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Audi TT concept showcases the brand's new space-age design language

Gizmag news -

Audi is reinventing itself for the next phase of its journey as a car brand, and it's giving us a glimpse into what its future looks like with the Concept C. This is essentially foreshadowing the next incarnation of the beloved TT sports coupe that stopped sales in 2023, and if it's a shape of things to come, we're in for a good ol' time with the four rings.

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Category: Automotive, Transport

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This radical two-wheel EV crossover blurs the scooter–motorcycle divide

Gizmag news -

We’ve seen some crazy motorcycle concepts in the past. Heck, I’ve even seen the likes of the Piper Moto J-Series completely reinvent scooter styling. But this is perhaps our first introduction to a moto-scooter concept. And boy, is it glorious!

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Category: Motorcycles, Transport

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What is the 3-2-1 rule in photography and why do photographers need it?

Digital Photography Review news -

Photo: boonchai wedmakawand / Moment via Getty Images

As photographers, one of our worst fears is discovering a failed hard drive or dead computer, resulting in losing countless photographs. Unfortunately, backing up images is an afterthought for many, putting those files at risk. If you fall in that camp, it may be time to consider how to revamp your backup process to protect your images.

The 3-2-1 rule has become the gold standard for photo backup, offering a safe method for keeping your work safe. Here's what you need to know about this method of backup.

What is the 3-2-1 rule?

Photographer Peter Krogh is typically attributed with coming up with the 3-2-1 rule nearly two decades ago. He wrote about his method in his 2009 book The DAM Book: Digital Asset Management for Photographers. While digital storage has changed drastically since then, the general principle remains relevant.

The backup method explains that you should have three copies of your files. Files should be stored on two different types of media, and one copy should be kept offsite. Following that process helps to protect your files from hardware failure and physical disasters like fire or theft.

Components of the 3-2-1 rule

Each number of the 3-2-1 rule refers to a separate component in the backup process. Here are the different parts you should be aware of.

Three copies You should have three copies of your files for the utmost protection, though they shouldn't all be on the same media type.
Photo: Mitchell Clark

The first number of the rule says that you should have three copies of your data. It's important to have three copies so that if something happens to your main storage, you have additional backups. While it isn't likely that two backup sources are damaged, it is possible, and a third gives you an extra layer of protection.

Your primary computer can count as one copy, which may work when you first start out. However, you will likely eventually have far too much to store on a computer, so you'll need another backup option at some point.

Two types of media

Of your three copies, you should use at least two different types of media instead of two separate devices of the same kind. Using different media diversifies the risk, thus lowering the chances of failure for both options.

There are many different types of media at our disposal these days. You could opt for one copy on hard drives and one in the cloud, or you could opt for a Network Attached Storage (NAS) system and portable SSDs. The important thing is to have two distinct systems that you keep updated.

One offsite Image: Andriy Onufriyenko / Moment via Getty Images

Finally, one copy of your files should be stored offsite. Storing a backup of your work in a different location from your other two helps protect against risks like theft or natural disasters. After all, if all of your backups are stored in your home and a fire comes through, all of your work will be gone, no matter how many physical copies you have on hand.

When thinking about an offsite version, it's useful to understand the difference between an offsite copy and an offsite backup. A proper backup is a structured, versioned process that allows for data recovery of the original files. It protects against loss, corruption, accidental deletion and more and allows you to essentially go back in time. DPReview editor Mitchell Clark once had his extensive library of photos saved because he had them all backed up to Backblaze, a cloud backup service he often recommends to friends and family.

"A proper backup is a structured, versioned process that allows for data recovery."

On the other hand, a copy is simply a duplicate saved elsewhere that lacks a version history. Cloud services like Google Drive and Dropbox aren't considered proper backups because they only sync files rather than providing a robust, versioned archive. Those platforms are still vulnerable to ransomware, accidental file deletion or overwriting with the wrong versions. They are fine in a pinch and as a temporary solution, but be aware that they are not intended to serve as true backups.

You may also be tempted to use a hard drive kept at a separate location as your offsite copy. This could work as a limited short-term solution, but shouldn't be used long-term. It's very common to plug a hard drive in only to find that it's dead, as I learned the hard way years ago. There are optical media options, such as M-Disc, which are designed to last a really long time and can hold up to 100GB each, but standard hard disk drives are not considered safe for long-term backup.

Protect your files Photo: Mitchell Clark

The 3-2-1 rule certainly sounds simple on paper, but implementing a robust backup system can be time-consuming and overwhelming. However, the earlier you put this method into practice, the easier it will be, and the less you'll have to worry about losing your hard work. And if you can find ways to automate it to reduce the risk of human error, all the better.

The brain's role in link between salt and high blood pressure

Gizmag news -

Neurons and glial cells are like dance partners in the brain, coordinating moves that shape how signals flow and how excitable neurons become. Astrocytes, star-shaped glial cells, can reshape themselves in response to various conditions, including high blood pressure. But the "how" behind this shape-shifting has remained a mystery.

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Category: Heart Disease, Illnesses and conditions, Body and Mind

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Ola’s e-superbike prototype breaks cover: Price and launch date confirmed

Gizmag news -

Ola Electric isn’t a new name in the electric mobility space. The Indian company has regularly made headlines, and this time, the news comes straight from the source. Ola CEO Bhavish Aggarwal has confirmed that the company’s long-awaited Diamondhead electric superbike will officially hit the streets in 2027.

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Category: Motorcycles, Transport

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Common plant compound builds tougher cancer-fighting attack cells

Gizmag news -

A carotenoid that's already widely available in fruit and vegetables, and as a supplement, has been found to bolster the cancer-fighting abilities of immune cells, making it a promising new candidate that could help shrink tumors during immunotherapy treatment.

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Category: Cancer, Illnesses and conditions, Body and Mind

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OTC nasal spray reduces the risk of COVID-19 infection by 70%

Gizmag news -

The active ingredient in a common over-the-counter allergy spray may do more than ease hay fever symptoms. A new clinical trial found azelastine cut COVID-19 infections by 70%, hinting at a cheap, accessible way to add protection alongside vaccines.

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Category: Wellness and Healthy Living, Body and Mind

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FDA approves at-home Alzheimer's shot to effectively slow disease

Gizmag news -

The US Food and Drug Administration (FDA) has approved a new version of an Alzheimer’s disease drug that can be given as a quick at-home weekly injection, offering patients a far more convenient option than lengthy infusion-center visits. It will be widely available from October 6, 2025.

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Category: Alzheimer's & Dementia, Brain Health, Body and Mind

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Flex multitool doubles its modularity with blades galore

Gizmag news -

Roxon may not be a household name like Leatherman or Victorinox, but it has been quietly developing some of the market's more innovative multitools for years now, many based around its modular Flex tool system. Following up on the recent debut of its miniaturized Flex tool, Roxon presents what it calls the "most anticipated" multitool innovation in its lineup. Based around a beefed-up set of scissors, the new Flex Shears tool combines Flex modular implements with the Phantom interchangeable blade system, giving users the ultimate choice in what functions and edges they carry every day.

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Category: Knives and Multitools, Gear, Outdoors

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How to select your next lens: DPReview readers answer our question of the week

Digital Photography Review news -

Image: MirageC / Moment via Getty Images

Last week marked the second edition of our 'Question of the week' forum series. Our first question centered around what to consider when buying a new camera, and lenses came up quite frequently. So this time around, we wondered what five questions you should ask yourself when choosing a new lens.

Can I afford it?

First and foremost, just about everyone mentioned cost considerations. Most of you had some variation of "can I afford it" or "how much does it cost?" For some of you, lens cost was the only question you brought up, showcasing the importance of price when choosing a lens.

JohnSil even went further and asked, "If I don't buy this lens today, will it cost more tomorrow?" Given that US customers have been facing repeat price increases across many brands, it's a worthwhile consideration.

Is it a need?

The other most common question we saw related to determining whether you truly need the lens. Again, that was the only question that mattered to some of you. There were some that added provisions for simply wanting a lens, but many of you focused on need rather than want.

Similarly, many of you suggested asking if the lens fills a specific need that your current lens(es) do not. For example, Robin Dr24 said, "Will the new lens fill a gap? The gap could be an uncovered (range of) focal lengths or a wider aperture or alternate physical attribute(s) (smaller size, lighter weight, less focus breathing, tilt/shift capability)." If you're buying a lens that is very similar to something you already have, that may not be a worthy use of money.

We also really liked Jaime100's advice to ask yourself repeatedly over the course of a few weeks if you need the new lens. They added that "if you can hold off on this purchase for 3 weeks, one will be surprised on how much 'you do not need' nor find yourself wanting."

Size considerations

Lens size was also a common refrain. While some pointed out a balance between lens size and features like maximum aperture, others prioritized size and weight above all else. CmB2024 made a great point, asking, "Will I bother to carry it or, due to size and weight, will it get left at home?" If the new lens is large enough that you don't want to use it regularly, there's probably not much point in spending money on it.

Does it have the features I want?

Lens features are another important consideration. There are different preferred features, of course, but reflecting on what type of features matter most is a great suggestion when choosing a new lens. For example, Fabian Joya suggested asking yourself, "Does this lens have the features/ergonomics that I need, e.g. focusing speed, control ring, etc."

Some lenses are very basic in terms of on-lens controls, so asking yourself what features you need on the lens is very useful in making sure you purchase one you'll be happy with in the long run. Additionally, if the new lens adds features you don't have on other lenses, it's worth thinking about whether it might change how you use lenses you already own. To that end, GeoffRG suggests asking, "Will it mean that I use other lenses less?"

Image quality

Finally, but certainly not least, image quality was a common mention. Jefenator posed one such question: "Will the sharpness be sufficient in the appropriate areas at the appropriate settings?" Given that lenses significantly impact overall image quality, it makes sense that this should be a top question to consider when buying a new lens.

The thread is still open if you haven't had a chance to participate yet and would like to. Thank you to everyone who shared their thoughts and insight!

Click here to answer the Question of the week

Sigma's famous astrophotography lens is now a special order

Digital Photography Review news -

Sigma's 14mm F1.4 DG Art lens is a superb option for astrophotography. In 2023, it earned Dale Baskin's Gear of the Year pick.
Photo: Dale Baskin

The Sigma 14mm F1.4 DG DN Art lens has been a popular offering since its launch in 2023, so much so that it's been challenging to purchase. In a recent statement, Sigma acknowledged it has had "significant delays in delivery times" for the ultrawide prime and said it will be changing how users purchase the lens as a result.

Sigma explained that it currently doesn't have any stock of the 14mm F1.4 DG DN Art lens, other than what is available in stores. To address this, the company says it is switching to a "made-to-order" system. Users will be able to place orders for a limited time, and the lens will then ship at a later date.

The company says that orders will be open from September 4 through October 31. However, the lens won't ship until March 2026, so users who pick one up during the limited order period will have to wait a while to actually get the lens in their hands.

Photo: Dale Baskin

In addition to adjusting how customers order the lens, Sigma increased the price to $1839 for US customers. This is the second price increase for the lens, as it was bumped from its $1599 original MSRP to $1759 when Sigma increased its prices in the US because of tariffs. Sigma explained the new price is a result of "rising raw material costs and manufacturing and logistics."

Finally, the Sigma said it is updating the external design of the lens, the product name and packaging to fit the company's new visual identity announced this spring. The new name (Sigma 14mm F1.4 DG | Art) ditches the DN, which used to indicate the lens was designed for mirrorless cameras. Given that Sigma is no longer designing new lenses for DSLRs, it makes sense that it wouldn't need that designation anymore.

Press release:

Sigma 14mm F1.4 DG DN | Art: Changes In Sales Method and Pricing

Ronkonkoma, NY, September 2, 2025 – Sigma Corporation of America, the US subsidiary of Sigma Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan), announces changes to the sales method for the SIGMA 14mm F1.4 DG DN | Art, due to the significant delays in delivery times. This is to continue meeting diverse customer needs and ensure stable product supply.

Additionally, we will be changing the product name, refreshing the exterior design and packaging, and adjusting the price accordingly. We sincerely apologize for any inconvenience these changes may cause and kindly ask for your understanding as we strive to continue providing high-quality products and services.

The Sigma 14mm F1.4 DG | Art lens will be available for special order starting September 4th, 2025 at authorized Sigma dealers in the US for Sony E-mount and L-Mount for a retail price of $1,839 USD.

Available mounts: L-Mount, Sony E-mount

Supplied accessories: Cover Lens Cap Cap LC1014-02, Rear Cap LCR III, Tripod Socket TS-141, Protective Cover PT-42, Guide Plate GP-11, Shoulder Strap, Pouch

* Product appearance and specifications are subject to change.

* L-Mount is a registered trademark of Leica Camera AG.

* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

Changes in sales method

Currently, we have no stock of this product except for what is currently available in stores. As a result, we are experiencing significant delays in shipping newly ordered products, and we apologize for any inconvenience this may cause our customers. Going forward, we will transition to a made-to-order system as follows.

  • Previously: Regular sales
  • Going forward: Made-to-order sales (orders will be accepted for a limited time and shipped at a later, scheduled date)

Schedule

  • Order acceptance period (2025): September 4 to October 31
  • Shipment of the product: from March 2026

Changes of product name, exterior, and packaging

Starting with products shipped from next year, the name will be changed as follows:

  • Previously: SIGMA 14mm F1.4 DG DN | Art
  • Going forward: Sigma 14mm F1.4 DG | Art

This change is in line with our new visual identity (VI) announced in February 2025, and we will also refresh the engravings on the exterior of our products and accessories, as well as packaging. Please note that there will be no changes to the optical quality. We will continue to deliver the same imaging performance as before with a new look.

Price adjustment

In light of recent external factors such as rising raw material costs and manufacturing and logistics costs, we have decided to revise our price. The 14mm F1.4 DG | Art will retail in the Unites States of America for $1,839 USD.

Scientists crack the code on how our brainwaves filter the noise of daily life

Gizmag news -

In a landmark study, scientists have found that the precise timing of electrical activity in our brains determines how well we process the world around us. This new knowledge could have massive implications for how we understand and treat focus, attention and memory in Alzheimer's disease and attention-deficit/hyperactivity disorder (ADHD).

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Category: Brain Health, Body and Mind

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Viltrox's 56mm F1.2 Pro lens is a fast and affordable portrait prime for APS-C users

Digital Photography Review news -

Image: Viltrox

On the heels of announcing it had joined the L-Mount Alliance, Viltrox has unveiled a new lens, though not for L-mount cameras. The AF 56mm F1.2 Pro promises "professional-grade" optical design and attractive bokeh for E and X mount APS-C cameras at a budget-friendly price.

The Viltrox AF 56mm F1.2 lens sits in the company's Pro lineup, offering a fast maximum aperture with advanced autofocus. It's designed for APS-C cameras, providing a 84mm equivalent focal length. With the fast F1.2 aperture, it should be an excellent portrait prime lens for APS-C users.

Image: Viltrox

The lens uses Viltrox's HyperVCM motor, which it says is smooth and silent with minimal focus breathing, making it an ideal choice for photo and video. It can focus as close as 0.5m (1.6'). The optical design comprises 13 elements in 8 groups, including three high-refractive index elements, one extra-low dispersion element and one ultra-large precision aspherical lens. Viltrox says the lens is sharp and clear across the frame and promises limited chromatic aberration.

The 56mm lens features an aperture ring that can be clicked or de-clicked, a dedicated Fn button and an AF/MF switch. Viltrox also made the lens to be a durable offering. The aluminum alloy body is weather-sealed, promising to keep out dust and moisture. It is compatible with 67mm filters and features a USB-C port for firmware updates.

The Viltrox AF 56mm F1.2 Pro is available pre-order for E and X mount for an MSRP of $580.

Buy now:

$551 at Amazon.comBuy at B&H Photo

Press release:

Viltrox launches AF 56mm Ultra-large aperture F1.2 Pro E and XF (APS-C) lenses

Masterful control of light and bokeh, ideal for powerful portraits

Shenzhen, China, September 1st, 2025 - Viltrox is pleased to announce the release of the AF 56mm F1.2 Pro E and XF (APS-C) lenses. The AF 56mm F1.2 Pro lenses’ professional grade optical design delivers astonishingly high resolution from center to edge, taking full advantage of the capabilities of higher-megapixel cameras. Even after extensive post-cropping or enlargement, the lens faithfully preserves image detail, with incredible sharpness and clarity. Ideal for expressive portraits, the F1.2 aperture creates stunning depth and dimensional layering for a mesmerizing artistic impact.

F1.2 Large Aperture: Subject highlighting and mastery of light

The F1.2 ultra-large aperture delivers impeccable bokeh, facilitating more layered images through a shallow depth of field, rendering dreamy background blur, and highlighting subjects clearly. There is a smooth transition between in-focus and out-of-focus areas. The large aperture’s greater light intake allows faster shutter speeds and lower ISO, delivering refined, detail-rich images in both low-light and well-lit environments.

Precision optical design delivers stunning results

The precisely engineered optical design of 13 elements in 8 groups achieves peak aberration control and onion ring bokeh control even at 1.2 aperture, delivering consistent sharpness and clarity right across the frame – this is aided by Viltrox’s advanced HD nano coating. The ultra-large precision aspherical lens works together with an ED (extra-low dispersion) lens that effectively corrects axial chromatic aberration, delivering crisp, color-fringe-free images. The 3 HR (High-refractive) elements strike the perfect balance of portability and optical excellence, making this lens a natural fit for compact APS-C camera systems.

HyperVCM motor for quiet high-speed focusing

Viltrox's patented HyperVCM motor provides faster and more precise focusing, while reducing vibration for smooth, silent performance – ideal for quickly capturing shots, and for fast-moving subjects. The silent operation and minimal focus breathing ensure a smooth and professional feel for video.

Tough and durable for all environmental conditions

The lens features high-grade weather-sealed construction with a high-strength forged aluminum alloy body. The matte black finish and protective coatings resist scratches, wear and lens contamination, while rubber seals keep out dust, splashes, and moisture – ensuring reliable performance, even in challenging outdoor environments.


More details and how to buy

For more information, please visit:
Viltrox AF 56mm F1.2 Pro E: geni.us/56Pro_E_Viltrox
Viltrox AF 56mm F1.2 Pro XF: geni.us/56Pro_XF_Viltrox

Amazon US:
Viltrox AF 56mm F1.2 Pro E: geni.us/56Pro_E_AMZ_US
Viltrox AF 56mm F1.2 Pro XF: geni.us/56Pro_XF_AMZ_US

Amazon EU:
Viltrox AF 56mm F1.2 Pro E: geni.us/56Pro_E_AMZ_EU
Viltrox AF 56mm F1.2 Pro XF: geni.us/56Pro_XF_AMZ_EU

MSRP: $580 / €599 / £530

DxO's PhotoLab 9 promises actually useful AI features

Digital Photography Review news -

PhotoLab 9 features AI Masks to make retouching faster and easier.
Image: DxO

French software company DxO has announced PhotoLab 9, its latest Raw editing platform. DxO says this is its most powerful Raw editor yet, offering improved masking capabilities, newly added batch renaming and support for iPhone HEIF and ProRaw files.

It's no surprise that AI features are at the forefront of the software announcement. DxO added AI Masks tools that use AI to create "pixel-precise selections in an instant." The tool is very similar to Lightroom's AI Masking option, which automatically creates masks of common and prominent subjects for users to select from.

Within PhotoLab 9, users can create these in three ways. They can hover and click on different parts of the photo or draw a box around an area that contains the object. DxO also added Subject Types, a list of predefined objects users can select from, including sky, people, faces and hair. The Subject Type option can also be "intelligently copied and pasted between images" or saved as a preset. When used as a preset, the mask is contextually aware of the selection, so it will automatically adjust for each image. It promises to make retouching much faster.

The AI Masks aren't the only way to make selections, either. DxO's U Point Technology was the predecessor to AI, allowing for intelligent masks based on image content using color and contrast information. DxO combined the new AI Masks with its U Point Technology, allowing for more control over selections.

Local adjustments allow users to adjust noise in only select areas.
Image: DxO

With the help of the new masking and selection tools, PhotoLab 9 gains the ability to make local adjustments for noise reduction (using DeepPrime) and lens sharpness (with DxO's Lens Sharpening Optimization). With local adjustments, users can selectively reduce noise in heavy shadow areas or only sharpen key subjects, for example.

The DeepPrime XD3 engine is now out of beta.
Image: DxO

PhotoLab 9 also adds support for Apple iPhone HEIC/HEIF and ProRAW file formats. Photographers who use their iPhone will now be able to keep their editing in one platform if they are DxO users. Additionally, DxO said that its DeepPrime XD3 engine for intense processing on demanding files is out of beta and compatible with all X-Trans cameras.

Finally, DxO added some workflow functionality as well, including batch renaming. Files can now be batch renamed, including an automatic setting for names using image metadata, EXIF information or custom text.

DxO PhotoLab 9 is available now. A new license costs $240 while an upgrade costs $120.

Press release:

DxO PhotoLab 9 introduces a new era of editing, adding exceptional AI Masks, high-precision local adjustments for DeepPRIME denoising and sharpening, and more

New features also include powerful batch renaming, a host of improvements for a smoother workflow, and support for Apple HEIC/HEIF and ProRAW files.

Paris, France: DxO, a pioneering force in photo editing software for more than two decades, today announces the launch of DxO PhotoLab 9, the world’s most advanced end-to-end RAW photo editing software. Version 9 introduces masking powered by AI that guarantees supremely accurate selections, allowing photographers to create local adjustments with more precision than ever. In addition, new features include: local adjustments for denoising, demosaicing, and Lens Sharpness Optimization; a range of workflow upgrades for a smoother editing experience; powerful batch renaming options that use metadata; and support for Apple HEIC/HEIF and ProRAW images.

"Version 9 is a major step forward in RAW photo editing," explains Jean-Marc Alexia, VP of Product Strategy. "The AI-powered masking offers unmatched accuracy, and when you combine this with all of the other features in PhotoLab 9, it’s probably our biggest upgrade to our flagship editing software of the last twenty years."

Introducing DxO AI Masks, the new standard for automatic object selection

The new AI Masks harness the power of artificial intelligence to create smart, pixel-precise selections in an instant. Users can quickly create masks through three different methods: hovering and clicking on different parts of the photo; drawing a box around the area of an image that contains the object to be selected; or choosing from various Subject Types, a list of predefined objects, including sky, people, faces, and hair.

The list of predefined objects offers more than just quick selection. For example, if a photographer selects "Hair" and makes some adjustments, these changes can be intelligently copied and pasted between images, or saved as a preset that is contextually aware of the selection. Complex retouching becomes faster, smarter, and effortlessly consistent.

Combining DxO AI Masks and U Point Technology™ to achieve unmatched precision

By integrating effortlessly with other Local Adjustments tools, AI Masks deliver an unparalleled level of flexibility and control. Selections can be refined using DxO’s renowned U Point™ technology: using a combination of AI Masks, Control Points, Control Lines, Graduated Filters, and the Brush tool, photographers can create highly complex masks that would otherwise be too sophisticated for even the most advanced AI. This offers a significant advantage over competing tools, where refining complex selections can be laborious.

Exceptional control with local adjustments for targeted noise reduction and Lens Sharpness Optimization

For photographers who demand the most precise control, DeepPRIME noise reduction technologies and DxO’s exclusive Lens Sharpening Optimization can now be targeted using local adjustments. While PhotoLab’s automated processing already delivers outstanding results, this gives users the ability to fine-tune their image with a supreme level of detail, especially given that the new AI Masks — combined with existing local adjustment tools — offer incredible precision.

A smarter, faster workflow

DxO PhotoLab 9 brings a host of workflow improvements designed to make photo organization faster and more intuitive. New features include image stacking, a Favorites system for folders and projects, and direct access to the Project palette from Customize mode. And as part of a cleaner, more versatile editing experience, you can also easily relocate folders that have been moved.

Powerful batch renaming

DxO PhotoLab 9 introduces a powerful new batch renaming tool, giving users full control over how original and processed files are named. Filenames can be automatically generated using image metadata, EXIF information, or custom text, streamlining organization and post-processing. Users can also create and save their own presets, making it easy to apply consistent naming conventions across entire projects or workflows.

Support for iPhone images

Version 9 introduces support for Apple’s iPhone image formats — HEIC/HEIF and ProRAW — making it easier than ever to edit photos taken using iOS devices. This expanded compatibility ensures a seamless workflow for photographers who want to harness the power of DxO’s renowned image processing tools with photos captured on their iPhone.

Unrivaled noise reduction and detail extraction for X-Trans sensors: Introducing DeepPRIME XD3 X-Trans

Two years ago, DxO introduced DeepPRIME XD, the ‘eXtra Detail’ engine designed to use more intense processing for taking on the most demanding files. The technology continues to evolve, ensuring unprecedented results for images captured at extreme ISO levels.

Today, DxO is proud to announce that, following the technology preview released as part of DxO PureRAW 5, DeepPRIME XD3 has emerged from beta and now processes RAW files from all X-Trans cameras.

The image quality is unprecedented, able to recover noise and retrieve details from images captured in very low light like never before.

Price and availability

DxO PhotoLab 9 is available today from the DxO website (shop.dxo.com), for macOS and Windows machines:

New license 239,99 $ - 239,99 € - 219;99 £
Upgrade from DxO PhotoLab 7 or 8 119,99 $ - 119,99 € - 109,99 £

A 30-day trial is available from dxo.com/en/dxo-photolab/download.

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