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On this day 2010: Fujifilm X100 announced

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The X100 didn't hit the shelves until early 2011 but it generated interest from the moment it was announced.

Photo: Andy Westlake

As part of our twenty-fifth anniversary, we're looking back at some of the most significant cameras launched during that period. Without question, the Fujifilm FinePix X100, announced fourteen years ago today, is one of those cameras.

It wasn't the first large-sensor fixed lens compact: that honor goes to Sigma's DP1, which squeezed one of its 20.7 x 13.8 mm Foveon chips into a small, minimalist body, but it was the first to really catch the collective photography imagination.

Back in 2010, the first Mirrorless cameras were arriving, so you could buy a Panasonic GF1 with the company's 20mm F1.7 lens or an Olympus PEN, also with the Panasonic 20mm F1.7 if you had any sense. But those were the only options if you wanted a small camera with good image quality. Both were, at that point, very obviously a technology and lens system that was still developing.

Beyond these you only really had two choices: you could buy a DSLR if you wanted a Four Thirds sensor or anything larger, or an enthusiast compact based around a Type 1/1.7 chip (7.4 x 5.6mm), which was, at best, one-fifth of the size. Maybe a Type 2/3 (8.8 x 6.6mm) if you were really lucky, but that's still a two-stop difference compared with the smallest-sensor DSLR, simply because the sensor is no better than 1/4 the size. But even the smallest DSLRs weren't particularly small, especially once you put a lens on them.

Read about the subsequent history of the Fujifilm X100 series

With its APS-C sensor and F2 lens, the X100 had an immediate image quality benefit over any existing compact camera, and its self-contained nature meant it made more sense as a second camera for DSLR owners who didn't want to have a foot in two lens mounts by becoming a Mirrorless early adopter.

Then there were its looks. These may not play a part in the end images (though the "is that a film camera?" response from bystanders wasn't a bad way to raise the idea of taking their photo), but they made the camera look and feel a bit special. And who ever said photography is a pursuit based on cold rationality?

This is probably what people mean when they refer to 'classic styling.'

Photo: Andy Westlake

So the X100 had appeal on multiple levels: it was one of the smallest cameras to offer such high image quality, it would work alongside other systems without complicating your commitments, it looked good and took really good-looking photos.

It was also, at launch, recognizably a work in progress. Our original review had a page dedicated to bugs and odd behaviors, many of which got ironed-out over a series of firmware updates. It was slow, it was quirky and yet it caused an awful lot of photographers to fall in love with it.

I still have my original X100 and will sometimes still use it (which probably wouldn't have been the case were it not for the significant improvement in autofocus that came nearly three years after its original launch). After fourteen years it really shows its age, and my experience is somewhat spoiled by having spent a considerable amount of time shooting with its five successor models.

The X100 (Rear) has long ago been superseded but its most recent descendent, the X100 VI (Front) is still very much in demand.

Photo: Richard Butler

We've seen many attempts by other manufacturers in this space: Leica's APS-C X series pre-dated the X100 but seems to have been superseded by the full-frame Q models, while the 28mm equiv Nikon Coolpix A and X70 and XF10 from Fujifilm seem to have fallen by the wayside. Only Ricoh's move of its much-loved GR premium compacts to APS-C seems to have had anything like the longevity of the X100 series. And, while there's plenty of skepticism from people who aren't 35mm equiv fans and those put off by its recent five minutes of fame on TikTok, the X100 started a series that's still very much in demand, fourteen years later.

DJI's Osmo Action 5 Pro is here to compete with GoPro's Hero13 Black

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The latest trick for the Osmo Action series is subject-centering.

Image: DJI

DJI has announced a new action camera, the Osmo Action 5 Pro. The announcement comes hot on the heels of GoPro's recent unveiling of its new flagship camera, the Hero13 Black.

The Osmo Action 5 Pro can record 4:3 4K at 120fps, something the Action 4 could only achieve at 16:9. The company also says the camera has 'excellent low-light performance,' with the ability to shoot up to 4K 60fps in low light.

There's also a separate 'SuperNight' mode, which shoots up to 4K/30 footage at 16:9. The company says the mode uses 'AI noise reduction algorithms' to 'overcome the darkness in extremely low-light environments.'

The camera now has a subject tracking mode, which works similarly to modes we've seen in vlogging-focused cameras from DJI and Sony. The camera can detect a subject and keep them centered in the frame, adjusting the composition as they move. Because this mode involves cropping in, it's unsurprising it's only available at resolutions up to 2.7K.

DJI says the Osmo Action 5 Pro uses a 'next-gen' sensor.

The Action 5 Pro is built around a 40MP Type 1/1.3 (10 x 7.5mm) sensor with 2.4 μm pixels. While it's the same size as the sensor in the Osmo Action 4 – albeit with nearly four times the resolution – it's substantially larger than the Type 1/1.9 (6.3 x 5.5mm) sensor GoPro has been using for the past few years. DJI also claims its sensor can capture up to 13.5 stops of dynamic range.

In front of the sensor is an F2.8 lens with a 155-degree field of view. DJI says the lens can focus as close as 35cm (approx. 14"), slightly closer than the Osmo Action 4 could.

The Osmo Action 5 Pro is waterproof to 20m (65.5ft) without a case.

Images: DJI

DJI also claims the Action 5 Pro will last substantially longer than its predecessor. Not only is its battery physically larger – 7.5Wh versus 6.8Wh – but its processor is also now built on a more efficient 4nm process. The company says it'll be good for 'up to 4 hours of continuous use' and that it can even 'reliably record video for up to 3.6 hours' in temperatures down to -20°C (-4°F). The Action 5 Pro also has quick charging, with the company saying you should be able to get up to two hours of recording time with only 15 minutes of charging.

The Action 5 Pro now includes 47GB of onboard storage, which can be expanded with a microSD card. You can offload footage from it via Wi-Fi 6 or USB; like its predecessor, the Wi-Fi connection can also be used for live streaming.

The dual screens on the Action 5 Pro are a little larger and brighter than the previous generation's. The Action 4 had a 3.6cm (1.4") front screen and a 5.7cm (2.25") rear screen, which both run at around 750 nits. The Action 5 Pro's front screen is now 3.7cm (1.46") with a max brightness of 800 nits, and the rear screen is 6.4cm (2.5") with a peak brightness of 1,000 nits, which should make it a bit easier to see in harsh sunlight.

The Osmo Action 5 Pro is available today. The standard kit* will cost $349, while an 'Adventure Combo' will cost $449 and includes a mini quick-release adapter mount, battery case, and 1.5m extension rod.

* The standard kit includes the Osmo Action 5 Pro, a battery, a protective frame, quick release adapter mount, curved adhesive base, locking screen, USB type C to C cable, a rubber lens protector, glass lens cover, and anti-slip pad.

Press Release:

DJI Advances Action Camera Industry with Osmo Action 5 Pro’s Revolutionary Image Quality

DJI delivers action camera with industry-first professional features, including a groundbreaking 13.5-stop for both an exceptional high dynamic range and excellent low-light performance

September 19 – DJI, the global leader in civilian drones and creative camera technology, today unveils the Osmo Action 5 Pro. The latest generation of DJI’s popular Osmo action camera series delivers several industry-first features rivaling professional cameras. From the 13.5-stop dynamic range and 4-hour battery life to the built-in subject centering and tracking, the Osmo Action 5 Pro sets a new quality standard for action photography, capturing every adventure from the sea to the mountains, whether in the sun or the snow.

"By combining the image quality of a professional camera with the rugged durability of an action camera, we continue to innovate and set new standards for the industry, ” said Paul Pan, Senior Product Line Manager at DJI. “Creators have evolved, becoming more sophisticated in the stories they tell and the moments that they capture. Instead of making incremental improvements, we strive to push the entire action camera category forward and evolve with these creators.”

13.5-stops of dynamic range deliver groundbreaking image quality

Osmo Action 5 Pro features a next-gen 1/1.3” sensor with a 2.4 μm pixel size and a high dynamic range of up to 13.5 stops, making it the first action camera with specs that rival professional cameras. Images can be captured in 10-bit D-Log M and support hybrid log-gamma (HLG) high-brightness displays. It can also shoot high-dynamic, low-light video at 4K/60fps, capturing intricate shadow details without overexposing highlights, thereby enhancing overall image quality. Additionally, SuperNight mode with AI noise reduction algorithms can overcome the darkness in extremely low-light environments to yield cleaner and clearer footage.

Extended 4-hour battery life for longer shoots

Osmo Action 5 Pro delivers up to 4 hours of continuous use with a single battery – a 50 percent improvement from its predecessor. This new innovation is made possible with a lower power consumption 4nm chip, a larger 1950mAh battery, and a proprietary DJI algorithm that optimizes for energy savings. Even in temperatures as low as -20° C (-4°F), the camera can reliably record video for up to 3.6 hours. The industry average for action camera battery life is approximately 2 hours. Moreover, the battery can deliver 2 hours of shooting from a 15-minute charge using the fast-charging DJI 30W USB-C Charger.

Industry’s first built-in subject centering and tracking

Osmo Action 5 Pro is the first action camera to offer built-in subject centering and tracking, allowing creators to shoot without a gimbal. Powered with a high-performance 4nm chip and machine learning algorithms, the camera can intelligently detect a subject's position and dynamically adjust the composition to keep the subject centered in every frame.

Optimized for underwater photography

Osmo Action 5 Pro offers the industry’s deepest waterproofing depth at 20m without a case. The built-in color temperature sensor captures true-to-life colors under the sea. The camera can also be set to start recording automatically while submerged and to stop after surfacing. It also has a built-in pressure gauge to record underwater depth, duration, and altitude data to ensure the user’s safety. Certified with EN13319, it meets globally recognized standards for diving accessories.

Larger dual OLED high-brightness touchscreens

Osmo Action 5 Pro features larger front and rear tempered glass touchscreens upgraded with OLED high-brightness displays. With an impressive peak brightness of 1000 cd/㎡, daytime shooting becomes easier. In increasing the screen size and narrowing the bezels while retaining the camera body’s size, the screen-to-body ratio increased by 16% from its predecessor.

Compatible with DJI OsmoAudio™ connectivity ecosystem

Osmo Action 5 Pro can connect directly to the DJI Mic 2 Transmitter via Bluetooth, enabling ultra-high-sampling-rate audio recording. This setup provides studio-quality sound while eliminating the need for a receiver. When Built-in Mic Audio Backup is enabled, ambient sounds can be recorded to add a richer layer of authenticity.

Other practical features for enhanced performance

  • 47GB Built-in Storage with a further optimized bitrate for smaller file sizes
  • High-Speed Transfer up to 80MB/s via Wi-Fi 6.0 or USB 3.0
  • Wi-Fi Livestreaming supported for various resolutions
  • Timecode allows footage to be quickly synchronized from multiple cameras
  • Live photos enable 3-second videos converted into dynamic photos
  • Pre-Rec starts recording moments before the official recording starts
  • Highlight to quick mark key moments to speed up the editing process

Intelligent shooting and editing with Mimo app

Creators can quickly preview the camera view, adjust settings, and edit their footage by connecting the Osmo Action 5 Pro with the DJI Mimo app via Wi-Fi and Bluetooth. Some new Mimo features include taking live photos and capturing 4K high-resolution frame captures, reproducing D-Log M flat color profiles for more stylized adjustments, and exporting videos in 4K/120fps, 4:3 aspect ratio. Creators can also download photos and videos from their DJI camera in the background, allowing them to continue using their smartphones for other tasks.

Powerful accessories, reliable assistance

A range of dedicated accessories for every adventure can enhance the Osmo Action 5 Pro filming experience. Each is sold separately.

  • Osmo Action Multifunctional Charging Handle
  • Osmo Action Cold Shoe Expansion Kit
  • Osmo Action Helmet Chin Mount
  • Osmo Flexible Mount
  • Osmo Action GPS Bluetooth Remote Controller
  • DJI Mic 2
  • Osmo Action Mini Extension Rod
  • Osmo Backpack Strap Mount
  • Osmo Action Hanging Neck Mount
  • Osmo Action Mini Handlebar Mount
  • Osmo Action Chest Strap Mount
  • Osmo Action 360° Wrist Strap

DJI Care Refresh

DJI Care Refresh, the comprehensive protection plan for DJI products, is now available for Osmo Action 5 Pro. Accidental damage is covered by the replacement service, including natural wear, collisions, and water damage. For a small additional charge, you can have your damaged product replaced if an accident occurs.

DJI Care Refresh (1-Year Plan) includes up to 2 replacements in 1 year. DJI Care Refresh (2 Year Plan) includes up to 4 replacements in 2 years. Other services of DJI Care Refresh include official warranty, international warranty service and free shipping. For a full list of details, please visit: www.dji.com/support/service/djicare-refresh

Price and Availability

Osmo Action 5 Pro is available today from store.dji.com and most authorized retail partners in several configurations.

Osmo Action 5 Pro Standard Combo ($349) includes the Osmo Action 5 Pro, Osmo Action Extreme Battery Plus (1950 mAh), Osmo Action Horizontal-Vertical Protective Frame, Osmo Action Quick-Release Adapter Mount, Osmo Action Curved Adhesive Base, Osmo Locking Screw, Type-C to Type-C PD Cable, Osmo Action 5 Pro Rubber Lens Protector, Osmo Action 5 Pro Glass Lens Cover, and Osmo Action Anti-Slip Pad.

Osmo Action 5 Pro Adventure Combo ($449) includes everything in the Standard Combo, plus the Osmo Action Quick-Release Adapter Mount (mini), Osmo Action Multifunctional Battery Case, and Osmo 1.5m Extension Rod.

For more information: www.dji.com/osmo-action-5-pro

Hasselblad's limited edition X2D 100C is for 'Adventurous Photographers'

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When you use DPReview links to buy products, the site may earn a commission. Image: Hasselblad

Hasselblad has announced a limited edition of the X2D 100C called the Earth Explorer. It comes as a kit that includes a 'Tundra Brown' version of the medium format camera, a 55m F2.5 lens, limited-edition camera strap, UV filter, two batteries, and a charging dock.

The company says the camera's color was inspired by "the resilient ecosystem of the Nordic tundra," but it's not the only thing that'll differentiate the limited edition version from the regular X2D. The camera will also have a different startup screen that displays an icon of mountains, and the four-digit serial number will be engraved on the side of the body. Hasselblad says it'll only be selling 1,000 units worldwide.

Both the camera and the strap are laser-engraved.

Image: Hasselblad

The strap is also limited edition and is made from 'eco-friendly recycled plastics' and 'high-tech, soft, skin-friendly fabric.' Like the camera, it will have the 'Earth Explorer' branding engraved on the inside of the strap.

The Earth Explorer logo on the box will also display when you boot up the camera.

Image: Hasselblad

Getting the limited edition won't come cheap. If you were to assemble a similar kit with the regular versions of Hasselblad's products, it'd cost a touch over $12,000 US. The Earth Explorer kit, meanwhile, comes in at $13,999 or €14,999 in Europe. The company says it's available 'online and at selected retail stores worldwide.'

Press Release:

Hasselblad Unveils the X2D 100C Earth Explorer Limited Edition, An Exclusive Kit for Adventurous Photographers

The Limited Edition Includes a Hasselblad X2D 100C Camera Body, XCD 55V Lens and Accessories

The Hasselblad X2D 100C Earth Explorer Limited Edition is a unique kit designed for photographers who explore and capture the beauty of Earth's natural landscapes. Limited to 1,000 units worldwide, this exclusive edition combines the exceptional features of the Hasselblad X2D 100C with a Tundra Brown exterior, a color inspired by the Nordic landscapes.

Tundra Brown, a hue native to Hasselblad's homeland, stands out among the captivating spectrum of colours found in the natural world. Daring adventurers search out unique colours like this, venturing into extreme environments with courage and determination, capturing the extraordinary with unwavering dedication. Utilizing the Hasselblad Natural Colour Solution (HNCS), they accurately depict the shades of the Nordic tundra and other landscapes, inviting a broader audience to admire nature’s allure and distinct hues.

Embark and Discover with the Explorer Kit

Designed to honour the spirit of exploration and inspire the creative journey, the kit includes the Hasselblad X2D 100C Earth Explorer Limited Edition camera body, an XCD 2,5/55V lens, a limited-edition camera strap, UV filter, X System battery charging hub, and two X System batteries. These accessories provide users everything they need to embark on their next great adventure right away.

Nature's Palette – Tundra Brown

Inspired by the resilient ecosystem of the Nordic tundra, where life thrives in harsh conditions, the Tundra Brown colour embodies the spirit of perseverance that Hasselblad aims to convey with the Earth Explorer Limited Edition. The colour melds the grey-green of the arctic vegetation with the deep brown of the soil, reinforcing the minimalist elegance of the camera's metal body.

Exclusive Features and Design

Each kit features a laser-engraved "Earth Explorer" and a unique serial number from 0001 to 1000 on the side of the camera body, ensuring a one-of-a-kind identity. The unique "Earth Explorer" start-up screen heralds the start of an extraordinary creative journey whenever the camera is turned on.

The exterior of the kit's limited-edition strap is made from eco-friendly recycled plastics interlaced with traditional weaving techniques. The interior uses high-tech, soft, skin-friendly fabric for outstanding performance, lightweight comfort, and easy maintenance. It features hand-embroidered "Hasselblad" text on its exterior and a precision laser-engraved "Earth Explorer" on the interior.

The Hasselblad X2D 100C Earth Explorer Limited Edition is priced at USD $13,999 / EUR €14,999 and is available to purchase online and at selected retail stores worldwide. For more information, visit www.hasselblad.com.

Red wine, berries, dark chocolate and tea: A recipe to reduce dementia risk

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Consuming foods and drinks particularly high in flavonoids – such as berries, tea, dark chocolate and, yes, red wine – could potentially safeguard your brain in older age, with researchers linking these plant-based antioxidants with lowering the risk of developing dementia.

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New Volkswagen plug-in mini-camper reigns supreme over VW California

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Reimo's Volkswagen Caddy Maxi Camp is often among the top highlights of the tiny camper van segment at the annual Düsseldorf Caravan Salon, but this year's variant was doubly so. Not only does Reimo's mini-camper handily surpass Volkswagen's own Caddy California in terms of overall van life accommodations, it's also the first Caddy camper conversion with available plug-in hybrid power. Volkswagen's new second-generation plug-in eHybrid system offers an impressive combination of electric and petrol driving for a truly capable camping vehicle that shows the cleanest, quietest respect for its campground neighbors.

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Dramatic vaulted roof expands the horizons of a small hillside escape

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Located at the top of a steep hill in Muskoka, Ontario, Bunkie on the Hill is a contemporary interpretation of the classic forest cabin. Designed by Toronto-based Dubbeldam Architecture + Design, the striking cabin is the smallest in a collection of structures spread across four family properties. Despite its modest size, the dwelling exemplifies how design can be both functional and reflective of its surroundings.

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Tamron's lens firmware update promises 'significantly' better AF tracking

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When you use DPReview links to buy products, the site may earn a commission. Images: Tamron

Tamron has announced a firmware update that it says will 'significantly' improve the autofocus tracking performance on the Sony E-Mount versions of its 70-300mm F4.5-6.3 Di III RXD and 18-300mm F3.5-6.3 Di III-A VC VXD lenses. The company's press release says the lenses should now 'keep excellent track of moving subjects.'

The updates also add support for Sony's AF Assist function, which lets you manually focus even when autofocus is enabled. That should be handy for videographers who want to use autofocus to initially grab focus but then rack focus to something else in the frame, provided they have a Sony body that supports the feature.

The firmware is now available to download from Tamron's site.

World's tallest residential skyscraper races with Ayrton Senna theme

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Plans have been revealed for an eye-catching building that will become the new world's tallest residential skyscraper. Named Senna Tower, it will be located in Santa Catarina, Brazil, and is designed to pay homage to the legendary racing driver Ayrton Senna.

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Is it worth upgrading to the iPhone 16 Pro from a 13, 14, or 15 Pro?

Digital Photography Review news -

Image: Apple

It's that time of year: Apple has announced its new suite of iPhones, raising the question of whether current owners should upgrade or stick with their older model.

There are many factors to consider – those still using the Lightning port could potentially justify an upgrade for USB-C alone– but we'll mainly focus on the cameras for this article. This year, more than ever, the price premium on the Pro phones doesn't make much sense if you're not using them for photography and videography, so we'll be trying to answer a straightforward question: will upgrading let you take better pictures?

Note: unlike last year's models, the iPhone 16 Pro and Pro Max appear to have identical camera setups. We'll talk a lot about the 'iPhone 16 Pro's' cameras in this article, but anything we say will apply to both size options.

Scenario 1: You have an iPhone 15 Pro

We'll start by comparing the 16 Pro to the last-generation 15 Pro since it lets us talk about the brand new features that will be an upgrade over the 14 Pro and 13 Pro too. However, we'll start by saying it's hard to recommend the year-over-year upgrade unless you have a specific use case that requires the new features.

Even Apple quietly admits this; during the announcement, whenever it compared the iPhone 16 Pro to previous models, it was usually put up against the iPhone 14 Pro instead of its direct predecessor. The iPhone 15 Pro is also the only other phone in Apple's lineup capable of running all the Apple Intelligence features, which are the main selling point of the iPhone 16 line.

Image: Apple

However, there are still some improvements to be found in the iPhone 16 Pro's camera system. Apple says that the 16 Pro uses a 'second-generation' sensor for its main camera, which can read out data two times faster, 'enabling zero shutter lag' even when taking Raw photos.

The 5x, 120mm equiv. camera from the 15 Pro Max is also now available on the regular-sized iPhone 16 Pro, replacing the 3x, 77mm equiv. camera from the 15 Pro. That's not necessarily a clear win, though. The extra reach may be useful if you often shoot far-away subjects, but it makes it a little bit harder to take portraits; you'll have to stand further away from your subject if you want to get the classic 80mm portrait framing, which will also compress the foreground and background more. However, if you want a 5x camera in a smaller phone, the 16 Pro is Apple's first model to offer it.

iPhone 16 Pro cameras vs iPhone 15 Pro cameras iPhone 16 Pro / Pro Max Focal length Pixel count Sensor size f/number Crop factor 24mm equiv. 48MP / 24 / 12MP Type 1/1.28 (9.8x7.3mm) F1.78 ~3.5x 13mm equiv 48MP Type 1/2.55 (5.6x4.2mm) F2.2 ~6.2x 120mm equiv 12MP Type 1/4 (4.5x3.4mm) F2.8 ~10.8x iPhone 15 Pro / Pro Max Focal length Pixel count Sensor size f/number Crop factor 24mm equiv. 48MP / 24 / 12MP Type 1/1.28 (9.8x7.3mm) F1.78 ~3.5x 13mm equiv 12MP Type 1/2.55 (5.6x4.2mm) F2.2 ~6.2x 77mm equiv / 120mm equiv. (Max) 12MP Type 1/3.5 (4x3mm) / Type 1/4 (4.5x3.4mm) F2.8 ~8.7x / ~10.8x

There are a few other minor improvements to the 16 Pro's camera system compared to the 15 Pro's. It can now shoot 3D-esque Spatial Photos, and Apple has upgraded the Photographic Styles system, which lets you apply different looks to your photos straight out of camera. Previously, they were baked-in, meaning you couldn't shoot a picture with the 'Warm' Photo Style and then change it to the 'Cool' or 'Rich Contrast' one - now you can.

The 16 and 16 Pro also have slightly larger screens than their predecessors, which makes taking and viewing photos nicer, and the QuickTake video that you can access from the photo mode is now 4K60p instead of 1080p30p.

The most significant changes relate to the iPhone 16's ultrawide camera and video modes. That brings us to a few reasons you might be able to justify an upgrade.

Scenario 1a: You're a macro/wide-angle photography enthusiast

The ultrawide camera used for macro shots now has a much higher-resolution sensor.

Image: Apple

The iPhone 15 Pro's 0.5x, 13mm equiv. F2.2 ultrawide camera uses a 12MP, 5.6x4.2mm sensor and produces broadly disappointing photos. While the ultrawide camera on the iPhone 16 Pro appears to be using the same size sensor, it's now using 48MP quad-Bayer technology.

This will allow for pixel binning, though the real-world effect remains to be seen. Given that the sensor is the same size and will likely bin down to the same resolution, it's hard to imagine there being much of an improvement in low-light performance, which is where the previous iteration of the camera struggled.

If the 0.5x camera is your favorite, it's probably worth waiting for the reviews to see how much of a difference the resolution bump makes. We'll be sure to update this article as soon as we can with some wide-angle comparison shots.

Scenario 1b: You are going to shoot The Weeknd's next music video with your iPhone

The Weeknd's new music video is the latest addition to the Shot On iPhone gallery.

Image: Apple

The next-generation sensor in the iPhone 16 Pro's main camera enables a big jump in video performance: it can now shoot 4K footage at 120fps, double the speed of the previous Pro. You can even shoot at 120fps in Apple's ProRes codec, provided you're recording to external storage via USB-C.

Apple also claims the 16 Pro has much-improved audio with the addition of a 'studio-quality' four-microphone array. The microphones allow for wind noise reduction and some fancy software tricks called 'Audio Mix' that enable you to fine-tune how a video's subjects sound.

As with the iPhone 15 Pro, Apple showed off the 16 Pro's video prowess by having a famous artist shoot a music video with it. This year, it was The Weeknd, whose video for 'Dancing in the Flames' (seen above) was shot with the iPhone 16 Pro, making heavy use of the new slow-motion features. Feel free to judge how the footage fares, though do keep in mind that the video was shot by top-tier professionals using thousands of dollars of lighting and grip equipment.

Scenario 1c: You can't live without the Camera Control

Image: Apple

We get it: new buttons are exciting, especially when they're providing a new function. Apple's new Camera Control button promises to let you launch the camera from anywhere, will act as a shutter button once you've opened the app, and you can slide your finger across it to adjust parameters like the focal length or aperture.

Apple also promised to improve the button via a software update that will make it act like a traditional shutter button that locks focus and exposure with a half press, and takes a picture with a full press. The Camera Control will also be available for third-party developers, so you may get some milage out of it even if the default iOS camera app isn't your go-to.

There will be some people who call the Camera Control a gimmick, and who say that there's no way it'd be worth upgrading from a perfectly good phone that's only year old for it. And sure, it's possible it won't end up being very useful because of its placement, or its relatively complicated control scheme, which mixes gentle taps and press with swipes.

But if it actually improves the ergonomic experience of taking pictures with an iPhone, it could a real nice-to-have - though it's up to you whether it's 'immediately upgrade' compelling, or 'look forward to it the next time you get a new phone' compelling.

Scenario 2: You have an iPhone 14 Pro

The iPhone 14 Pro introduced the 48MP, 9.8x7.3mm quad-bayer sensor that Apple has iterated on for the iPhone 16 Pro, but that doesn't mean that there haven't been improvements in the past two years. The 16 Pro's faster readout speeds should provide the same speed boost compared to the 14 Pro as they did to the 15 Pro.

The lenses on the 16 Pro's cameras also have a variety of coatings not found on the 14 Pro, and, similar to the 13 Pro, the 14 Pro is stuck with the slower Lightning port instead of the near-universal USB-C one found on the 16 Pro.

The 16 Pro can shoot slow-mo ProRes 4K. The 14 Pro can't. (The 128GB 14 Pro can't shoot ProRes 4K at all; it's limited to 1080p.)

Image: Apple

For the main camera, many of the iPhone 16 Pro's upgrades lie in software, not hardware. The 14 Pro can only shoot 4K ProRes at 30fps, which rules out the possibility of using it for slow motion like you can with the iPhone 16 Pro's 120fps 4K mode. The 16 Pro also has a 'next-generation' portrait mode, which Apple says offers '2x better low-light performance.' Given that the iPhone 16 Pro's camera hardware isn't taking in any more light, that's almost certainly down to changes in how it handles multi-shot photography.

By default, the 16 Pro will also bin images to 24MP, versus the 12MP that's the only option for the 14 Pro. You also no longer have to shoot in ProRaw to capture a 48MP image, as the 16 Pro has a 'HEIF Max' mode that offers compressed images with higher resolution. (Do note that it's not available in all modes, though; night mode and flash photos are still binned to 12MP.)

The ultrawide camera is one of the iPhone 16 Pro's most notable upgrades.

Image: Apple

The iPhone 16 Pro's other lenses have more notable improvements. The iPhone 14 Pro's ultrawide camera is the same as the one found on the iPhone 15 Pro, so any jump in quality provided by the 48MP sensor will apply here as well.

The 16 Pro's telephoto lens also has a larger sensor, and tighter focal length; the 14 Pro's 3x (77mm equiv.) camera has a 4x3mm sensor, where the 16 Pro's 5x (120mm equiv.) camera bumps that up to 4.5x3.4mm - a 27.5% increase. Both cameras produce 12MP images, and have F2.8 lenses.

iPhone 16 Pro cameras vs iPhone 14 Pro cameras iPhone 16 Pro / Pro Max Focal length Pixel count Sensor size f/number Crop factor 24mm equiv. 48MP / 24 / 12MP Type 1/1.28 (9.8x7.3mm) F1.78 ~3.5x 13mm equiv 48MP Type 1/2.55 (5.6x4.2mm) F2.2 ~6.2x 120mm equiv 12MP Type 1/4 (4.5x3.4mm) F2.8 ~10.8x iPhone 14 Pro / Pro Max Focal length Pixel count Sensor size f/number Crop factor 24mm equiv. 48MP / 12MP Type 1/1.28 (9.8x7.3mm) F1.78 ~3.5x 13mm equiv 12MP Type 1/2.55 (5.6x4.2mm) F2.2 ~6.2x 77mm equiv 12MP Type 1/3.5 (4x3mm) F2.8 ~8.7x

Overall, the 16 Pro's cameras are iterative improvements over the 14 Pros. However, if you take tons of images on your phone or are serious about video, there's probably enough there for you to notice a difference. If you're more of an occasional shooter, though, it may be worth sitting this one out.

Scenario 3: You have an iPhone 13 Pro

If you have an iPhone 13 Pro or one of its predecessors, the 16 Pro's cameras should be an upgrade in pretty much every way. The 13 Pro has a 12MP F1.5 main camera, while the 16 Pro bumps the resolution up to 48MP. While its F1.78 lens is slower, its 9.8x7.3mm sensor also has 65% more area versus the 13 Pro's 7.6x5.7mm sensor – that equates to around 0.3EV more light gathering ability, even with the brighter aperture.

That extra resolution enables a lot of camera features on the 16 Pro that the 13 Pro doesn't have. The most obvious is the pixel-binned 12MP or 24MP shots, as well as the 48MP ProRaw mode. It also allows for the 24mm, 28mm, and 35mm 'faux-cal' lengths for the main camera, which work by taking different crops off the sensor. The iPhone 13 Pro also lacks the '2x' option, which crops in to the 12MP middle section of the sensor.

The 16 Pro's main camera is a notable improvement from the 13 Pro's.

Image: Apple

The ultrawide and telephoto cameras also use larger sensors, and the 16 Pro's 5x camera offers a 120mm equiv. focal length compared to the 13 Pro's 3x 77mm equiv.

The iPhone 16 Pro also includes the latest iterations of Apple's image stabilization and HDR systems, though the company hasn't said much about what benefits they offer over the predecessors found on the iPhone 13 Pro.

iPhone 16 Pro cameras vs iPhone 13 Pro cameras iPhone 16 Pro / Pro Max Focal length Pixel count Sensor size f/number Crop factor 24mm equiv. 48MP / 24 / 12MP Type 1/1.28 (9.8x7.3mm) F1.78 ~3.5x 13mm equiv 48MP Type 1/2.55 (5.6x4.2mm) F2.2 ~6.2x 120mm equiv 12MP Type 1/4 (4.5x3.4mm) F2.8 ~10.8x iPhone 13 Pro / Pro Max Focal length Pixel count Sensor size f/number Crop factor 26mm equiv. 12MP Type 1/1.7 (7.6x5.7mm) F1.5 ~4.6x 13mm equiv 12MP Type 1/3.5 (4x3mm) F1.8 ~8.7x 77mm equiv 12MP Type 1/3.5 (4x3mm) F2.8 ~8.7x

The 16 Pro has several video features not found on the 2021 model, such as Apple Log, Spatial Video, the super-stabilized 'Action Mode,' and access to 60 and 120fps frame rates when shooting 4K. And if you're shooting a lot of video and want to offload it to a computer, the iPhone 16 Pro will offer a much better experience; its USB-C port can transfer files at 10Gbit per second. That's 20 times faster than the USB 2.0 speeds that the 13 Pro's Lightning port provides.

Outside of the camera, the 16 Pro has a lot of quality-of-life improvements. To name a few, there's satellite SOS, tougher front glass, faster charging, an always-on-display and both the Action button and the new Camera Control button. It's also 5g lighter despite being physically larger because its frame is made of aluminium and titanium instead of stainless steel.

None of this is to say that you must upgrade your iPhone 13 Pro. In fact, two of the winning photos from this year's iPhone Photography Awards were shot with an iPhone 13 or 13 Pro. If you're happy with your phone, by all means keep using it. However, if you do feel ready for an upgrade the iPhone 16 Pro should offer enough features and camera improvements to make it well worth it.

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