goldilocks product: it provides just the right balance between camera storage and space for other gear.

I keep using it for three primary reasons: lifestyle, durability and flexibility.

Lifestyle

The Photo Sport 300 AW II works so well for me because it's a good match for my lifestyle, and that's a good guiding principle for any camera pack. I often travel with a combination of camera and non-camera gear, and I generally pack pretty light.

I've become more efficient with gear over the years, and despite anxiety about not having every possible focal length in my bag, I've learned to work with a single body and just one or two lenses most of the time. If I need something extra, I put it in a padded case in the top of the pack.

I live in the Pacific Northwest, so my lifestyle often includes rain. Thanks to a hidden compartment in the base of the pack, the very effective rain cover is always with me.

Photo: Dale Baskin

The side panel access makes getting to my cameras quick and easy. I realize this is a polarizing aspect of camera pack design, but this design works for me on this pack. I would choose something other than side access on a pack meant to carry multiple bodies and lenses, but on this pack, it works very naturally for me.

Durability

This pack is tough as hell and never failed me despite being subjected to a lot of abuse. It's been used almost every day for ten years, and it still feels like it has years left in it.

It's been dragged through taiga forests in the sub-arctic and the mud of tropical jungles. It's been stuffed into cargo bins on buses, tied to the roofs of minivans going over mountain passes in snowstorms, traveled around the Amazon in open canoes, bungied to the backs of motorcycles and tied to tuk-tuks. It has the dirt and grime to prove it.

My pack has the dirt and grime to prove it's been used and abused. It's a far cry from the bright blue color it had when I bought it.

Photo: Dale Baskin

In short, this is a bag I trust.

It's showing some wear and tear. A couple of fabric spots in the pack's interior are a bit frayed, and the bottom of the water bottle pocket has small holes from being scraped on the ground too many times. But everywhere it really matters – the straps, zippers, and any critical points of attachment – it's stitched to last and as solid as the day I bought it.

Flexibility

The Photo Sport 300 AW II is relatively compact when needed, but the main compartment holds a larger volume than you would expect as a result of its similarity to a climbing pack. However, I've never had trouble fitting it under an airplane seat (as long as I haven't stuffed it too full).

There's a compartment for a water reservoir, but I've found it works equally well for a 13-14" laptop computer, and I currently use it to carry a 14" MacBook Pro.

The hydration compartment works equally well for carrying a water reservoir or a laptop computer. My 14" MacBook Pro slides right in, though I have to spread the straps a bit to do it.

Photo: Dale Baskin

In those rare cases where I don't want to carry camera gear (hey, it happens), I like that I can squish the padded cube to take up less space, allowing me to use it as a regular daypack.

Finally, this pack doesn't scream 'camera bag'! Most people will likely think it's a daypack rather than a camera pack, making it easier to blend in. Those in the know will recognize the Lowepro name if they see it, but the logo is pretty small and subtle.

Things I'd like to see improved

I like the Photo Sport 300 AW II a lot, but there are a few things I'd like to see improved.

I often use the side pocket to carry a compact tripod, like the Peak Design Travel Tripod. However, the side strap that secures the tripod's top is too high for many travel tripods. As a result, I also use the strap from the top panel to help secure the tripod, but it's an imperfect solution.

I often carry a travel tripod in the side pocket, but the blue strap that secures the top is just a little bit too high to reliably hold it in place.

Photo: Dale Baskin

I wish the hip bet were removable. I use the hip belt for hiking, but the pack is so versatile that I also use it for travel, where I don't want the hip belt hanging off my back while riding trains or walking through a foreign city.

Finally, I wish the camera cube was removable when not carrying photo gear. Fortunately, Lowepro also figured this out: the cube is removable in later versions of the pack I've seen, which seems to have carried through to the newer model(s).

The final word

Finding the right camera pack is one of the most elusive things in photography – more difficult than finding the right camera, in my opinion. That explains why so many photographers have a closet full of them. I'm thrilled to have found one that works so well for me.

Most people won't recognize the Photo Sport 300 AW II as a camera backpack. Those in the know will recognize the Lowepro logo, but it's relatively small.

Photo: Dale Baskin

Despite my affinity for the Photo Sport 300 AW II, I'll be the first to tell you it's not the best bag for every situation. If I'm on a shoot that requires multiple bodies and lenses or a bunch of video gear, I'll use an appropriate pack. But the Photo Sport 300 AW II is my daily driver for most activities, even ones that don't involve photography.

Lowepro no longer sells this exact model, but the Photo Sport Outdoor Backpack 24L AW III that replaces it is very similar, albeit slightly smaller. I suspect most of my observations about the Photo Sport 300 AW II would also apply to it.

You've heard from me, so now I want to hear from you. In the comments section below, tell me what your favorite camera pack is and why you love it!

Buy the Photo Sport Outdoor Backpack 24L AW III: $249 at Amazon $249 at B&H $249 at Adorama

Leatherman's "best multitool ever" goes extra bold

Gizmag news -

It was just a year ago that Leatherman launched a 20-in-1 pocket tool it literally billed as the best multitool it ever made, to the detriment of every Leatherman tool that came before (or since). The company was that confident in the Arc. A year later, and Leatherman has released a new version of the Arc that might rightfully be the most stylish multitool it's ever made. The all-new Arc Obsidian goes inside out with a black-and-champagne color scheme that will pop out in any tool collection.

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Category: Outdoors, Lifestyle

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Accessory Roundup: a leather half case, jog dial, and more

Digital Photography Review news -

Images: Logitech, Apple, SmallRig

Hello everyone! It's been a busy week here at DPReview, and the same has apparently been true for accessory makers. Today we’ll be looking at some stylish accessories for Fujifilm’s new entry-level camera, some computer accessories that may make editing easier, another digital photo frame, and more. First, though, let’s see what’s on sale.

A Couple of Canons

The Canon EOS R7, which won our Silver award last year, is currently $200 off. It's also worth noting that the main thing that kept it from getting Gold was the lack of RF-mount lenses that made sense for an APS-C camera, but that situation has been someone improved now that Sigma has released several of its F2.8 'Contemporary' zoom lenses for the system.

Buy now:

Buy at B&H PhotoBuy at AdoramaBuy w/ RF-S18-150mm F3.5-6.3 IS STM at Amazon.com Photo: Dale Baskin

If you're looking for a full-frame option, the gold-winning EOS R6 Mark II is also currently on sale at $500 MSRP.

Buy now:

$2099 at Amazon.com$2499 at B&H Photo$2499 at Adorama Vintage-looking clothes for a brand-new camera

The case looks especially good with the black X-M5, though unfortunately, that model isn't shipping until April.

Image: SmallRig

Fujifilm's new X-M5 hasn't even hit store shelves yet, but SmallRig has already announced new accessories for it. There are the usual suspects, like an L-shaped handle that adds more grip and a thumb grip accessory, but there are also some more stylish options meant to match the camera's retro aesthetic. Perhaps the most classic is the half leather case that's meant to evoke classic rangefinders and which comes with a new braided wrist strap. The latter can, of course, be used with pretty much any camera and SmallRig is selling it standalone as well.

$36.99 at SmallRig

There's probably a bit of irony in using such retro-styled accessories on a vlogging-focused camera with no viewfinder, but it's hard to deny how stylish they are.

Image: SmallRig

There's also a 'Retro Cage,' which is made to look like aged bronze and features gold-colored accents. It also includes a wooden hand grip section. Outside of the looks, it's a pretty standard cage, adding several mounting points to the camera for those who are serious about rigging it up for video use. The cage and the L-mount kits also include a fuzzy windscreen that clips onto the hot shoe mount, which should help cut down on the amount of wind noise picked up by the X-M5's three microphones.

$84.90 at SmallRig An ultra-portable editing tool Image: Apple

It’s no secret that a lot of photographers love editing photos on an iPad using an Apple Pencil, especially now that it’s super easy to connect a camera to it via the near-universal USB-C. And for those looking for the utmost in portability, there’s good news: Apple just updated the iPad Mini, adding the A17 Pro processor from the iPhone 15 Pro and making it compatible with the Apple Pencil Pro, which has haptic feedback and squeeze control.

From a technical perspective, the Mini is less capable than the latest iPad Air, which packs an M2 chip, which is itself slower than the M4 powering iPad Pro. The latter also has a much better screen than the Mini; the Pro’s 120Hz 'tandem OLED' display can reach brightnesses of up to 1,600 nits when viewing or editing HDR content, while the Mini’s 60Hz LCD screen caps out at 500 nits.

None of that is to say that the Mini isn’t capable, just that there are trade-offs to its smaller size and lower price – the A17 Pro is still a plenty-powerful chip for most editing tasks.* But if portability is your number one priority, it’s hard to beat the iPad Mini.

* All the image editing for this article was done using Photoshop on an iPad with a much older A14 chip.

$499 at Amazon $499 at B&H $499 at Apple A desktop editing tool

We got to try out the MX Creative Console at Adobe Max, and found that it could be very useful in Lightroom and Photoshop.

Photo: Mitchell Clark

If you prefer to do your photo editing on a computer, it may be worth checking out Logitech’s new MX Creative Console accessory. There are two parts to it: a bank of buttons that are actually tiny displays, and a jog wheel surrounded by a scroll wheel and four programmable buttons. On the software side, the console connects to programs like Lightroom, Lightroom Classic, Photoshop and Capture One.

You can fill the bank of buttons with various functions, like selecting certain parameters or tools, which you can then control with the wheel. You can also use the wheel to zoom in or scroll through your library. All of it is customizable, too, and you can have several pages of buttons for each application, which you move through using two arrow keys on the console.

The bank of buttons connects to your computer via USB-C, while the wheel uses Bluetooth. The company says it can run for up to six months off two AA batteries.

App support for the Creative Console is currently relatively limited: it doesn’t natively tie in to the Affinity creative apps, or Apple’s Final Cut Pro. There are ways around that – you can bind keyboard shortcuts to the console’s keys – but the experience won’t be as smooth as it is in the natively-supported Photoshop, Lightroom, or Capture One. Logitech says companies are absolutely welcome to create integrations, but it’s always worth buying hardware for what it can do now rather than what it may be able to do in the future.

$199 at Amazon $199 at B&H Another new digital photo frame Image: Skylight

Earlier this month we covered Lexar's new digital photo frame brand, and this week we're hearing about another new digital photo frame. This one is from the brand Skylight, which has upgraded its Frame display to up the resolution, add swappable face plates, and provide more storage.

The Frame 2 has a 25.4cm (10") 1920 x 1200 anti-glare display with auto-adjusting brightness. It comes with 16GB of storage, which the company says can hold up to 16,000 photos. The Frame's frame is held on by magnets, making it easy to remove if you want to change up how it looks. The company says there's eight colors available across four styles.

The Frame 2 costs $169 with the 'Classic' or 'Cover' frame, or $199 for the variant with the 'Wood' or 'Shadow Box' frame. Of course, you can always swap the frame out later; the Classic and Cover frames are available for $15 each, and the Wood and Shadow Box ones are $30 each.

$169 at Skylight A new action cam cometh

Image: Insta360

Action cams, like drones, are often used as an accessory supplementing a main camera; after all, nobody wants to strap their EOS R7 to the front of a bike or a surfboard. Insta360 is teasing what appears to be a new generation of its flagship Ace Pro action camera, with an announcement set to come on October 22nd.

If you were considering the new GoPro Hero13 Black or DJI Osmo Action 5 Pro, it may be worth waiting until then to see what Insta360 is bringing to the market – the company certainly seems to think it has the leg up, with its marketing tagline of ‘the real pro’ seeming to act as a not-so-subtle dig at both cameras.

Click here to see last week's roundup

World's largest carbon fiber composite Neutron rocket is AFP-laid

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Rocket Lab is making innovative strides in space travel with the Neutron medium payload rocket – namely, it's the largest composite rocket ever made. Initially, hundreds of layers and thousands of square feet of carbon fiber were laid onto a mold by hand, taking a large team several weeks to complete.

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Category: Manufacturing, Technology

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Frame.io's latest update could make it a great tool for photographers

Digital Photography Review news -

Linking your Frame.io project with Lightroom will make images in the project automatically show up in your Lightroom library on desktop, web, and mobile.

Image: Adobe

Frame.io, Adobe's collaborative media management tool, has supported image files for a while, but it's still mostly thought of as something more for videographers than photographers. That's likely thanks to long-standing integration with video editing software like Premiere Pro, Final Cut, and Avid Media Composer. And while some stills cameras have been able to upload directly to it and Capture One has had limited support for it for a while, most photographers probably would've had a hard time fitting it into their workflow.

That may be changing, though. We got to talk with JJ Powel, Product Marketing Manager for Frame.io at Adobe, about the launch of Frame.io 4, and he demoed some features that could make it quite a bit more useful for photographers.

The service is now officially integrated into Lightroom, which makes its Camera To Cloud feature much more useful; if you have a camera that supports Camera To Cloud, you can take pictures and have them automatically sync to Lightroom over Wi-Fi. Some models can even do it when they’re off, meaning you could come home, set your camera down, and have all your photos available the next time you opened Lightroom, assuming they had enough time to sync.

The S5II is one of the new group of cameras that supports Frame.io's Camera To Cloud feature.

Photo: Richard Butler

"That's really important because it unlocks powerful workflows in Lightroom," said Powell. "I can do a Raw default and assign any preset. If I'm uploading Raw and JPEG the JPEG will stay untouched. But the Raw asset, I could say 'import it as black and white or import using one of the adaptive presets or a preset I already set up.'" Of course, like most Lightroom edits, you can always change the profile or any other settings applied on import after the fact.

"Maybe I'm capturing images out of music festival and I've got three cameras going and they're all going to one editor. They can start pushing assets to social really quick. This is the most seamless path from camera to edit," said Powell.

The system is also relatively smart. If your sync gets interrupted and you want to bring in your photos the old-fashioned way via an SD card or a USB cable, Lightroom will recognize which ones it got from the cloud and will skip transferring them over, avoiding duplicates.

Frame.io 4 could also make sharing photos with clients or co-workers easier for those who choose to use it. The new Collections feature will likely be familiar to anyone who does a lot of work in Lightroom Classic; it lets you tell Frame.io to gather up all the photos in a project that meet specified criteria, where they can further be organized and sorted based on their metadata. As an easy example, at the beginning of a contract, you could share a collection to a client that only includes images you’ve rated 5 stars. Then, as you sort through your photos and rate them, the ones you mark with 5 stars will automatically become available to whoever you’ve shared the collection with.

Frame.io's collections feature is similar to Lightroom Classic's Smart Collections, and can easily be shared with others.

Image: Adobe

That's not to say that every photographer should rush out and start using Frame.io. It shines brightest when you're using both the Lightroom integration and Camera to Cloud, and the latter is only available in select cameras. Nikon announced that it's bringing it to the Z6III, Z8, and Z9, and Leica is adding it to the SL3, but those additions still only bring the number of supported stills cameras up to 16. The syncing while off feature also isn’t available on all cameras that support Camera to Cloud.

There's also the matter of cost. Frame.io for Creative Cloud is included with the All Apps subscription, as well as subscriptions to Premiere Pro and After Effects individually. That gives you 100GB of space and support for up to two users and five projects. However, the Photography bundle and standalone Lightroom subscription don't include that benefit. You could use the Frame.io free tier, which supports Camera to Cloud but only gives you 2GB of space to use it with, but if you want to be able to sync more than a handful of Raws, you'll likely have to upgrade to the $15 a month Pro account. That's more than you'll pay for Lightroom, though it does come with an arguably overkill 2TB of space and other features.

But if the stars align for you – you have a camera that supports Camera to Cloud, you use Lightroom, and you mainly shoot JPEG or have Creative Cloud All Apps – it may be worth giving Frame.io a shot, even if you've never considered it before.

4 things that make Ferrari's F80 hypercar go from 0-60 in 2.15 seconds

Gizmag news -

Ferrari's new F80 hypercar has tongues wagging about the new design language, and whether it'll make for a suitable successor to the 2013 LaFerrari. What's probably more important, though, is that the Maranello-based marque's latest creation can get from 0-62 mph in just 2.15 seconds, and hit a top speed of 217 mph (350 km/h).

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Category: Automotive, Transport

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