Συλλέκτης ροής

How composition drives Instagram’s “What I See vs. What I Take” trend

Digital Photography Review news -

Images: © Andrew Wille

Meme culture thrives on exaggerated content, and depth or restraint is often an afterthought. The viral "What I See vs. What I Take" trend is different. It's recently filled Instagram feeds with before-and-after images. The trend showcases the cluttered, everyday scenes a photographer encounters, followed by the tightly framed, intentional image they ultimately create. When executed properly, it's a solid lesson in composition. To better understand the skill and decision-making that goes into crafting a compelling photo, we spoke with two creators, Andrew Wille (@andrewoptics) and Hux (@huxterized). Here's what we learned.

Start with a clear subject

For Wille, every image begins with identifying a focal point. "I like to start by choosing a clear subject – something I want the viewer’s attention to be drawn to first," he explains. "From there, I build the scene around that subject." This approach helps remove distractions and gives structure to the photo.

Images: © Hux

Locking in a subject helps you frame everything else in relation to it, especially in complex environments. Hux echoes this sentiment, though he focuses on the emotional pull of a scene. "It’s less about what’s in front of me and more about how it speaks to me. I’m drawn to simplicity – clean, minimal compositions where lines, shapes and colors quietly hold power."

Choose the tools you're most comfortable using

Andrew shoots with a Sony a7R II or a1 and his Sony 100–400mm GM lens. Telephoto lenses like this do more than bring subjects closer; they compress background elements and make it easier to isolate subjects to simplify a busy environment. "With a longer lens, you naturally have a narrower field of view," he says. "So I follow the light, texture or unique details and let those guide where I point my lens." Long lenses can also help keep you safe. If you want to capture an oncoming train or the painted lines of a highway, you're better off doing so from a distance.

Images: © Andrew Wille

While long telephoto lenses unlock different types of images, they aren't always the most practical. After all, they are very large and quite expensive. Hux's images are a great example of what you can do with what you have on you. His photographs are all shot on iPhone models ranging from the iPhone 8 to the 16 Pro Max. He likes to activate the phone's grid to help with composition when aligning elements.

Edit with intention

Both photographers stress the importance of editing with intention. Before adjusting brightness or contrast, they recommend asking two simple questions: Where should the viewer look? What should they feel? This means using light and color to guide the eye. Andrew's process involves brightening key areas and darkening distractions to subtly direct the viewer's attention. He also uses color to build emotion. Warm tones often feel energizing or triumphant, while cooler tones convey solitude or calmness.

For his architectural shots, Hux advises cropping for composition and keeping color enhancements minimal. "Avoid over-editing, especially with colors," he says. "Less is often more when it comes to a clean, timeless look." He uses tools like Snapseed and Lightroom’s Geometry panel to straighten lines and correct distortion. These subjects also thrive on symmetry, so some post-processing will make a profound difference in your overall composition. "I aim to keep all the lines straight – it creates a clean, pleasing look for the viewer," he explains.

Images: © Hux

Capturing several variations of a scene from different angles, then selecting and cropping with a critical eye gives you a better chance of creating something stellar. Take lots of shots, even if you aren't satisfied with them initially. Sometimes the best composition reveals itself in post-processing. Don’t be afraid to reframe your shot while editing, especially when using high-resolution cameras.

Conclusion

Stripping away distractions, isolating a subject, and using the right tools with purpose can help you transform an everyday scene into something extraordinary and visually compelling. Whether you’re shooting with a dedicated camera or a smartphone, the same core principle applies: strong composition is about what you choose to leave out as much as what you include.

Review: All-electric 2025 Rivian R1T bucks the truck trend

Gizmag news -

The Rivian R1T is a pickup truck, yes. But it also is not. The Rivian is more a product of Silicon Valley than of Detroit, which is why it’s so unique. For some, it will be like listening to a hipster explain his kombucha recipe. But for others, it’s a refreshing take on a truck.

Continue Reading

Category: Automotive, Transport

Tags: , , , , , ,

Are cameras TSA approved?

Digital Photography Review news -

Photo: Greggory DiSalvo / iStock / Getty Images Plus via Getty Images

Summer is nearly upon us for those in the Northern Hemisphere, and with that comes travel and holidays for many. You likely want to document those vacations at least somehow, which could mean bringing a camera along. If you're traveling by plane, that may raise some questions or concerns about whether you're allowed to bring your camera with you. As seasoned photographers and travelers, we've got the facts on what's possible for traveling with your cameras.

Are cameras TSA-approved? Photo: Abby Ferguson

If you are in the US, the Transportation Security Administration (TSA) has plenty of rules about what you can and can't bring to the airport and on planes. Luckily, cameras are approved by the TSA in both carry-on and checked bags. Each country has its own version of the TSA, but the same is typically true for other countries' airport security agencies as well. However, it's always a good idea to check the regulations of the country you are traveling to and from, just to be safe.

Important things to know about flying with a camera

Spare batteries need to be kept in your carry-on.

Photo: Abby Ferguson

While the TSA approves cameras in checked luggage, most cameras rely on lithium-ion batteries, which complicates things slightly. Official advice from the TSA is that batteries kept in cameras can go in checked bags. However, some airlines and staff may expect you to include them in your carry-on. When in doubt, check with your airline and keep them accessible. Also, if you are taking along spare batteries, those are always prohibited from checked bags, so they will need to be in your carry-on.

Also, while cameras and lenses are approved, they may get flagged for additional screening while going through security. That means security personnel may need to take the camera or lens out of your bag for a closer look or even swab the gear to test for explosives. This entirely depends on the airport and the individual security agent, but it is good to be aware of this possibility.

If you travel frequently from the same airport, you may be able to pick up on trends that can help you pack your gear more efficiently. For example, I know that my local airport will always flag my bag for additional screening if I carry spare lenses. As a result, I now ensure my lenses are easy to access, which speeds up the process for everyone.

Can you fly with film? Photo: Abby Ferguson

Analog photographers have even more to consider when flying. While film cameras and film are TSA-approved for carry-on and checked bags, X-ray and CT machines at airports can damage undeveloped film. This is especially true of newer CT machines, as they are stronger than traditional X-ray machines. Because of this, the TSA suggests keeping your undeveloped film and cameras with undeveloped film in your carry-on and asking for a hand inspection at the security checkpoint.

Of course, security personnel may not always be willing to hand-inspect your film or camera. If they are too busy, they may require it to go through the scanners. However, it is always worth asking (just do so politely).

Firmware Friday: Leica SL3 firmware update triples ProRes resolution with Cine 6K/4K support

Digital Photography Review news -

Image: Leica

Firmware Friday is back, and there are a fair number of updates this week. The most significant comes from Leica, in the form of a massive change to video recording options on the SL3 and SL3-S. The latest version allows for internal ProRes 422 HQ video in Cine 6K or Cine 4K recording with a CFexpress card. That's a massive boost from the previous support for ProRes that maxed out at 1080p. Multiple other Leica cameras also saw smaller firmware updates. There were also small fixes for Nikon's Z30 and the Hasselblad X2D 100C, as well as new firmware for select TTArtisan and Viltrox lenses.

Read on to learn what's new and get links to download the software you need to keep creating if you use any of these products.

Leica Image: Leica

SL3 and SL3-S update 3.1.1 (iOS), (Android) or the camera's menu (instructions)

  • The requirements of Lot6/Lot26, Regulation (EU) 2023/826 on ecodesign are supported.
  • New video formats for C4K and C6K.
  • Access to the function Headphone Volume is now additionally available via the menu Audio in the Video section, and via the FN button.
  • The function Magnification can now be activated and deactivated by pressing the joystick.
  • When making changes to the icon assignments in the Control Center, the function assignment list will open with the currently assigned option presented in the list as the starting position.
  • The former menus Film Style and Video Style (accessible via JPG Settings) were integrated into the Leica Looks menu, and their menu items will now be accessible via the Main Menu.
  • The firmware update process was optimized. Following a firmware update, all previous settings will remain unchanged, and the dialogue “Do you want to save profiles on SD card?” will no longer be displayed. A battery charge level of around 25% will now suffice for starting the update process.
  • Electronic shutter speed 1/16000 s will now be available for P/A mode.
  • The function AF-ON can now be combined with the functions Eye/Face/Body Detection and Animal Detection.
  • An icon with an asterisk will be displayed alongside the User Profiles icon in the Control Center and the sidebar if settings were modified after profile activation.
  • In case of a joystick assignment, the function AF-ON will now be saved to the user profile.
Image: Leica

Q3 43 and Q3 update 3.1.1 (iOS), (Android) or the camera's menu (instructions)

  • The requirements of Lot6/Lot26, Regulation (EU) 2023/826 on
    ecodesign are supported.
  • New menu section AF Settings, where AF Sensitivity and AF Speed can be adjusted individually.
  • The menu item AF Tracking Start Position was moved to the menu area AF Settings.
  • New setting option for continuous shooting with autofocus: 5 fps, 12 bit, AF.
  • The function Toggle Focus Point is now accessible via the FN button.
  • Electronic shutter speed 1/16000 s will now be available for P/A mode.

D-Lux 8 update 1.5.0 (iOS), (Android) or the camera's menu (instructions)

  • The requirements of Lot6/Lot26, Regulation (EU) 2023/826 on ecodesign are supported.
  • Bugfixes in the firmware.

M11, M11 Monochrom, M11-P and M11-D update 2.2.2 (iOS), (Android) or the camera's menu

  • The requirements of Lot6/Lot26, Regulation (EU) 2023/826 on ecodesign are supported.

SL2 and SL2-S update 6.2.0 (iOS), (Android) or the camera's menu

  • The requirements of Lot6/Lot26, Regulation (EU) 2023/826 on ecodesign are supported.
Nikon Image: Nikon

Z30 update for Version 1.20 (Mac) and (Windows)

  • Fixed an issue where, in rare circumstances, the camera would stop responding when the camera was turned on together with the monitor opened from its storage position with the screen facing inward while [Pairing (Bluetooth)] or [Wi-Fi connection] under [SETUP MENU] > [Connect to smart device] was set to ON.
Hasselblad

X2D 100C update 4.1.1 (Download and instructions)

  • Fixed stability-related issues.
Lenses Image: TTArtisan

TTArtisan AF 14mm F3.5 APS-C for Sony E-mount, Ver. 11

  • Fixed a bug that caused the in-body image stabilization to not work.
  • Optimized compatibility with some models.

Viltrox AF 25mm F1.7 Air XF v. 1.0.3 and Viltrox AF 35mm F1.7 XF v. 1.0.5 for (iOS) and (Android)

  • Fixed known issues.

While Viltrox didn't elaborate on the issues on its download pages, reports from our forums suggest problems with autofocus. At the same time, other sites reveal unwanted vignetting and inconsistent performance in low-light environments. However, there isn't any confirmation that these specific bugs have been fixed.

That's all for this week. Make sure to check in every Friday for the latest firmware update news. Have a great weekend and happy shooting!

Firmware Friday: minor updates keep entry-level gear in top shape

Digital Photography Review news -

Images: Nikon, Viltrox, TTArtisan

Firmware Friday is back, and there are a few minor, but necessary, updates for Nikon's Z30, especially if you're a blogger or content creator on the go. Lenses from Viltrox and TTArtisan also received some updates, though the actual fixes for the former are pretty vague. A reader also tipped us off to the Hasselblad X2D 100C update, released early this morning (thank you). Read on to learn what's new and get links to download the software you need to keep creating if you use any of these products.

Nikon

Z30 update for Version 1.20 (Mac) and (Windows)

  • Fixed an issue where, in rare circumstances, the camera would stop responding when the camera was turned on together with the monitor opened from its storage position with the screen facing inward while [Pairing (Bluetooth)] or [Wi-Fi connection] under [SETUP MENU] > [Connect to smart device] was set to ON.
Hasselblad

X2D 100C update 4.1.1 (Download and instructions)

  • Fixed stability-related issues.
Lenses Image: TTArtisan

TTArtisan AF 14mm F3.5 APS-C for Sony E-mount, Ver. 11

  • Fixed a bug that caused the in-body image stabilization to not work.
  • Optimized compatibility with some models.

Viltrox AF 25mm F1.7 Air XF v. 1.0.3 and Viltrox AF 35mm F1.7 XF v. 1.0.5 for (iOS) and (Android)

  • Fixed known issues.

While Viltrox didn't elaborate on the issues on its download pages, reports from our forums suggest problems with autofocus. At the same time, other sites reveal unwanted vignetting and inconsistent performance in low-light environments. However, there isn't any confirmation that these specific bugs have been fixed.

That's all for this week. Make sure to check in every Friday for the latest firmware update news. Have a great weekend and happy shooting!

Zaha Hadid Architects' spaceship-like museum is shaped by the weather

Gizmag news -

Say what you like about Zaha Hadid Architects' evolution in style since its founder passed, but you can't accuse the studio of being boring. Case in point is the Shenzhen Science & Technology Museum which is defined by an extraordinary futuristic form intended to help reduce its energy usage.

Continue Reading

Category: Architecture, Lifestyle

Tags: , , , ,

Surtees' Ducati 851 highlights Ducati's auction surge

Gizmag news -

The auction block is a wonderful arbiter of the value of a storied object and the intrigue it creates is often better than fiction. The Ducati 851 won Ducati's first World Superbike Championship in 1990 but it has not sold well at auction by comparison to Ducati's long roster of special models created since. This auction may well alert the world to a growing collectible juggernaut.

Continue Reading

Category: Motorcycles, Transport

Tags: , ,

Surtees' Ducati 851 highlights Ducati's auction surge

Gizmag news -

The auction block is a wonderful arbiter of the value of a storied object and the intrigue it creates is often better than fiction. The Ducati 851 won Ducati's first World Superbike Championship in 1990 but it has not sold well at auction by comparison to Ducati's long roster of special models created since. This auction may well alert the world to a growing collectible juggernaut.

Continue Reading

Category: Motorcycles, Transport

Tags: , ,

Deluxe glamping tent is a mini smart cube camper for the car rooftop

Gizmag news -

The average rooftop tent (RTT) already makes a light RV out of whatever vehicle it finds itself atop, but we're starting to see a new tier of RTTs that are more like self-contained rooftop tiny campers. The Oztent Apex RT-P-1600 tent joins the ARB Altitude and now-repurposed Redtail Overland Skyloft in that upper echelon of wheel-less micro-camping trailers that ride on the roof instead of behind the car. The new tent from Oz boasts motion-activated camp lighting, active cooling and even its own RV-style electronic command center.

Continue Reading

Category: Outdoors, Lifestyle

Tags: , , ,

28 US cities are sinking – but one is going down at an alarming rate

Gizmag news -

An alarming new report reveals that right across the country, 28 US cities are sinking, showing the kind of geologic subsidence that could impact buildings and infrastructure sooner rather than later. While some of it is natural, 80% is the the direct result of human activity.

Continue Reading

Category: Environment, Science

Tags: , , , , , ,

Low blood sugars (as well as high) cause blindness in diabetics

Gizmag news -

High blood sugars have long been known to cause eye damage in diabetics. However, new research has found that low blood sugar may also contribute. The good news is that it also identified a way of preventing or treating the damage.

Continue Reading

Category: Diabetes, Illnesses and conditions, Body & Mind

Tags: , , , ,

Ultra-slicey switchblade morphs into manual folder at swap of a joint

Gizmag news -

Until this year, Oregon-based Work Sharp has been known best for its wide-ranging lineup of blade-sharpening tools. In fact, it brings over 50 years' experience in the category. Now it's taking that grandmaster-level expertise of freshly honed edges to a lineup of knives all its own. Instead of merely leaning on its brand name to sell a basic blade, it's doing things a little differently. Each knife in the company's debut lineup features an interchangeable pivot that transforms operation from automatic to manual (and vice versa) on a whim.

Continue Reading

Category: Outdoors, Lifestyle

Tags: , , , , ,

Capture One introduces new retouching features and a drastic logo change

Digital Photography Review news -

Photo: Capture One

Capture One, an editing software known for its Raw processing and tethered shooting features, has announced updates to its platform. The update brings a new retouching feature and a slightly updated workflow for managing folders. It also revealed a bit of a branding refresh in the form of a drastically different logo.

Retouching with Capture One

The new Retouch tool will automatically recognize faces and can select up to 20 per image.

Image: Capture One

With this update, Capture One wanted to improve efficiency, allowing you to do more in the app. While the software already offered a healthy list of editing tools, most retouching needed to happen outside of Capture One, with programs like Photoshop. Now, though, it has added a Retouch toolbar with a Retouch Faces tool.

The Retouch Faces tool automatically detects faces to make retouching quick and easy. It can detect up to 20 faces, though with a group that big, you likely aren't seeing many facial details to justify retouching. Each face is assigned a number, allowing you to work through everyone simultaneously or adjust the retouching for each face separately.

The Retouch Faces feature has five main adjustments: Impact, Blemishes, Dark Circles, Even Skin and Contouring. The Blemishes option retains skin texture, beauty marks and scars while removing blemishes, resulting in a more natural-looking retouch than other methods. Capture One's demo showed the tool in action, which essentially looks like an automated version of Photoshop's Spot Healing brush.

The Blemish option has a sliding scale that lets you control what's appropriate for each image and subject: low numbers focus on larger blemishes, and larger numbers remove smaller ones. It looked quite effective during the demo, but we haven't had a chance to test it out ourselves.

The Retouch Faces tool offers multiple settings.

Image: Capture One

When you do want to smooth out skin texture, you can use the Even Skin feature. Under this option are two sliders: Amount and Texture. The Amount option reduces contrast in certain areas. In the demo, it was extremely subtle, with a barely noticeable impact. David Grover, the Global Manager of Product Training at Capture One, said the team has discussed making the slider more aggressive come launch because of this, so you may see more obvious results in the actual release. The Texture slider, which is set to zero by default, is slightly more dramatic and can help you reduce skin texture by making contrast more uniform across the entire face.

The Dark Circles slider helps remove darkness under the eyes. Again, it keeps the skin texture and wrinkles to maintain a natural look. Grover described the Contouring option is essentially an auto dodge and burn tool, helping to create stronger contours on faces. It accounts for existing highlights, once again keeping things natural without making it look like a light source was added in post. Finally, the Impact slider changes the effect of all of the other sliders. So, if you think you went too far with everything, you can dial it all back at once without going into each individual option.

Given some of the automated tools in this retouching framework, it's reasonable to wonder about AI usage. When asked about this, Grover said the retouch feature only partially relies on AI. He explained that it uses AI to detect the face and create a mask (which is not editable or accessible outside of the retouch tool). However, the process for removing blemishes is a combination of what he described as traditional image editing techniques and AI. Capture One didn't specify if this is generative AI or machine learning. Based on how Grover described it, it seems like the latter, though it isn't entirely clear.

The Retouch tool will work during tethered sessions as well.

Photo: Capture One

Capture One is often used by photographers who shoot tethered to a computer during sessions, so the company made sure that the Retouch features work while shooting tethered. It can even apply the retouch effects automatically as you shoot. Grover explained that it's especially ideal when working with people who are not very comfortable with having their photo taken, since they are able to see a more finished product while you are still shooting. Additionally, if you know you like certain settings for every photo, you can save your settings, just as you can with color grading options, making it faster to edit.

Workflow updates

The new Session Builder feature makes it easier to create sub-folders for each shoot.

Image: Capture One

Capture One has also updated its workflow for the first time in 15 years. Users can now create sub-folders for Sessions using the new Session Builder tool, making it easier to keep files organized for shoots. Creating sub-folders was previously only possible outside of Capture One, meaning you'd have to drag them into the app to sync to the catalog. Plus, if you frequently use the same folder structure for shoots, you can save that as a preset, saving you time on future shoots.

The new workflow features and the retouching tools are available in open beta as of today. You can download the beta app from the Capture One website.

A new logo Logo: Capture One

Finally, Capture One unveiled a new brand identity. The new logo moves away from the easily recognizable blue and purple circular form with a one in it. Instead, it's been simplified and is now devoid of color. Interestingly, it looks quite similar to the Creative Commons logo and copyright symbol.

Panasonic builds anticipation with teaser for May 13 product announcement

Digital Photography Review news -

Panasonic is teasing an upcoming product announcement with a scheduled YouTube Livestream. The brand is holding details close to its chest, with the placeholder only revealing the Lumix branding. The caption doesn't reveal any additional information, other than the time of the reveal, which is scheduled for May 13th at 2:00 pm UTC.

The company also posted on its Instagram page, which at least had some movement to the teaser. It shows swirling greens and purples on the black background, reminiscent of the aurora. Still, there's no shadowed camera like many teasers include (such as the recent Fujifilm teaser), so there's no trying to make out details to guess what it may be.

Panasonic's most recent release was the Lumix DC-S1RII, which came out in February this year. That camera was a high-resolution full-frame camera with 8K video capabilities. It seems unlikely, then, that it will be something in that same vein, but we'll have to wait and see.

If you want to be sure you don't miss the live stream, you can choose to get a notification from YouTube come the big day.

Spongy new material pulls drinkable water from thin air in emergencies

Gizmag news -

One of the biggest difficulties in helping people affected by natural disasters is transporting and providing them with essential resources like safe drinking water. Researchers at Australia's RMIT University and five Chinese institutes have devised a simple and clever contraption that could solve that, by pulling potable water out of thin air.

Continue Reading

Category: Materials, Science

Tags: , , , , ,

Σελίδες

Subscribe to ΠΛΗΡΟΦΟΡΙΚΗ συλλέκτης