Η ΓΝΩΣΗ ΤΗΣ ΣΤΟ ΣΧΟΛΕΙΟ ΚΑΙ ΠΕΡΑ ΑΠΟ ΑΥΤΟ
Ferrari has been on a roll of late. The Italian carmaker has a waiting list that extends until 2026. That hasn’t stopped it from working on its very first electric car, slated for release later this year.
Category: Automotive, Transport
Tags: Ferrari, Transmission, F1, Supercars
Bosch calls the all-new CX-R its highest quality ebike drive unit to date, high self-praise from one of the world's largest ebike drive suppliers. The new magnesium-housed motor cranks torque and power to the top of the lineup and adds a new top speed "race" mode for getting fired up on all cylinders in a hurry. It might just inspire a new generation of fast, fully adrenalized electric mountain biking.
Tags: ebikes, Bosch, Electric Motors, Bikes, Mountain Bikes
A hammock that not only lets a dozen or so people chill out and relax but does it on the cool, crystal-clear water? Count us in. It's the new Bote Hangout Water Hammock 15, and while it's far from the only water hammock out there floating lakes and bays, it's definitely bigger and badder than average, adding a few innovative features that make a laid-back day on the water that much more enjoyable.
Tags: Water Sports, Hammocks, Outdoors and Camping, Marine Innovations, Beach, Boating, Floating
Ultraviolet light is well-known for its ability to kill germs, including ones that cause food to spoil. And while there doesn't tend to be any food-preserving UV light in our refrigerators, a new consumer device is out to change that.
Category: Around The Home, Lifestyle
Tags: Nanyang Technological University, Ultraviolet, Light, Bacteria, Antibacterial, Food technology
The month of May brings new opportunities to get your work seen by a large, international audience. While they sometimes get flak, photography competitions, when judged fairly and conducted with integrity, offer exposure to industry decision-makers, an opportunity to get your work published or exhibited and recognition that can elevate your career.
As we've learned, not all competitions are created equal. Some have been exposed as cash grabs at best and content farms at worst. We waded through a long list of open calls and came up with this list of eight competitions worth considering. From Pop Art to Landscape and Black & White, there is a genre for every type of photographer.
We'll lead with the free-to-enter competitions and follow with contests that require an entry fee. No matter the contest, it's essential to read the rules and terms and conditions closely. As a former judge, I can't tell you how frustrating it is to disqualify a promising submission because a watermark was left on or the photo was formatted incorrectly. Reading the requirements will at least get your foot in the door.
We wish you the best of luck if you decide to enter any of these competitions. While there is no guarantee that your work will be selected, and rejections are always discouraging, taking steps to get your work out there is always valuable. If any noteworthy contests are missing, let us know.
The CEWE Photo Award Image: CEWE Photo AwardDeadline: May 31st
Entry Fee: Free
CEWE is a leading photo printing company based in Europe. Its annual competition offers €250,000 in prizes, including vacations and photography gear. Participants can enter up to 100 photos, taken on anything from a full-frame camera to a smartphone. CEWE also donates €0.10 for every entry to the SOS Children's Villages International. There are 10 categories to enter, including Travel & Culture, Landscape, Food and Macro/Close-up.
Banff Mountain Photo Essay Competition Image: Banff Centre for Arts and CreativityDeadline: May 5th
Entry Fee: Free
The Banff Photo Essay Competition emphasizes storytelling through a curated series of images that delve into mountain culture, natural history, adventure, wildlife, sports and the environment. Open to amateur and professional photographers, you must submit three to five images that can stand independently but also combine to create a narrative. A prize of CAD 3000 and a showcase at the Banff Centre of Mountain Film and Book Festival will be awarded to one Grand Prize Winner.
Photometria Awards Open Call, "Non Stop Pop" Image: PhotometriaDeadline: May 31st
Entry Fee: The first image is free or €5 for up to 3 photos
This competition invites professional and amateur photographers to explore the influence of pop culture on modern society. Submissions will be judged by Magnum photographer Alec Soth, who is looking for compelling and original interpretations. The overall winner will receive Nikon gear and the top 25 images will be exhibited during the 17th Photometria International Festival in Ioannina, Greece.
The Motif Collective: Black and White Photography Competition & Sunrise and Sunset Image: The Motif CollectiveBlack and White deadline: May 7th
Sunrise and sunset deadline: June 7th
Entry Fee: $12 to $36, depending on the number of submissions
The Motif Collective currently has two contests: Black and White and Sunrise and Sunset. April's contest, which closes on May 7, focuses on the art of monochrome imagery. The May contest is dedicated to sunrises and sunsets and closes on June 7. Both are open to professionals and amateurs worldwide; participants can submit up to six images. The prize pool scales with the number of entries and can reach up to $10,000 in total cash rewards. There will also be an artist showcase gallery promoted across its social media channels.
International Garden Photographer of the Year Macro Art Photo Project Copyright: © Zsolt VarankaDeadline: May 6th
Entry Fee: €16 for up to 4 single images
The Macro Art Photo Project from International Garden Photographer of the Year asks that photographers from all over the world capture the fine details of plants, insects and other natural forms. Only single entries are accepted as the judges aren't looking for a series of images. Winners will get international exposure through exhibitions and publications.
reFocus Awards: Black & White Photo Contest Image: reFocusDeadline: May 13th
Entry Fee: Anywhere from $12 to $50 for single images and series
The reFocus Black & White Photo Contest is open to student, amateur and professional photographers. Individual entries or a series of two to five monochrome images can be submitted. Winners receive $4000 in cash prizes, custom-engraved trophies and features in the reFocus Artist Directory. There is also a People's Vote Award, which allows the public to select standout work.
40th AOP Photography Awards Image: AOP Photography AwardsDeadline: May 15th
Entry Fee: Anywhere from £50 to £90 for a single image or project
The Association of Photographers (AOP) deems its awards competition as the "Oscars" of the photography world. While this competition is only open to AOP members, everyone from students to assistants and professionals at any stage in their career can apply for inclusion. The 10 open categories include Documentary, Portrait, Best Moving Image and Still Life. Winners will be exhibited and featured in a book.
Nature Photographer of the Year Image: Nature Photographer of the YearDeadline: May 25th
Entry Fee: Free for Youth Category and £34 to £49.50
NPOTY features 12 categories including Birds, Landscapes, Underwater and Natural Art. There's also a Youth category for photographers under 18 and the Fred Hazelhoff Award for Best Portfolio submission. The total prize pool is £25,000 with the overall winner receiving £3000. Winning images are displayed at the Nature Talks Photo Festival and receive international recognition in publications and exhibitions.
Over the course of 18 years, a truck mechanic from Wisconsin injected himself with snake venom hundreds of times. His actions were considered stunts by some over those years, but his blood has just helped lead the way toward a universal antivenom.
Tags: Snakes, Venom Evil, antibodies, Columbia University
Tasmania's Incat has delivered on its promise to build the world's largest battery electric passenger ferry, officially launching the China Zorrilla from its shipyard in Hobart today. The vessel measures 425 ft in length and will be home to a whopping 40-MWh battery.
Printing images successfully in a darkroom requires lots of skill, especially if you're printing iconic photographs for Magnum Photos, a cooperative of photographers going back to 1947. Such is the case for Pablo Inirio, a Magnum master printer. This video profile of Inirio briefly walks through his background and process in the darkroom, giving interesting insight into what a master printer does.
Inirio explains how amazing it was seeing a photograph develop for the first time. "The first time I saw an image come up in the developer, I was like, wow, this is great," he says. "You know, because it's almost like a little bit of magic in there, you know? You know it's just a chemical process and all that. But still, when you see the image comes up, it's like, wow, this is cool. From then on, I was hooked."
"it's almost like a little bit of magic in there"Inirio started working for Magnum in 1992 after he answered an ad asking for a printer for an agency. They initially hired someone else, but they called him back two to three weeks later because the person they had hired left. Throughout his time working for Magnum, he's printed images from Bruce Gilden, Gilles Peress, Eugene Richards, Burt Glinn, Inge Morath and many more.
What stood out to me most about the video was his process walkthrough. Being a master printer means you often need to repeat a print months or years later. Because of this, Inirio says he tries to keep the process really simple and keeps notes to save himself time later. His notes take the form of outlines on a working print, labeling sections that he's dodging or burning or adding contrast filters. You can even buy reproductions of his test prints, complete with mark-ups and notations. Seeing how he looks at a photo relative to printing is fascinating, and I've found myself closely examining his notations on prints many times.
If you've never had the opportunity to step inside a darkroom, this is a neat video to watch to see what the process is like. As Inirio points out, it's not really like how movies show it, with pictures hanging up with clothespins. But it is a truly special process that, even when you've been doing it for a long time, still feels a little bit magical.
For some common medical conditions, timing is everything when it comes to taking medications. Now, a customizable capsule engineered at UC San Diego could simplify complicated dosing schedules thanks to a unique staged release system.
Category: Body & Mind
Tags: Parkinson's Disease, Medication, Pills, UC San Diego, Drugs, Drug delivery, Pharmaceuticals
The next time you spot a long-haul truck on the I-45, crane your neck to see if there's anyone in the driver's seat. If it's empty, it's all thanks to Aurora.
Category: Automotive, Transport
Tags: Autonomous Vehicles, Truck, aurora, Self driving cars
New research details an intriguing new way to solve "unsolvable" algebra problems that go beyond the fourth degree – something that has generally been deemed impossible using traditional methods for two centuries, until now.
Category: Science
Tags: University of New South Wales, Mathematics, Algorithms, Solution, Physics
Researchers have developed a simple, non-invasive method of diagnosing Parkinson’s disease early using an eye scan. It could mean treatment aimed at slowing the disease can start sooner or, alternatively, could be used to monitor the disease’s progression.
Category: Brain Health, Body & Mind
Tags: Parkinson's Disease, Retina, Diagnosis, Universite Laval
A new drone company has exploded out of stealth mode in the USA with incredible claims about its first product, saying it'll fly 4X longer, 10X further, 10X quieter and carry 5X more payload than leading competitors – while competing with China on cost.
Category: Drones, Consumer Tech, Technology
Tags: drones, Quadcopter, Delivery drone, Drone security
Researchers at Virginia Commonwealth University have found fecal transplants may be helpful in reducing drinking behaviors in those suffering severe alcohol use disorder (AUD). The work points to a compelling relationship between the gut microbiome and addiction disorders, with large-scale Phase 2 human trials currently underway.
Category: Addiction, Brain Health, Body & Mind
Tags: Gut Bacteria, Microbiome, Alcohol, Addiction, fecal transplant, New Atlas Audio, 2025 Updates
Neewer announced that its new outdoor studio flash, designed to overpower even midday sunlight and fill large softboxes, is available for pre-order. The company says the Neewer Q6 offers 600Ws output, a consistent 5700K color temperature, fast recycle times, TLL/HSS support, smartphone app control and a quartz flash tube.
The Q6 weighs 3kg (6.6 lbs) without the handle and is 195 x 185 x 170mm (7.7 x 7.3 x 6.3"), roughly the size and weight of a small dumbbell. If you've fitted your camera with a a compatible flash or wireless trigger, it can use Canon E-TTL, Nikon i-TTL, Sony TTL and Fujifilm TTL systems. It also supports Manual and Multi (Stroboscopic) modes. Neewer has equipped it with features like front/rear curtain sync, a "masking" mode that exposes the subject and background separately, making it easier to separate them while editing, burst modes for continuous shooting and timelapse capabilities from 0.01 to 30 seconds.
Main Specs:Neewer promises a constant 5700K (±100K) color temperature across power levels for color accuracy, an essential element for product and commercial photography. Flash power is adjustable in 0.1-stop increments, from 1/512 all the way up to full power (1/1), giving users precise lighting control.
It features a durable quartz flash tube (rated for 300,000 flashes), two TFT color screens, color-coded groups, and an intuitive layout designed for easy control. A smartphone app allows you to adjust flash modes, tweak settings and update firmware directly from your phone.
It can also connect to Neewer's sold-separately 2.4G wireless QZ or QPRO triggers, with five groups and 32 channels for flexible multi-flash setups. This lets you control your flashes from up to 100m (328 ft.). A 3.5mm sync port adds compatibility with other triggers.
Image: NeewerPowered by a 28.8V/3000mAh lithium battery, the Q6 can deliver up to 400 full-power flashes per charge. Fast recycling times (0.01-0.9 seconds) and freeze mode allow you to shoot high-speed subjects, such as cars or cyclists, with precision. It supports up to 1/8000s high-speed sync (HSS), ideal for dance or fashion with movement, and ultra-short flash durations from 1/209 to 1/10989 seconds.
A 30W bi-color LED modeling lamp (2700-6500K) allows for real-time previewing or serves as a continuous light for video. The Bowens mount makes it compatible with a wide range of modifiers, including reflectors, softboxes, snoots and beauty dishes.
Neewer's Q6 aims to be an asset for location shoots where consistent, natural-looking light is critical. It is available for pre-order at a special price of $499.99 (regularly $699.99). The company warns that the US price may increase soon due to tariffs. Shipping is estimated to start on May 18th.
Buy at NeewerQHYCCD, a Chinese astronomy camera company, recently announced on its Facebook page that it will no longer ship cameras to the US because of the tariffs. "This was not an easy decision for us, and we deeply regret any inconvenience it may cause. If you’re in the U.S., we encourage you to reach out to local distributors — they may still have stock available," the post says.
It may be a sign of what's to come, as the US tariffs that have been such a hot-button issue over the past month start to go into effect. Many economists predicted that the US tariffs would have a broader impact on goods coming into the United States beyond higher prices. Justin Wolfers, Professor of Economics and Public Policy at the University of Michigan, explained, "If there's equipment from highly-tariffed nations – like China – the tariffs may make them so uncompetitive that retailers drop the brand altogether rather than importing cameras they won't sell." Unfortunately, those predictions are becoming a reality.
"the tariffs may make them so uncompetitive that retailers drop the brand altogether"The cessation of shipments is already being felt in other industries, too. For example, keyboard company Keyboardio announced in April that it would be pausing all US orders starting on April 23. That date was chosen to ensure orders would arrive in the US before the tariffs take effect on May 2. Keyboardio's post on its website details the reasoning behind this, explaining that DHL has already stopped taking packages that require formal customs clearances coming into the US. The company also cites the overall lack of clarity regarding future fees and delivery times as additional reasons for pausing orders.
Additionally, popular video game controller brand 8Bitdo originally announced on April 30 that it would no longer ship to the US. It has since walked back that statement, saying it is only pausing orders from May 1 to May 5 for Chinese Labor Day. Still, as with many aspects of these tariffs, the situation is in flux and can change on a day-by-day basis.
As with many aspects of these tariffs, the situation is in flux and can change on a day-by-day basis.The US tariffs are also affecting more well-known brands in the camera industry. PetaPixel reported today that the DJI Osmo Pocket 3 has jumped in price to $800 and is listed as out of stock on most websites, including Amazon, B&H and DJI's own site. A DJI spokesperson told PetaPixel that "Due to local market conditions and industry environment, including trade-related policies, we may experience extended delays in restocking, and have had to adjust our pricing strategy."
It seems unlikely that major brands like Sony, Nikon and Canon will pause shipments to the US, though Canon has said that its prices will increase. It's also very feasible that smaller accessory brands will decide to pause orders to the US, just as gaming and computer accessory brands have started to do. Once stock that's already in the US runs out, that could be it for some of these products for those in the US.
Thank you to DPReview reader Fervent Astronomy for the tip about QHYCCD's announcement.
We've seen a number of skeletal toy-hauling trailers from smaller manufacturers and custom shops, but now Australia's largest RV brand is sending its own rig out into the red dust and tawny grit of the Never Never. The all-new Crosstrail is built to carry a quad or multiple dirt bikes inside an open ribcage of adventure. A few trapdoor and swing-away tricks ensure it can load up everything you need, whether simply escaping for the day or for a full adventure holiday.
Tags: trailers, Off-road, Motorcycle Gear, Camping, RV
Gadget freaks don't just like multitools and wristwatches – they're also big on fancy pens. If you're one of those folks, you might want to check out the titanium-bodied Dragon Pearl. The refillable, retractable ballpoint pen is warrantied for 100 years and a million clicks.
Category: Good Thinking, Lifestyle
Tags: Kickstarter, Titanium, Writing
Updated May 1, 2025
By the time you're spending over $2,500, you're looking at getting one of the best cameras around. You should expect it to deliver exceedingly detailed images and capture high-end video, all without having to compromise much on speed for when the action picks up.
For most applications, a camera around $2000 will be more than enough, but if you and your photography need the very highest image quality or some specialist capability, the cameras in this guide are among the best we've yet seen. There are a handful of dedicated sports/photojournalism cameras or luxury models above the $4000 upper limit we've set ourselves, but these are usually such singular offerings that we're assuming you don't need our help in choosing if you're seriously considering them.
At this level, there aren't really any bad picks, so if you have any investment at all in the lens system of one company, this should probably be the deciding factor for you. But we'll highlight the particular strengths we found in each camera, just in case you are planning to switch systems.
Our recommendations:45MP Stacked CMOS sensor | Eye-controlled AF subject selection | Up to 30fps continuous shooting
The EOS R5 II is one of the most all-around capable cameras we've tested.
Photo: Richard Butler
Buy now:
$3999 at Amazon.comBuy at AdoramaBuy at B&H Photo What we like:See the EOS R5 II Studio Scene
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Should I still buy the EOS R5?Short answer: yes. It lacks some of the newer camera's features like eye-controlled subject selection, action priority modes and AI noise reduction, but if those don't matter to you – or aren't worth the $400 MSRP premium of the EOS R5 II – the EOS R5 is still plenty capable in 2024.
Buy now:
Buy w/ 24-105mm f/4 at Amazon.comBuy at AdoramaBuy at B&H Photo Another great option: Nikon Z846MP Stacked CMOS sensor | 20fps Raw, 30fps full-size JPEG shooting | 8K/60 and 4K/120 video
The Nikon Z8 delivers just about everything: speed, AF, video and, most importantly of all, image quality.
Photo: Richard Butler
Buy now:
Buy at Amazon.comBuy at AdoramaBuy at B&H Photo What we like:The Nikon Z8 is a fast-shooting stills and video-capable mirrorless camera with a 46MP Stacked CMOS sensor. It's an extremely strong competitor compared to the EOS R5 II, but Canon's action sports settings and eye control push it over the edge.
If those things don’t matter much to you, you can pretty much base your decision on whether you prefer Nikon or Canon’s lens lineup. They’re broadly similar, and both brands tightly control which options third-party manufacturers can offer.
The Z8 has a large, comfortable grip with well-placed controls. There's a good level of customizable controls and ergonomics that match the pro-focused Z9. The viewfinder resolution is low but the brightness and lack of lag make it one of best-suited to action. Video quality is excellent with a choice of Raw and 10-bit gamma/compressed formats with up to 8K/60 or 4K/60 derived from it. There's also a less-detailed 4K/120p option. Tools such as waveforms and dependable AF make it easy to shoot with. The Nikon Z8 is a hugely capable all-rounder, combining resolution, autofocus performance and video capabilities not seen before at this price. It's not a small or light camera but it makes you feel ready for anything, photographically while you're carrying it. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. A cheaper option?At $3300, the Panasonic Lumix S1RII retails for substantially less than the Z8 and EOS R5 II while offering similar resolution, speed and video capabilities. But while we found it to be a quite capable camera, its autofocus system's performance and UI are a fair bit behind what Canon and Nikon offer, to the point where we'd recommend paying the extra if you think you'll be frequently shooting moving subjects. If you mostly shoot still subjects and/or videos, though, it may well be worth considering.
Buy now:
Buy at Amazon.comBuy at AdoramaBuy at B&H Photo The compact option: Sony a7CR61MP BSI CMOS sensor | 4K/60p video with 10-bit color | Dedicated ‘AI’ processor for AF system
You can't do much to shrink the lenses, but the a7CR is both the smallest and least expensive camera here.
Photo: Richard Butler
Buy now:
$2998 at B&H Photo $2998 at Adorama $2998 at Amazon What we like:The Sony a7CR is a compact, full-frame camera with a 61MP BSI CMOS sensor. Despite its small size, it packs in most of the features found in Sony’s larger bodies while still delivering stunning detail, without sacrificing much performance.
The a7CR is impressively small for a full-frame camera. The addition of a front control dial improves handling significantly. Notably, there’s no joystick for positioning the AF point, and the viewfinder is small and very low resolution for a camera costing this much. "If you're looking for maximum resolution in a travel-sized body, the a7RC is tough to beat." The a7CR's 61MP sensor can capture a lot of detail, putting it ahead of most full-frame rivals; though it is a little noisier in low light. JPEG colors are pleasing, and excellent sharpening makes the most out of the 61MP sensor. Raw files provide plenty of latitude to pull up shadows at base ISO. The a7CR delivers impressive results for its size. It essentially provides the same level of image quality, and most of the same features, as Sony's a7R V, but in a smaller package. In exchange for the small size, you make a few compromises, like no AF joystick, but if you're looking for maximum resolution in a travel-sized body, the a7CR is tough to beat.Read our Sony a7CR initial review
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. High-spec high res: Sony a7R V61MP BSI CMOS sensor | 8K/30p video | Subject recognition AF
Photo: Richard ButlerBuy now:
$3898 at B&H Photo $3898 at Adorama $3898 at Amazon What we like:The Sony a7R V is the company's fifth-generation high-res full-frame mirrorless camera, built around a stabilized 61MP sensor.
The Sony a7R V is focused more on high resolution than the combination of resolution and speed that the Nikon Z8 and EOS R5 II offer. It can shoot 8K video but only with a major crop and significant rolling shutter.
The a7R V is an excellent tool for capturing high-resolution images. The a7R V is an excellent tool for capturing high-resolution images with a mechanical shutter. The impressive autofocus performance means it is suitable for capturing a wide variety of subjects, including sports and wildlife. However, the sensor's slow readout limits its capabilities if your work requires video capture or the use of a silent electronic shutter.As a high-resolution studio or landscape camera, the a7R V is very, very good, but the existence of the a7CR, which offers much of the same capability in a smaller, less expensive body, is its biggest threat. It offers a much nicer viewfinder, faster USB connector for tethering, and better Wi-Fi than the a7CR, but except in the case of shooting wide apertures and fast shutter speeds together, there's no difference in image quality.
See the Sony a7RV studio scene
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Should I still buy a Sony a7R IV?The Sony a7R IV offers essentially the same image quality as the newer Mark V, and costs less, so it's still worth taking seriously. It's a less capable video camera, not so much because of the lack of 8K capture – which isn't the Mark V's best feature, by any means - but due to the lack of 10-bit recording, which gives the V's footage more editing flexibility.
For stills shooters, the older camera doesn't have the more sophisticated subject recognition AF of the Mark V, nor options such as focus bracketing, motion correction to make the high-res mode more useful, or the latest 2x2 MIMO Wi-Fi and 10Gbps USB port of the V.
IQ above all else: Fujifilm GFX 50S II51MP CMOS sensor | In-body stabilization system (up to 6.5EV) | Full HD video at up to 30p
Photo: Richard ButlerBuy now:
$3199 at B&H Photo $3199 at Adorama $3199 at Amazon What we like:The Fujifilm GFX 50S II is a (relatively) compact 50MP medium format mirrorless interchangeable lens camera with built-in image stabilization.
Fujifilm's most affordable medium format camera is a highly attractive option for enthusiasts and professionals alike. The 50S II is the least expensive digital medium format camera ever launched. Image stabilization and precise focus extend its usability far beyond the studio. Speed, autofocus and video aren't its greatest strengths, but it should have major appeal for enthusiast photographers wanting some of the best image quality available.The GFX 50S II is perhaps the most specialized here: it's not especially fast or versatile but in terms of image quality, it has a slight edge over the best of its full-frame rivals (some of which comes from its lenses - the GF primes often being particularly good). The more expensive 100MP versions offer a more significant IQ advantage, but for landscape and studio work, the 50S II is still very good.
Read our Fujifilm GFX 50S II review
See the Fujifilm GFX 50S II studio scene
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Best for video: Sony FX312MP full-frame BSI CMOS sensor | Full-width 4K/60p, 120p w/ slight crop | 10-bit 4:2:2 capture
Buy now:
$3898 at B&H Photo $3898 at Adorama $3899 at Amazon What we like:The Sony FX3 is part of Sony's Cinema line of cameras, but we've included it here because it shares so much in common with the a7S III, but is a better choice, we feel.
The Sony FX3 is an image-stabilized, fan-cooled full-frame video camera designed to shoot UHD 4K footage at up to 120p.It loses out on a viewfinder, compared to the a7S III, but gains dependability and extended recording times thanks to the addition of a cooling fan. It appears to cost a little more on paper but the FX3 comes with a top handle with built-in XLR adapters, which is an expensive add-on to the a7S III. Sony has also added some video-centric features, such as EI exposure to the FX3 that haven't then appeared on its more stills-focused cameras.
You may also consider the EOS R5C, which is essentially a video-focused version of the original EOS R5. Compared to the FX3, it gains a fan but omits an image stabilization mechanism, though we prefer the more compact form-factor of the Sony, anyway, especially if you plan to shoot on a gimbal.
Why you should trust usThis buying guide is based on cameras used and tested by DPReview's editorial team. We don't select a camera until we've used it enough to be confident in recommending it, usually after our extensive review process. The selections are purely a reflection of which cameras we believe to be best: there are no financial incentives for us to select one model or brand over another.
Updated May 1, 2025
Landscape photography is a demanding medium, requiring cameras with high resolution and dynamic range. When considering what cameras should make it on this list, we look at factors like weather-sealing, battery life and operability on a tripod.
We've selected cameras that are most likely to deliver the best possible image quality if you're going to spend hours hiking to the perfect location and waiting for the perfect light. For some picks, we've also considered the best image quality you can get at a certain size and weight of camera body.
Our picks:102MP BSI medium format sensor | In-body image stabilization | 5.76M dot viewfinder
Photo: Mitchell ClarkBuy now:
$5349 at Amazon.com$4999 at Adorama$4999 at B&H Photo What we like:The GFX 100S II uses the same sensor as the GFX 100 II, but puts it in a body with fewer features – though you do still get essentials like a tilting screen and a stabilized sensor. The result is the only camera with anywhere near this resolution that fits within the price limit of our buying guides, though do keep in mind that you'll also have to budget for medium-format lenses too, which don't come cheap.
While the GFX 100S II has improved autofocus and burst rates compared to its predecessor, its main strength will be landscapes or studio work where it won't have to track dynamic subjects. That makes it slightly less versatile than most of its full-frame competitors, but if you're doing purely landscape photography its image quality will be unparalleled unless you're willing to spend many thousands of dollars more.
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Best camera for landscapes and more: Panasonic S1RII44MP full-frame BSI sensor | 40fps burst shooting with pre-capture | 8K video up to 30p
The S1RII's articulating and tilting screen makes sure you can see your composition no matter what position you have the camera in.
Photo: Mitchell Clark
Buy now:
Buy at Amazon.comBuy at AdoramaBuy at B&H Photo What we like:The S1RII doesn't have the highest-resolution sensor, but for landscapes, it can make up for that with its quite capable 177MP high-resolution multi-shot mode, which can compensate for some movement and is processed in camera. It's also quite capable for everyday photography, with high burst rates and tons of video features, though it doesn't have the greatest autofocus system for routinely shooting motion and action.
Image quality is very good, with attractive out-of-camera JPEGs that can be heavily customized with Panasonic's open LUT system. Unlike other full-frame options, it can process its multi-shot high-res mode in-camera. The S1RII is very capable, but its autofocus performance lags behind competitors for action and wildlife. It has a comfortable grip and highly customizable controls, and the menus are laid out well for the rare occasions you'll need to use them. The S1RII is very capable camera, especially for video, but the autofocus system and performance make a compelling argument to spend the bit more for one of its competitors if your shooting includes action and movement.Click here to read our review of the Panasonic S1RII
Click here to see the Panasonic S1RII studio scene
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Want higher single-shot resolution?While Panasonic's high-resolution multi-shot mode is arguably the best in the business, it won't give you much benefit if you're trying to shoot subjects or scenes with motion. With its 60MP full-frame sensor, the Sony a7R V can capture more detail in single-shot mode than the S1RII. Its autofocus system is also more reliable for non-landscape uses, but while it can shoot 8K, it doesn't have the rolling shutter performance or extra video tools the Panasonic offers.
Buy now:
Buy at Amazon.comBuy at AdoramaBuy at B&H Photo Best camera that's also good for landscapes: Canon EOS R5 II45MP Stacked CMOS sensor | Eye-controlled AF subject selection | Up to 30fps continuous shooting
Photo: Richard ButlerBuy now:
$3999 at Amazon.comBuy at AdoramaBuy at B&H Photo What we like:If you need a camera that can handle whatever you throw at it, including the occasional landscape photo, the EOS R5 II is the one. Its sensor isn't the highest resolution, but it makes up for it with speed, letting you shoot up to 30fps. It also has the most capable autofocus system on this list, with its dedicated 'Action Priority' modes made specifically for shooting high-speed sports.
The 45MP Raws are highly detailed, and the JPEG sharpening and noise reduction are sensible. It can't quite match higher-resolution cameras like the A7R V, but performs well in its own right. The EOS R5 II does a vast range of things, most of them extremely well: it's impressive for action, landscapes, video, you name it. The grip is very well-shaped and proportioned, and the controls are all well-placed and comfortable to use for extended periods. Eye Control for autofocus is excellent when it works, which isn't always The EOS R5 II has excellent tracking and subject-tracking autofocus performance. The subject detection is effective without getting in your way. It can shoot Raws at up to an extremely rapid 30fps. The EOS R5 II excels at almost everything it tries to do, and that's a long list. It's hard to imagine what photo or video need it won't support you in.Click here to read our review of the Canon EOS R5 II
Click here to see the Canon EOS R5 II studio scene
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Also consider: the Nikon Z8The Nikon Z8 is similalry capable to the EOS R5 II, and its 45.7MP sensor is just as able to take beautiful landscapes, while still handling anything else you throw at it. The two cameras are so evenly matched that the best way to choose between them is by comparing which lenses are available for them, figuring out which system has the ones you want at a price you want to pay, then buying the body to match.
Buy now:
Buy at Amazon.comBuy at AdoramaBuy at B&H Photo The bargain option: Nikon Z7 II45.7MP full-frame sensor | In-body image stabilization | 4K/60p video
Photo: Dan BracagliaBuy now:
Buy at Amazon.comBuy at AdoramaBuy at B&H Photo What we like:The Z7 II is decidedly last-generation at this point, a fact you'll feel most in its autofocus system. It can still produce crisp images, though, and its age is a benefit when it comes to its price: you can routinely find it for around $2,000, a price bracket that generally contains cameras with half the resolution.
The Z7 II's image quality frequently impresses. It'll match its peers in everything except resolution and, in situations where you can use the greater exposure needed for ISO 64, it has an edge in terms of tonal quality. JPEGs are good but we got the best result from the Raw files. To say the Z7 II is a comfortable camera to hold would be an understatement The Z7 II provides plenty of well-placed controls and a large handgrip, despite its relatively compact body. The additional option to add a battery grip with duplicate controls is valuable. We'd like more control over what can be applied to custom buttons and we miss the AF mode control from the front of Nikon's DSLRs, though.\The Z7 II is a capable camera that can produce superb image quality. Its autofocus performance and interface aren't quite up there with modern mid-to-high-end cameras, but overall it's a good, capable camera. The improvements over the original version help expand the range of circumstances in which it performs well.
Click here to read our review of the Nikon Z7 II
Click here to see the Nikon Z7 II studio scene
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. The compact option: Fujifilm X-T5 Photo: Richard ButlerBuy now:
$1699 at Amazon.com What we like:If the landscapes you're hoping to capture are far off the beaten path, the X-T5 may be worth a look. While it's marginally smaller and lighter than its full-frame and medium-format counterparts, the real weight savings will come from the lenses you can equip it with. Fujifilm's lineup of APS-C lenses is unmatched and can make for a kit light enough that you won't have to reconsider hiking an extra mile or three to get the shot.
The X-T5 produces highly detailed Raw and JPEG files, with the latter benefiting from Fujifilm's array of attractive 'Film Simulation' color modes. A 40MP APS-C sensor means relatively high pixel-level noise but results that are competitive when viewed at a common output size. The X-T5 foregoes some of the X-H2's video features to offer a more photo-centric experience with classic styling The X-T5 features dedicated control dials for ISO, shutter speed and exposure compensation, along with a film-era SLR-style low-profile front grip. Its rear screen tilts up and down but also hinges outward for portrait-orientation shooting. Having the X-H2 and X-H2S available to meet the needs of videographers allows the X-T5 to fulfill photographers' desires for stills-centric handling and features. For photographers who enjoy Fujifilm's traditional dial-based controls, there's no more capable body than the X-T5.Click here to read our review of the Fujifilm X-T5
Click here to see the Fujifilm X-T5 studio scene
Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Also consider: the Canon EOS R7Canon's EOS R7 is a bit heavier than the X-T5, and its APS-C lens selection isn't nearly as robust, but its 32.5MP sensor will be more than capable of capturing detailed landscapes. Its faster burst rates and better autofocus tracking also give the edge over the X-T5 for when you're shooting in the city instead of the wild.
Buy now:
Buy w/ RF-S18-150mm F3.5-6.3 IS STM at Amazon.comBuy at AdoramaBuy at B&H Photo Why should you trust us?Our Buying Guides are based on extensive use and testing of the cameras included. We only recommend cameras once we know how they compare to their peers in a variety of shooting situations. All selections are made solely by our editorial and video teams and are the models we'd buy or recommend to friends and family. We gain no financial advantage from recommending one camera over another, either as individuals or as a business.
