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Blending architecture and mountains – a crystal-inspired bivouac for the Alps

Gizmag news -

Carlo Ratti Associati (CRA) has long been taking a fresh and creative approach to combining man-made structures with nature. This time around, the architectural firm has literally taken its work to new heights, with a digitally fabricated bivouac designed for the Italian Alps.

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Category: Architecture, Technology

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Upcoming RV trailer will make its own power to take you off the grid

Gizmag news -

A new startup has just raised US$16 million to help outdoorsy types get far, far away from civilization with an RV trailer that can power itself for a good while. It's called Evotrex, and it has ambitious plans to hitch its trailers to customers' vehicles by the end of next year.

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Category: Camping Trailers, Adventure Vehicles, Outdoors

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Eastman Kodak has resumed direct sales of consumer film after more than a decade

Digital Photography Review news -

Kodak Gold 200 and Ultramax 400 now have new packaging with the classic Kodak logo.
Images: Kodak

Just over a month ago, Kodak surprised film photographers with the introduction of Kodacolor 100 and 200, two (sort of) new 35mm film options. While the release of Kodacolor was exciting enough for film fans, there was something even more notable: Eastman Kodak was distributing the film directly, not through Kodak Alaris. Now, the company has quietly added two more film stocks to its in-house distribution list.

The move marks a subtle yet potentially significant shift for Eastman Kodak, which hasn't distributed its own still picture film in over a decade. That's because in 2013, Kodak Alaris took over the distribution of Kodak-branded still picture film as part of the resolution of Eastman Kodak's 2012 bankruptcy.

Since then, Eastman Kodak has manufactured the film, but as soon as it left the Rochester, New York factory, Alaris took over the marketing and distribution under the Kodak Professional brand. Eastman Kodak maintained distribution of its motion picture film, but Alaris handled consumer still films. The Alaris film features Kodak Professional branding, with a distinct look that differs from the Eastman Kodak logo and design.

Eastman Kodak quietly released Kodacolor 100 and 200 last month.
Images: Kodak

When Eastman Kodak quietly released Kodacolor 100 and 200 at the end of September, it handled sales directly for the first time since the bankruptcy restructuring. Alaris was not part of the marketing, distribution or branding process. Instead, Kodacolor comes in packaging branded with the classic Eastman Kodak logo, not the Kodak Professional brand.

Now, the Kodak website also lists Kodak Gold 200 and Ultramax 400, two film stocks previously distributed by Alaris. Like the Kodacolor films, they have been repackaged in Kodak-branded boxes, ditching the Kodak Professional name. Gold 200 and Ultramax 400 appear to be the same film that photographers are already familiar with, just with updated packaging.

In Eastman Kodak's recent Q3 financial results, the company briefly mentioned the release of its new film stock and its plans. "More recently, our AM&C unit’s film business launched still films, which will be sold directly to distributors, giving Kodak greater control over our participation in the consumer film market and providing distributors, retailers and consumers with more stable pricing and a broader, more reliable supply," the report said.

A sample image of Kodacolor 200.
Image: Kodak

It isn't clear what this means for the relationship between Eastman Kodak and Kodak Alaris. At the time of writing, Alaris still appears to be the distributor for other Kodak film stocks, including Portra, Ektar, Tri-X, T-Max, ColorPlus and all sheet films. Interestingly, at the time of writing, Kodak Gold 200 and Ultramax 400 are still listed on the Kodak Professional website, though the new Kodacolor options are not.

There has been speculation that the move could result in lower prices for Kodak film, which is what Kodak appears to suggest in its Q3 financials. However, only time will tell what it actually means for Kodak's film business and how that impacts consumers.

Canon EOS R6 III pre-production sample gallery: what's the new sensor like?

Digital Photography Review news -

When you use DPReview links to buy products, the site may earn a commission. Canon EOS R6 III | Canon RF 28-70mm F2L USM | 70mm | F5.6 | 1/80 sec | ISO 1000

This week, Canon announced the EOS R6 III, a new entry-level camera that it says is aimed at both stills and video shooters. It features a 33MP full-frame FSI sensor that debuted in the cinema-focused EOS C50, but which is new to the consumer-focused mirrorless market.

We were able to spend some time shooting with the camera in Seattle and Los Angeles, to see how the sensor performs in a variety of situations. If you're more curious about the video side of things, we also shot our first look video with it, and it contains plenty of sample footage. You can watch it below.

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See the sample gallery

Sample gallery

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab. First look video

Alzheimer's impact on body fat explains its effects beyond the brain

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A new study has revealed that Alzheimer's disease breaks apart nerves and blood vessels in fat tissue throughout the body. The finding could help explain the disease's ravages beyond mental impairment and offers hope for better patient care.

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Category: Alzheimer's & Dementia, Brain Health, Body and Mind

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Wireless, laser-shooting, brain implant fits on a grain of salt

Gizmag news -

If you have a brain, and if you know others who do, then you know there’s a catastrophic catalogue of ways that our skull-socket electro-fat computers can disappoint their owners. From memory-loss to migraines, from depression to dementia, the brain is astonishingly inventive at decaying in ways that can turn many people’s existences into mental hell.

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Category: Medical Devices, Medical Innovations, Body and Mind

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The Leica SL3 Reporter: tougher, greener and $500 more serious

Digital Photography Review news -

Image: Leica

Leica has announced a new addition to its Reporter design series with the Leica SL3 Reporter. As with other models in the special design lineup, the SL3 uses the classic dark green color and promises better durability.

Leica's Reporter design series consists of rugged, limited-edition versions of Leica cameras. It consists of the Q2 Reporter, Q2 Monochrom Reporter and SL2-S Reporter, with the SL3 becoming the fourth model in the lineup.

Image: Leica

The SL3 Reporter features a scratch-resistant dark green finish, a popular option for Leica fans. It also uses an aramid fabric cover, a type of ultra-strong synthetic fiber known for its excellent strength-to-weight ratio, superb heat resistance and generally high durability. Kevlar, the personal protective equipment brand, is the most commonly known version of aramid. The SL3 already offers an IP54 rating, and this rugged material promises even better durability.

Leica also added a new trim with a unique texture on the SL3 Reporter. The company says it provides an improved grip. On the design front, the camera uses black controls and dark green paint. It lacks the red Leica logo, which Leica says "serves to emphasize the SL3 Reporter’s suitability for challenging working environments." Indeed, this design choice helps avoid drawing attention to the camera as an expensive item in sensitive situations.

Image: Leica

Specs-wise, the SL3 Reporter is exactly the same as the original SL3. That includes a 60-megapixel BSI sensor, 5-axis in-body image stabilization, hybrid phase/contrast-detect autofocus and DCI 8K video.

The Leica SL3 Reporter is available for purchase now for $7995, which is $500 more than the current price of the SL3.

New: Leica SL3 Reporter

A robust design variant of the mirrorless Leica full-frame system camera perfectly suited for the most demanding photographic requirements

Teaneck, November 6th, 2025 – Leica Camera AG is pleased to announce the launch of the Leica SL3 Reporter, a new addition to the company’s Reporter design series. This particularly robust version of the Leica SL3 represents the latest in a long line of specially developed Leica cameras. The Leica SL3 Reporter is equipped with features that have been specifically designed for the harsh conditions of reportage and press photography. This enables maximum precision even under the most adverse shooting conditions. The product combines maximum functionality and reliability with a unique camera design that is both understated and striking.

The Leica SL3 Reporter features a particularly scratch-resistant dark green finish and an aramid fabric cover, which provides additional protection against abrasion and environmental influences. Furthermore, the special trim, with its unique texture, also offers significantly improved grip. This ensures enhanced stability when taking photographs and filming. Over time, the trim develops a unique patina that reflects the traces of its photographic journey and the character of a true reportage camera. The distinctive design is characterized by a combination of dark-green paintwork with black control elements, and the absence of the red Leica logo, which serves to emphasize the SL3 Reporter’s suitability for challenging working environments.

In terms of its technical specifications, the design variant corresponds to the Leica SL3 series model. This model combines state-of-the-art technology with outstanding image quality of up to 60 megapixels, precise autofocus, premium materials, and “Made in Germany” manufacturing quality. A fast connection to the Leica FOTOS App facilitates a seamless professional workflow.

The Leica SL3 Reporter is now available worldwide in all Leica Stores, the Leica Online Store, and specialist retailers at a price of $7,995.00.

Breathtaking landscapes take top prizes at the global Pano Awards

Digital Photography Review news -

2025 Pano Awards

The winners of the 16th Epson International Pano Awards have been announced, featuring images that showcase vast landscapes and architectural marvels. The 2025 competition drew more than 4,500 entries by hundreds of professional and amateur photographers around the world. Participants could enter into the professional or amateur categories, with subcategories for Nature/Landscape and Built Environment/Architecture.

Beyond prizes for each category, the contest also features special awards. These include the Southeast Asia Open Photographer of the Year, chosen by the executive team at Epson Southeast Asia. Similarly, the Epson Digital Art Prize is decided by the executive team at Epson Australia, and to be considered, entries must show excellence in digital post-processing and photographic technique.

The Raw Planet Award is for the highest scoring stitched image in the Open competition. The image must use limited software processing except stitching for this award. The Curator's Award is selected by curator David Evans for his favorite image in the competition.

Images submitted to the contest use a 2:1 aspect ratio to fit the accepted definition of panorama. Entries can be stitched or cropped from multiple or single exposures, and images may be taken at any focal length. Post-production is allowed, but the contest specifies that excessive manipulation may result in a lower score if it isn't well executed. AI-generated images and elements are not allowed.

You can see the top 100 winners of each category at the Pano Awards website.

Image by Alex Wides.

Open Photographer of the Year

Photographer: Alex Wides

Country: Italy

Award(s): Open Photographer of the Year, First Place Nature/Landscape Category

Image title: Last Fireworks

Image location: Algeria

Caption: 360° panorama captured in the Algerian Desert

The 10-day nomad trip to Algeria turned out to be one of the best adventures ever.
After many nights crossing dunes and climbing rocky ridges, I reached a remote viewpoint on the last evening of this amazing expedition.

As the sun went down, the sky literally exploded... layer after layer of clouds lit up, painting the desert with fire and gold.
Using my Sony A7 IV with a fisheye lens on a tripod, I captured a full multi-exposure sequence at f/8 and ISO 100, rotating carefully around the nodal point to create a seamless 360° panorama.

That sunset felt like a farewell, the last blaze of light closing with "fireworks" one of the most meaningful journeys I’ve ever taken.

alexwides.com
Instagram: @alexwides_panoramas
Facebook: facebook.com/alexwidespanoramics/

Winner Open Built Environment / Architecture

Photographer: Vitaly Golovatyuk

Country: China

Award(s): Open Runner-Up, First Place Built Environment Category, Highest Scoring Aerial Image and Highest Scoring Vertical Image

Image title: Not A Tiny HK Island

Image location: Hong Kong Island

Caption: This aerial photograph was captured from Victoria Peak, Hong Kong, at sunset. As a technical experiment, I manually shot a 48-image panorama using a DJI Phantom 3 Pro.

The final artwork is the result of meticulously stitching and inverting the composite, transforming the city and sky into a mesmerizing, abstract landscape.

Upon its initial release, the image captivated a global audience, overwhelming my Instagram with an unexpected and passionate response.

panvelvet.com
IG @panvelvet

Southeast Asia Open Photographer of the Year

Photographer: William Chua

Country: Singapore

Award(s): Southeast Asia Open Photographer of the Year

Image title: Wildebeest Migration in Kenya

Image location: Kenya

Caption: I’ve been to many places across Africa, but Kenya still remains one of my favourites. Although I’ve witnessed the wildebeest migration countless times, it never ceases to amaze me. Last year, I found myself back in Kenya once again. Photographing the migration is never easy — it demands lots of patience and of cos a touch of luck.

After several hours of waiting, we finally saw the wildebeests moving. It’s always a breathtaking moment to witness the crossing. As a photographer, you have to pace yourself, stay calm amid the chaos, and think carefully about how to frame the story unfolds before you. For this image, what caught my attention was a lone wildebeest turning back amidst the frenzy. In that instant, I knew that was the shot I wanted.

Instagram @wildlife_photo_by_william_chua and @william_chua_photography
facebook.com/williamchuaphotography
tiktok.com/@williamchuaphotography

Amateur Photographer of the Year

Photographer: Kevin Nyun

Country: United States

Award(s): Amateur Photographer of the Year, First Place Nature/Landscape Category

Image title: The Altiplano Landscape

Image location: Altiplano, Bolivia

Caption: This image was from my last morning in the Bolivia highland. We have been unlucky with the weather for three straight days and the clouds finally cleared at that moment. Bolivia highland, to my knowledge, is less explored due to the difficulty of reaching remote locations and the high altitude of almost 5000 meters. On top of that, snow was quite early this year, and I was in awe seeing the red dessert mixed with fresh white powder. I will never know when I will get to have a moment like this in the future, so I quickly launched my drone and used the pano tool to compose this image. The total number of images in this composition is 21 images single exposure stitched in Lightroom and processed through Lightroom and Photoshop.

Winner Amateur Built Environment / Architecture

Photographer: Pedro Nogales

Country: Spain

Award(s): Amateur Runner-Up, First Place Built Environment Category

Image title: Through the palette

Image location: Madrid (Spain)

Caption: This photograph depicts one of the four towers that shape the financial district of the Spanish capital. More specifically, it's the PwC Tower, which is the third highest skyscraper in Spain (236 m or 775 ft). Its surroundings merge with garden areas, which connect the spaces between these concrete giants.

The skyscraper peaks through an opening that inevitably brings a painter's palette to our minds, while inviting us to imagine a world created before being depicted. Within this frame, the tower ascends into the sky, manifesting the modernity and avant-garde design of this architectonic complex.

Certainly, it's the perfect place for a minimalist architecture photograph.

VR / 360 Award

*The full immersive image is viewable at the Pano Awards website.

Photographer: Cristoph Simon

Country: Germany

Award: VR/360 winner

Image title: Hverarönd Aurora

Image location: Hverarönd geothermal area, Iceland

Caption: This panorama was taken on a freezing March night in the high-temperature region of Hverarönd in northern Iceland. It was an awe-inspiring experience to stand alone in this surreal lunar landscape, surrounded by the hissing and sulphurous scent of the solfataras and fumaroles, as the delicate green of a single aurora arc transformed into a powerful substorm within minutes, and the Northern Lights danced above and around me in intense colors.

To achieve the highest possible image quality despite the wide aperture, I photographed a relatively tight pattern with large overlaps (2x6+N+Z) with a 15mm fisheye lens. It was important to be quick to minimize stitching errors between the individual images. On the one hand, the aurora borealis was noticeably moving, and on the other, the vapor columns of the solfataras were constantly rotating due to the constantly changing wind direction. Despite the somewhat challenging conditions, I was able to capture several 360° images during this overwhelming light show. An experience of a lifetime!

www.360-grad-sachsen.de
Blog www.360-grad-sachsen.de/panorama-blog
Facebook www.facebook.com/360GradSachsen and www.facebook.com/christoph.simon.10

Epson Digital Art Prize

Photographer: Daniel Viñé Garcia

Country: Spain

Award(s): Epson Digital Art Prize, third place Open Built Environment Category

Image title: Tides of Tradition

Image location: Hoi An, Vietnam

Caption: In this coastal village of Vietnam, survival is woven in silence. These women, working in morning shade and salt-laden air, are the unseen guardians of sustenance. The nets they mend are not mere tools, but lifelines binding sea and community together.

Their anonymity turns them from individuals into archetypes — the enduring backbone of a tradition that predates memory. What the ocean tears apart, they restore, ensuring that each tide can return with promise. They do not face the waves, yet the sea depends on their hands.

danielvgphoto.com
Instagram @danielvgphoto

Curators Award

Photographer: Chris Byrne

Country: United States

Award(s): Curators Award

Image title: Elysium

Image location: Mount Rainier, Washington

Caption: During the late summer months of August the high alpine areas of Mount Rainier in Washington come alive with wildflowers. Starting at the lower elevations and then working into bloom at higher elevations as the days go on. This particular year I had quite a bit of time to explore this park and made three or four hikes on separate occasions up to this location with my main purpose to photograph a tarn that had a perfect reflection of this glorious mountain. And each time that I did that hike, this field of lupine just kept getting better and better. On my final trek up there for the season with a very good friend of mine, we were all alone breathing in the fresh mountain air and listening to the birds watching this scene of a perfect meadow and mountain unfold before our eyes. As some storm clouds started blowing out to the east I knew that there would be a gap on the horizon and purposefully waited until the very last rays of the sun gave the field of flowers that beautiful side and back light for the depth that I wanted in the image. Just a minute after pressing the shutter the light and drama was gone.

chrisbyrnephotography.com
instagram @chrisbyrnephotography
www.facebook.com/ChrisByrnePhoto

Raw Planet Award

Photographer: Daniel Viñé Garcia

Country: Spain

Award(s): RAW Planet Award

Image title: Cathedral of Shadows

Image location: Hanksville, Utah

Caption: The day I captured this image, the desert felt endless. During our journey through the American Southwest, one place had always fascinated me—Factory Butte, an isolated monolith surrounded by a labyrinth of badlands. I launched my drone into the still evening air, exploring the textures and lines carved by centuries of erosion. Then, just as the sun dipped low, the summit cast its immense shadow across the land. I realized I was witnessing a fleeting alignment of light and form, so I captured a full 360° panorama—revealing the sun blazing on one side, the vast shadow stretching on the other, and the raw, timeless silence of Utah in between.

danielvgphoto.com
Instagram @danielvgphoto

Second Place Open Nature / Landscape

Photographer: Marina Cano

Country: Spain

Image title: Sacred Nature

Image location: Lake Nakuru, Kenya

Second Place Open Built Environment

Photographer: Peter Li

Country: Great Britain

Image title: Ambisnaena

Image location: Musei Vaticani, Vatican City

Second Place Amateur Nature / Landscape

Photographer: Luis Cajete

Country: Spain

Image title: The Wave

Image location: Arizona (USA)

Second Place Amateur Open Built Environment

Photographer: Agnes Anna Sadowski

Country: Germany

Image title: Great Wall

Image location: China

Third Place Open Nature / Landscape

Photographer: Alex Wides

Country: Italy

Image title: Jackpot

Image location: Rago National Park, Norway

Caption: 360° panorama captured in Northern Norway

I first discovered this location about four years ago through a photo that completely captivated me... a suspended lake spilling into a valley, where an epic river carved a perfect serpent of water through the landscape. I told myself: one day, I have to photograph this place.

In 2022 I passed not far from it, but my work took the Lofoten Islands and I missed the chance, for two more years the dream remained on hold.
In the summer of 2024 I was finally close again, but the weather was brutal... ten straight days with no clear window to hike up.

After finishing my tours on Senja Island, I decided to try once more. The first attempt gave me only fog, grey skies, and disappointment. Still, I couldn’t give up. The next evening, I hiked back up with fresh supplies, hoping for a good weather window.

When I opened the tent… "Jackpot".
The sky exploded in a spectacular half hour of Northern Lights. I captured the full 360° panorama using a Sony A7 IV with a fisheye lens at f/3.5, for 4 seconds, ISO 16000... This was a perfect reward after years of waiting. In that moment, everything came together: the place, the light, my satisfaction.

This is Norway... tough, unpredictable, but when it gives, it gives in style.

Third Place Amateur Nature / Landscape

Photographer: Julio Castro Pardo

Country: Spain

Image title: Alien Throne

Image location: Valley of Dreams, New Mexico (USA)

Third Place Amateur Open Built Environment

Photographer: Florian Kriechbaumer

Country: UAE

Image title: Architectural Playground

Image location: Baku, Azerbaijan

USA: Land of the lonely, home of the stressed

Gizmag news -

A new poll commissioned by the American Psychological Association (APA) has shed light on a disturbing trend among residents in the US. An increased sense of division is leading to a cascade of other negative effects.

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Category: Society & Community, Wellness and Healthy Living, Body and Mind

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An unexpected player has entered the Raw processing and Content Credentials game

Digital Photography Review news -

Image: Datacolor

Datacolor, a color management leader, has announced a SpyderPro software update with some surprising changes. The company has introduced the ability to use its Device Preview tool to export files, including Raws, to a range of file types and color spaces. The platform also allows users to add Content Credentials, expanding support for C2PA.

Datacolor introduced its Device Preview feature last year in response to more people exclusively sharing work digitally instead of via print. It gave users the ability to see what their images would look like on a range of different displays, including phones, tablets and desktops. It was fairly limited, though, and the company says it's now rebuilt Device Preview from the ground up, bringing more powerful features to the tool.

Device Preview now supports file exports, side-by-side comparison, zooming, sampling, Content Credentials and more.
Image: Datacolor

The most substantial change is that Device Preview Plus now allows users to process and export Raw files from any camera, including iPhone formats and DNGs. It also supports exports of other common file types, with destination file types covering all the expected options, such as TIFF, JPEG and more. Users can also assign color spaces, with support for the increasingly common P3 option.

You can zoom in to examine fine details in the new Device Preview.
Image: Datacolor

Users can view side-by-side comparisons of the original and how it will appear on a given device, which can be narrowed down to specific phone and tablet models. It also allows for pixel sampling to see a high-res version even when zoomed in. And it offers batch conversion so that users can export thousands of files at once.

The other major update is that Datacolor has partnered with C2PA to add support for Content Credentials in Device Preview. Users can now choose to embed Content Credentials at the time of export, adding key metadata to show provenance. For now, it provides the option to add a name and website, but Heath Barber, Director of Product Management, says that there are plans to add social media links down the road, too.

The move to add Content Credentials comes at a time when more devices and applications are expanding support for the initiative. "It's going to go into everything that we call the internet; we're just at the very beginning of it," explained Barber. "We wanted to make sure we get ahead of it and incorporate it into a tool because it makes sense, not because it was cool."

You can now add Content Credentials in Datacolor's Device Preview.
Image: Datacolor

It makes sense to embed credentials early in the workflow, as it provides a more complete audit trail of any changes made to an image. Currently, cameras that incorporate Content Credentials only offer support for select newsrooms through a paid license. Datacolor's software opens that up to general users, and although it's not at the time of capture, it is early on in a photographer's workflow. That means more history can be captured when using Content Credentials.

For now, Barber says that Datacolor sees the Device Preview workflow being ideal for photographers who aren't doing heavy editing. It serves as an option for users to export files that are optimized to look nice on a wide range of displays and have embedded Content Credentials, without requiring a subscription to editing software. Eventually, though, the company plans to offer a more complete, integrated workflow with other programs.

The Datacolor SpyderPro software update is now available for free to current SpyderPro users. Spyder, SpyderExpress, SpyderX and Spyder X2 owners can upgrade at a discounted price. You can also buy SpyderPro with the latest software for $269.

Press release:

Datacolor Launches New SpyderPro Software: A Leap Forward in Display Calibration

LAWRENCEVILLE, N.J. – November 6, 2025 – Datacolor is redefining what a calibration tool can be with the all-new SpyderPro software. More than just flawless color accuracy in under 90 seconds, SpyderPro redefines display calibration with groundbreaking workflow tools that transform how creators work.

SpyderPro now supports ultra-bright displays up to 12,000 nits (OLED, QD-OLED, mini-LED, Apple Liquid Retina XDR and more) and includes powerful new features:

  • 3D LUT (.cube) Export: Delivers precise calibration for compatible video monitors, ideal for professional video and cinema workflows, at an unmatched price point.
  • Device Preview™ Plus: Simulate content across devices and print using side-by-side comparison, pixel sampling, batch conversion, and image processing tools with advanced export functionality.
  • Light Meter Integration: Sync with Datacolor’s LightColor Meter and other lux-capable devices to adapt calibration to ambient lighting, ensuring consistent accuracy in any environment.
  • Content Credentials (C2PA): Embed authorship, edit history, and provenance into digital files to protect creative integrity and build trust in an AI-driven world.

"SpyderPro is more than a calibration tool, it’s a workflow revolution," said Heath Barber, Director of Product Management. "It helps creators work smarter and share with confidence."

The upgrade is free for current SpyderPro users. Owners of Spyder, SpyderExpress, SpyderX, and Spyder X2 can upgrade at a discounted price. SpyderPro with the latest software release, is available now for $269 USD/$379 CAD at Datacolor.com, Amazon, and authorized retailers. For more information, visit: datacolor.com/spyderpro

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