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6 Best high-end cameras for 2025

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Updated May 1, 2025

By the time you're spending over $2,500, you're looking at getting one of the best cameras around. You should expect it to deliver exceedingly detailed images and capture high-end video, all without having to compromise much on speed for when the action picks up.

For most applications, a camera around $2000 will be more than enough, but if you and your photography need the very highest image quality or some specialist capability, the cameras in this guide are among the best we've yet seen. There are a handful of dedicated sports/photojournalism cameras or luxury models above the $4000 upper limit we've set ourselves, but these are usually such singular offerings that we're assuming you don't need our help in choosing if you're seriously considering them.

At this level, there aren't really any bad picks, so if you have any investment at all in the lens system of one company, this should probably be the deciding factor for you. But we'll highlight the particular strengths we found in each camera, just in case you are planning to switch systems.

Our recommendations: Best high-end camera: Canon EOS R5 II

45MP Stacked CMOS sensor | Eye-controlled AF subject selection | Up to 30fps continuous shooting

The EOS R5 II is one of the most all-around capable cameras we've tested.

Photo: Richard Butler

Buy now:

$3999 at Amazon.comBuy at AdoramaBuy at B&H Photo What we like:
  • Excellent image quality
  • Fast, dependable autofocus
  • Good video support tools
What we don't:
  • Slight reduction in dynamic range in extreme scenarios
  • Tempermental eye control
  • Temperature limits in heaviest video modes
Canon's EOS R5 II is the company's latest high-end, full-frame mirrorless camera, built around a 45MP Stacked CMOS sensor. The grip is very well-shaped and proportioned, and the controls are all well-placed and comfortable to use for extended periods. Eye Control for autofocus is excellent when it works, which isn't always The EOS R5 II does a vast range of things, most of them extremely well: it's impressive for action, landscapes, video, you name it. The EOS R5 II has excellent tracking and subject-tracking autofocus performance. The subject detection is effective without getting in your way. It can shoot Raws at up to an extremely rapid 30fps. The 45MP Raws are highly detailed, and the JPEG sharpening and noise reduction are sensible. It can't quite match higher-resolution cameras like the A7R V, but performs well in its own right. It has plenty of video options up to Raw 8K/60p, offering high levels of detail, though it can overheat when shooting in its most impressive modes. Its rolling shutter rates are generally quite good. The EOS R5 II excels at almost everything it tries to do, and that's a long list. It's hard to imagine what photo or video need it won't support you in. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Should I still buy the EOS R5?

Short answer: yes. It lacks some of the newer camera's features like eye-controlled subject selection, action priority modes and AI noise reduction, but if those don't matter to you – or aren't worth the $400 MSRP premium of the EOS R5 II – the EOS R5 is still plenty capable in 2024.

Buy now:

Buy w/ 24-105mm f/4 at Amazon.comBuy at AdoramaBuy at B&H Photo Another great option: Nikon Z8

46MP Stacked CMOS sensor | 20fps Raw, 30fps full-size JPEG shooting | 8K/60 and 4K/120 video

The Nikon Z8 delivers just about everything: speed, AF, video and, most importantly of all, image quality.

Photo: Richard Butler

Buy now:

Buy at Amazon.comBuy at AdoramaBuy at B&H Photo What we like:
  • Superb autofocus
  • Fast shooting
  • Excellent video
What we don't:
  • Large, heavy body
  • Relatively low-res (though fast) viewfinder
  • Not all subject detection modes equally good

The Nikon Z8 is a fast-shooting stills and video-capable mirrorless camera with a 46MP Stacked CMOS sensor. It's an extremely strong competitor compared to the EOS R5 II, but Canon's action sports settings and eye control push it over the edge.

If those things don’t matter much to you, you can pretty much base your decision on whether you prefer Nikon or Canon’s lens lineup. They’re broadly similar, and both brands tightly control which options third-party manufacturers can offer.

The Z8 has a large, comfortable grip with well-placed controls. There's a good level of customizable controls and ergonomics that match the pro-focused Z9. The viewfinder resolution is low but the brightness and lack of lag make it one of best-suited to action. Video quality is excellent with a choice of Raw and 10-bit gamma/compressed formats with up to 8K/60 or 4K/60 derived from it. There's also a less-detailed 4K/120p option. Tools such as waveforms and dependable AF make it easy to shoot with. The Nikon Z8 is a hugely capable all-rounder, combining resolution, autofocus performance and video capabilities not seen before at this price. It's not a small or light camera but it makes you feel ready for anything, photographically while you're carrying it. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. A cheaper option?

At $3300, the Panasonic Lumix S1RII retails for substantially less than the Z8 and EOS R5 II while offering similar resolution, speed and video capabilities. But while we found it to be a quite capable camera, its autofocus system's performance and UI are a fair bit behind what Canon and Nikon offer, to the point where we'd recommend paying the extra if you think you'll be frequently shooting moving subjects. If you mostly shoot still subjects and/or videos, though, it may well be worth considering.

Buy now:

Buy at Amazon.comBuy at AdoramaBuy at B&H Photo The compact option: Sony a7CR

61MP BSI CMOS sensor | 4K/60p video with 10-bit color | Dedicated ‘AI’ processor for AF system

You can't do much to shrink the lenses, but the a7CR is both the smallest and least expensive camera here.

Photo: Richard Butler

Buy now:

$2998 at B&H Photo $2998 at Adorama $2998 at Amazon What we like:
  • Big camera features in a small body
  • Outstanding AF performance
  • Auto Framing video mode
What we don't:
  • Small, low-res viewfinder
  • No joystick control
  • No fully mechanical shutter

The Sony a7CR is a compact, full-frame camera with a 61MP BSI CMOS sensor. Despite its small size, it packs in most of the features found in Sony’s larger bodies while still delivering stunning detail, without sacrificing much performance.

The a7CR is impressively small for a full-frame camera. The addition of a front control dial improves handling significantly. Notably, there’s no joystick for positioning the AF point, and the viewfinder is small and very low resolution for a camera costing this much. "If you're looking for maximum resolution in a travel-sized body, the a7RC is tough to beat." The a7CR's 61MP sensor can capture a lot of detail, putting it ahead of most full-frame rivals; though it is a little noisier in low light. JPEG colors are pleasing, and excellent sharpening makes the most out of the 61MP sensor. Raw files provide plenty of latitude to pull up shadows at base ISO. The a7CR delivers impressive results for its size. It essentially provides the same level of image quality, and most of the same features, as Sony's a7R V, but in a smaller package. In exchange for the small size, you make a few compromises, like no AF joystick, but if you're looking for maximum resolution in a travel-sized body, the a7CR is tough to beat. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. High-spec high res: Sony a7R V

61MP BSI CMOS sensor | 8K/30p video | Subject recognition AF

Photo: Richard Butler

Buy now:

$3898 at B&H Photo $3898 at Adorama $3898 at Amazon What we like:
  • Very detailed Raw files with excellent dynamic range
  • Tilt/articulating display suits both photo and video
  • Very reliable autofocus, especially for human subjects
What we don't:
  • Pixel shift high res and focus stacking require desktop s/w
  • Severe rolling shutter for e-shutter and many video modes

The Sony a7R V is the company's fifth-generation high-res full-frame mirrorless camera, built around a stabilized 61MP sensor.

The Sony a7R V is focused more on high resolution than the combination of resolution and speed that the Nikon Z8 and EOS R5 II offer. It can shoot 8K video but only with a major crop and significant rolling shutter.

The a7R V is an excellent tool for capturing high-resolution images. The a7R V is an excellent tool for capturing high-resolution images with a mechanical shutter. The impressive autofocus performance means it is suitable for capturing a wide variety of subjects, including sports and wildlife. However, the sensor's slow readout limits its capabilities if your work requires video capture or the use of a silent electronic shutter.

As a high-resolution studio or landscape camera, the a7R V is very, very good, but the existence of the a7CR, which offers much of the same capability in a smaller, less expensive body, is its biggest threat. It offers a much nicer viewfinder, faster USB connector for tethering, and better Wi-Fi than the a7CR, but except in the case of shooting wide apertures and fast shutter speeds together, there's no difference in image quality.

Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Should I still buy a Sony a7R IV?

The Sony a7R IV offers essentially the same image quality as the newer Mark V, and costs less, so it's still worth taking seriously. It's a less capable video camera, not so much because of the lack of 8K capture – which isn't the Mark V's best feature, by any means - but due to the lack of 10-bit recording, which gives the V's footage more editing flexibility.

For stills shooters, the older camera doesn't have the more sophisticated subject recognition AF of the Mark V, nor options such as focus bracketing, motion correction to make the high-res mode more useful, or the latest 2x2 MIMO Wi-Fi and 10Gbps USB port of the V.

IQ above all else: Fujifilm GFX 50S II

51MP CMOS sensor | In-body stabilization system (up to 6.5EV) | Full HD video at up to 30p

Photo: Richard Butler

Buy now:

$3199 at B&H Photo $3199 at Adorama $3199 at Amazon What we like:
  • The most affordable medium-format ILC yet
  • Photographer-friendly ergonomics, with lots of customization
  • Effective in-body stabilization
What we don't:
  • Contrast-detect AF is slower than its peers
  • Image quality not signficantly better than the best full-frame
  • Eye-detection AF isn't as dependable as rival systems
  • Unimpressive video specifications (HD only)

The Fujifilm GFX 50S II is a (relatively) compact 50MP medium format mirrorless interchangeable lens camera with built-in image stabilization.

Fujifilm's most affordable medium format camera is a highly attractive option for enthusiasts and professionals alike. The 50S II is the least expensive digital medium format camera ever launched. Image stabilization and precise focus extend its usability far beyond the studio. Speed, autofocus and video aren't its greatest strengths, but it should have major appeal for enthusiast photographers wanting some of the best image quality available.

The GFX 50S II is perhaps the most specialized here: it's not especially fast or versatile but in terms of image quality, it has a slight edge over the best of its full-frame rivals (some of which comes from its lenses - the GF primes often being particularly good). The more expensive 100MP versions offer a more significant IQ advantage, but for landscape and studio work, the 50S II is still very good.

Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Best for video: Sony FX3

12MP full-frame BSI CMOS sensor | Full-width 4K/60p, 120p w/ slight crop | 10-bit 4:2:2 capture

Buy now:

$3898 at B&H Photo $3898 at Adorama $3899 at Amazon What we like:
  • Excellent video quality
  • XLR top-handle included
  • Fan for extended recording
What we don't:
  • No DCI video options
  • No viewfinder for stills shooters
  • No shutter angle option

The Sony FX3 is part of Sony's Cinema line of cameras, but we've included it here because it shares so much in common with the a7S III, but is a better choice, we feel.

The Sony FX3 is an image-stabilized, fan-cooled full-frame video camera designed to shoot UHD 4K footage at up to 120p.

It loses out on a viewfinder, compared to the a7S III, but gains dependability and extended recording times thanks to the addition of a cooling fan. It appears to cost a little more on paper but the FX3 comes with a top handle with built-in XLR adapters, which is an expensive add-on to the a7S III. Sony has also added some video-centric features, such as EI exposure to the FX3 that haven't then appeared on its more stills-focused cameras.

You may also consider the EOS R5C, which is essentially a video-focused version of the original EOS R5. Compared to the FX3, it gains a fan but omits an image stabilization mechanism, though we prefer the more compact form-factor of the Sony, anyway, especially if you plan to shoot on a gimbal.

Why you should trust us

This buying guide is based on cameras used and tested by DPReview's editorial team. We don't select a camera until we've used it enough to be confident in recommending it, usually after our extensive review process. The selections are purely a reflection of which cameras we believe to be best: there are no financial incentives for us to select one model or brand over another.

Best cameras for landscape photography in 2025

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When you use DPReview links to buy products, the site may earn a commission.

Updated May 1, 2025

Landscape photography is a demanding medium, requiring cameras with high resolution and dynamic range. When considering what cameras should make it on this list, we look at factors like weather-sealing, battery life and operability on a tripod.

We've selected cameras that are most likely to deliver the best possible image quality if you're going to spend hours hiking to the perfect location and waiting for the perfect light. For some picks, we've also considered the best image quality you can get at a certain size and weight of camera body.

Our picks: Best camera for landscapes: Fujifilm GFX 100S II

102MP BSI medium format sensor | In-body image stabilization | 5.76M dot viewfinder

Photo: Mitchell Clark

Buy now:

$5349 at Amazon.com$4999 at Adorama$4999 at B&H Photo What we like:
  • Excellent detail capture
  • Very high tonal quality
  • Ready-to-go JPEG or malleable Raws
What we don't:
  • Autofocus not especially fast
  • Video prone to rolling shutter

The GFX 100S II uses the same sensor as the GFX 100 II, but puts it in a body with fewer features – though you do still get essentials like a tilting screen and a stabilized sensor. The result is the only camera with anywhere near this resolution that fits within the price limit of our buying guides, though do keep in mind that you'll also have to budget for medium-format lenses too, which don't come cheap.

While the GFX 100S II has improved autofocus and burst rates compared to its predecessor, its main strength will be landscapes or studio work where it won't have to track dynamic subjects. That makes it slightly less versatile than most of its full-frame competitors, but if you're doing purely landscape photography its image quality will be unparalleled unless you're willing to spend many thousands of dollars more.

Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Best camera for landscapes and more: Panasonic S1RII

44MP full-frame BSI sensor | 40fps burst shooting with pre-capture | 8K video up to 30p

The S1RII's articulating and tilting screen makes sure you can see your composition no matter what position you have the camera in.

Photo: Mitchell Clark

Buy now:

Buy at Amazon.comBuy at AdoramaBuy at B&H Photo What we like:
  • Excellent image quality
  • Solid ergonomics
  • Extensive video features, codecs and resolutions
What we don't:
  • Short battery life
  • Autofocus tracking and subject detection lag behind competition
  • Small buffer
The Panasonic S1RII is a high-resolution full-frame hybrid camera with a BSI 44MP BSI sensor.

The S1RII doesn't have the highest-resolution sensor, but for landscapes, it can make up for that with its quite capable 177MP high-resolution multi-shot mode, which can compensate for some movement and is processed in camera. It's also quite capable for everyday photography, with high burst rates and tons of video features, though it doesn't have the greatest autofocus system for routinely shooting motion and action.

Image quality is very good, with attractive out-of-camera JPEGs that can be heavily customized with Panasonic's open LUT system. Unlike other full-frame options, it can process its multi-shot high-res mode in-camera. The S1RII is very capable, but its autofocus performance lags behind competitors for action and wildlife. It has a comfortable grip and highly customizable controls, and the menus are laid out well for the rare occasions you'll need to use them. The S1RII is very capable camera, especially for video, but the autofocus system and performance make a compelling argument to spend the bit more for one of its competitors if your shooting includes action and movement. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Want higher single-shot resolution?

While Panasonic's high-resolution multi-shot mode is arguably the best in the business, it won't give you much benefit if you're trying to shoot subjects or scenes with motion. With its 60MP full-frame sensor, the Sony a7R V can capture more detail in single-shot mode than the S1RII. Its autofocus system is also more reliable for non-landscape uses, but while it can shoot 8K, it doesn't have the rolling shutter performance or extra video tools the Panasonic offers.

Buy now:

Buy at Amazon.comBuy at AdoramaBuy at B&H Photo Best camera that's also good for landscapes: Canon EOS R5 II

45MP Stacked CMOS sensor | Eye-controlled AF subject selection | Up to 30fps continuous shooting

Photo: Richard Butler

Buy now:

$3999 at Amazon.comBuy at AdoramaBuy at B&H Photo What we like:
  • Excellent image quality
  • Fast, dependable autofocus
  • Good video support tools
What we don't:
  • Slight reduction in dynamic range in extreme scenarios
  • Tempermental eye control
  • Temperature limits in heaviest video modes
Canon's EOS R5 II is the company's latest high-end, full-frame mirrorless camera, built around a 45MP Stacked CMOS sensor.

If you need a camera that can handle whatever you throw at it, including the occasional landscape photo, the EOS R5 II is the one. Its sensor isn't the highest resolution, but it makes up for it with speed, letting you shoot up to 30fps. It also has the most capable autofocus system on this list, with its dedicated 'Action Priority' modes made specifically for shooting high-speed sports.

The 45MP Raws are highly detailed, and the JPEG sharpening and noise reduction are sensible. It can't quite match higher-resolution cameras like the A7R V, but performs well in its own right. The EOS R5 II does a vast range of things, most of them extremely well: it's impressive for action, landscapes, video, you name it. The grip is very well-shaped and proportioned, and the controls are all well-placed and comfortable to use for extended periods. Eye Control for autofocus is excellent when it works, which isn't always The EOS R5 II has excellent tracking and subject-tracking autofocus performance. The subject detection is effective without getting in your way. It can shoot Raws at up to an extremely rapid 30fps. The EOS R5 II excels at almost everything it tries to do, and that's a long list. It's hard to imagine what photo or video need it won't support you in. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Also consider: the Nikon Z8

The Nikon Z8 is similalry capable to the EOS R5 II, and its 45.7MP sensor is just as able to take beautiful landscapes, while still handling anything else you throw at it. The two cameras are so evenly matched that the best way to choose between them is by comparing which lenses are available for them, figuring out which system has the ones you want at a price you want to pay, then buying the body to match.

Buy now:

Buy at Amazon.comBuy at AdoramaBuy at B&H Photo The bargain option: Nikon Z7 II

45.7MP full-frame sensor | In-body image stabilization | 4K/60p video

Photo: Dan Bracaglia

Buy now:

Buy at Amazon.comBuy at AdoramaBuy at B&H Photo What we like:
  • Sensor offers some of the best image quality in its class
  • Lovely ergonomics
  • 4K/60p (with a minor crop)
What we don't:
  • Autofocus interface a bit clunky
  • EVF not as high-res as competitors
  • Customization a bit limited
Nikon's Z7 II is a 45.7MP full-frame, image-stabilized mirrorless camera that shoots up to 10 fps bursts, 4K/60p video with a small crop, and offers some of the best ergonomics in the business.

The Z7 II is decidedly last-generation at this point, a fact you'll feel most in its autofocus system. It can still produce crisp images, though, and its age is a benefit when it comes to its price: you can routinely find it for around $2,000, a price bracket that generally contains cameras with half the resolution.

The Z7 II's image quality frequently impresses. It'll match its peers in everything except resolution and, in situations where you can use the greater exposure needed for ISO 64, it has an edge in terms of tonal quality. JPEGs are good but we got the best result from the Raw files. To say the Z7 II is a comfortable camera to hold would be an understatement The Z7 II provides plenty of well-placed controls and a large handgrip, despite its relatively compact body. The additional option to add a battery grip with duplicate controls is valuable. We'd like more control over what can be applied to custom buttons and we miss the AF mode control from the front of Nikon's DSLRs, though.

\The Z7 II is a capable camera that can produce superb image quality. Its autofocus performance and interface aren't quite up there with modern mid-to-high-end cameras, but overall it's a good, capable camera. The improvements over the original version help expand the range of circumstances in which it performs well.

Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. The compact option: Fujifilm X-T5 Photo: Richard Butler

Buy now:

$1699 at Amazon.com What we like:
  • Dedicated dial interface shows your settings
  • Detailed 40MP images
  • Photo-centric design and feature set
What we don't:
  • Autofocus prone to false-positives
  • Significant rolling shutter in e-shutter mode
  • Smaller buffer, lower-spec video than X-H2
The Fujifilm X-T5 is a classically-styled, photo-focused 40MP enthusiast mirrorless camera, based around an image-stabilized BSI sensor.

If the landscapes you're hoping to capture are far off the beaten path, the X-T5 may be worth a look. While it's marginally smaller and lighter than its full-frame and medium-format counterparts, the real weight savings will come from the lenses you can equip it with. Fujifilm's lineup of APS-C lenses is unmatched and can make for a kit light enough that you won't have to reconsider hiking an extra mile or three to get the shot.

The X-T5 produces highly detailed Raw and JPEG files, with the latter benefiting from Fujifilm's array of attractive 'Film Simulation' color modes. A 40MP APS-C sensor means relatively high pixel-level noise but results that are competitive when viewed at a common output size. The X-T5 foregoes some of the X-H2's video features to offer a more photo-centric experience with classic styling The X-T5 features dedicated control dials for ISO, shutter speed and exposure compensation, along with a film-era SLR-style low-profile front grip. Its rear screen tilts up and down but also hinges outward for portrait-orientation shooting. Having the X-H2 and X-H2S available to meet the needs of videographers allows the X-T5 to fulfill photographers' desires for stills-centric handling and features. For photographers who enjoy Fujifilm's traditional dial-based controls, there's no more capable body than the X-T5. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Also consider: the Canon EOS R7

Canon's EOS R7 is a bit heavier than the X-T5, and its APS-C lens selection isn't nearly as robust, but its 32.5MP sensor will be more than capable of capturing detailed landscapes. Its faster burst rates and better autofocus tracking also give the edge over the X-T5 for when you're shooting in the city instead of the wild.

Buy now:

Buy w/ RF-S18-150mm F3.5-6.3 IS STM at Amazon.comBuy at AdoramaBuy at B&H Photo Why should you trust us?

Our Buying Guides are based on extensive use and testing of the cameras included. We only recommend cameras once we know how they compare to their peers in a variety of shooting situations. All selections are made solely by our editorial and video teams and are the models we'd buy or recommend to friends and family. We gain no financial advantage from recommending one camera over another, either as individuals or as a business.

Leica is celebrating its 100th anniversary with limited edition M11 cameras

Digital Photography Review news -

Leica will be releasing limited edition M11 cameras in six cities for its 100th anniversary.

Image: Leica

Leica is no stranger to limited edition cameras. It celebrated 70 years of the M series with a $23,000 platinum-plated kit and has released a black and gold Q2 in collaboration with Daniel Craig and Greg WIlliams, a streetwear-themed version of the D-Lux 7 and a $50,000 gold-plated M10-P, among a long list of others. It should come as no surprise that the company is releasing a special edition for its 100th anniversary, then.

As part of the 100 Years of Leica celebrations happening in a handful of cities worldwide, Leica is releasing limited edition M11 cameras. These special M11s feature engravings on the top plate for each city where events are hosted throughout the year. The cameras feature a "premium glossy black paint finish" and "stylish black cowhide armouring." The buttons and dials on the top of the camera are silver-chromed. Leica is only releasing 100 units per city, and the top of the camera will feature the serial number. Otherwise, it is the exact same as the standard Leica M11.

The limited edition Leica M11s feature an engraving on the top plate reflecting the city where they are sold, and the edition number out of 100.

Image: Leica

Leica kicked off the special edition M11 in Dubai on January 22, followed by Milan, Italy at the beginning of April. New York is the third city in the lineup, launching today, with the "NEW YORK USA" engraving. Each version is sold exclusively in the respective country. If you're itching for the New York edition, be prepared to spend $10,695 – a mere $1500 more than the standard M11.

Press release:

Leica M11 100 Years of Leica “NEW YORK USA”

Leica Honors 100th Anniversary of the Leica I with Exclusive Special Edition Release, Limited to 100 Units

NEW YORK, May 2nd, 2025 – As part of Leica’s centennial celebrations in New York occurring on May 3rd, 2025, one of the standout highlights is the launch of the new Leica M11 100 Years of Leica “NEW YORK USA”. Celebrating the Leica I, the first mass-produced 35mm Leica camera, this innovation revolutionized the world of photography at the Leipzig Spring Fair a century ago, unlocking a world of new possibilities with its compact design and versatility. To honor this standout moment, Leica has released an exclusive Leica M11 100 Years of Leica “New York USA” edition, which will be available on May 3rd 2025 and offered only in the United States. With a limited production run of just 100 units, this special edition is engraved with the city's name, making it a true rarity.

About the Leica M11 100 Years of Leica “NEW YORK USA”

This special edition includes several unique features that make it a true collector’s item. An individual engraving on the top plate spells out “NEW YORK USA” in combination with the traditional “Leica” engraving. This exclusive anniversary edition of the legendary rangefinder camera comes in a premium glossy black paint finish, inspired by the historical M-Cameras, which creates a distinctive patina over time– an unmistakable feature reflecting the individual story of each and every camera. A harmonious look is achieved thanks to the combination of silver-chromed control elements such as the shutter release, the on/off switch, and the ISO and speed dials, which are decorated with elaborate cross knurling.

The stylish black cowhide armouring lends a certain elegance to the camera, and its distinctive texture is a throwback to the legendary vulcanite leathering of earlier models. Details such as the black chrome-plated hot shoe cover with the anniversary logo “100”, a subtle black screw instead of the red logo, the special serial number from 001/100 to 100/100, and a certificate of authenticity emphasize the uniqueness of this special edition.
The Leica M11 100 Years of Leica “NEW YORK USA” model will be sold exclusively in the United States, at select Leica store locations, starting on May 3rd. The price of this model is $10,695.00.

The Leica M11 100 Years of Leica will also be released in five other distinctive country versions—each limited to just 100 units. Every select country edition will feature unique engravings and special serial numbers, making them true collector’s items. The M11 100 Years of Leica will also be launched in “MILAN ITALY”, “DUBAI UAE”, “SHANGHAI CHINA”, “TOKYO JAPAN” and “WETZLAR GERMANY”. Each of these releases will be limited to just 100 units and available exclusively for purchase in their respective countries.

100 years of Leica: Witness to a century

In 2025, Leica Camera AG is celebrating the 100th anniversary of the Leica I, the first 35mm camera to be mass-produced, which was introduced to the public at the Leipzig Spring Fair in 1925. This groundbreaking camera exceeded all expectations with its compact, portable design, unlocking new possibilities in photography. Under the theme 100 Years of Leica: Witness to a Century, Leica Camera AG commemorates this milestone that transformed photography worldwide. Throughout the year, Leica will host international events in major cities including Dubai, Milan, New York, Shanghai, and Tokyo, showcasing cultural projects and exclusive special product editions. The highlight of the celebration will be the anniversary week in June at the company’s headquarters in Wetzlar. Additionally, the global Leica Gallery network will feature high-caliber exhibitions showcasing works by renowned photographers.

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World's first AI meeting recorder that works with wireless earphones

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Supertall Trump Tower will boast world's highest outdoor pool

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Category: Architecture, Lifestyle

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Psilocybin an effective treatment for repeated concussions, study suggests

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Harm caused by repeated concussions, especially in the context of sports, has gained attention in both research and the media. A new study has found that psilocybin, the psychedelic ingredient in magic mushrooms, could be an effective treatment because of its brain-healing properties.

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Category: Brain Health, Body & Mind

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Robots are taking our jobs, leaving us with less hair in our food

Gizmag news -

It's happening: The robots are taking our jobs. No sick days, bathroom breaks, and no more curly hairs in your buns. Just cold, hard efficiency. More specifically, BurgerBot is a new fast-food joint where robots are doing all the work that humans aren't interested in, like burger assembly lines.

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Category: Robotics, Technology

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Ring-bodied, light-powered robot makes its way up tracks like a cable car

Gizmag news -

Cable cars are certainly handy for transporting cargo up steep mountain slopes, but what if you want to do the same sort of thing on a much smaller scale? Well, you could try using a tiny new light-powered robot, which is cable of carrying items up thin mid-air tracks.

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Category: Robotics, Technology

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This is the audience the camera makers are hoping to reach

Digital Photography Review news -

The terms 'content creator' and 'creators' are quite the buzzwords these days. Content creation is so popular that many manufacturers have specifically said they want to appeal to people who claim those titles and are putting out cameras for those users. But you may have wondered who those people are and what camera systems they actually use for their content. A recent video from the Waveform Podcast channel walks through just that, chatting about which cameras they all use for content creation.

The hosts, Marques Brownlee and David Imel, sat down with studio producers Eric Villa and Rich Ho to discuss cameras. They spent time interviewing more than a dozen creators like Casey Neistat, Becca Farsace, Inga Lam, Tyler Stalman, Brittney Janae and more to get insight into what cameras they use and why. They also discussed specific situations in which some cameras may be good or bad and which cameras they don't like at all.

They broke the video down into sections for each major camera brand, touching on Red, Nikon, Blackmagic, Fujifilm, Panasonic, Canon, Sony and even iPhone. While the discussion is centered around cameras from those brands, they also get into topics like camera format, recording format, color science and autofocus. They even touch on which industries tend to use which cameras.

It's a broad discussion that includes a wide range of insights from many different types of content creators. It's a long discussion that shows that the work camera manufacturers have done to court content creators seems to have had at least some payoff.

Bold and vibrant: Winners of the 2025 Color Photography Contest announced

Digital Photography Review news -

2025 Color Photography Contest winners

The 2025 Color Photography Contest winners have been announced, highlighting colorful diversity around the world. The contest, hosted by the 1839 Awards, aims to celebrate images that honor color photography and elevate the art of photography worldwide.

This year's panel consisted of judges from the Whitney Museum of American Art, Phaidon Press, Vanity Fair, Artsy, University of Zurich, Dwell, Christie’s, and more. "Among the works entered into this year’s contest, those images that evoke emotion, challenge perception, and offer windows into entirely new realities rose to the top," the contest organizers explained.

The contest selects three professional and three non-professional overall winners. It also selects winners of 14 different categories, including animals, architecture, conceptual, landscapes, people, photojournalism and more.

Participants could submit a series of two to five images to be judged as a group, or choose to enter individual photographs. You can see the winning series and photographs, as well as more of the category winners, on the 1839 Awards 2025 Color Photography Contest website.

1st Place Professional Overall Winner

Artist: Nicola Fioravanti

IG handle: @hacklabo

Title: Morocco, Sentimental Atlas

Description: This project is a heartfelt tribute to the country I hold dear. In Morocco, colors are not merely seen, but experienced. It is also a deeply personal journey, one that seeks to understand the land where the woman I love was born.

2nd Place Professional Overall Winner

Artist: Jatenipat Ketpradit

IG handle: N/A

Title: TSAM · The Dance of Gods

Description: A sacred Tibetan Buddhist ritual, Tsam embodies the divine battle between
good and evil. Through intricate masks, lavish costumes, and precise choreography, monks
channel wrathful deities to purify and protect. This series unveils the mystique of Mongolia’s rarest masked dance tradition.

3rd Place Professional Overall Winner

Artist: Abdelrahman Alkahlout
IG handle: @abd.pix96
Title: Unbroken Spirit: Worship Amid Destruction
Description: A powerful scene of Palestinian civilians praying on the rubble of a mosque
destroyed by Israeli airstrikes. Under a smoke-filled sky, they continue their worship in a place once a sanctuary of peace, now reduced to ruins—symbolizing resilience amid relentless destruction.

1st Place Non-Professional Overall Winner

Artist: Diana Cheren Nygren

IG handle: @dianacherennygrenphotography

Title: Mother Earth

Description: I have mounted scenes of habitation behind acrylic, set within future
landscapes shaped by climate change. Painted frames allude to Earth's next chapter. Scenes of human habitation set against a future post-human landscape ask whether humanity can adapt to what is in store for the planet.

2nd Place Non-Professional Overall Winner

Artist: Xuejun Long

IG handle: N/A

Title: Journey of Life 20

Description: The photo shows a group of flamingos flying over Lake Magadi in Kenya.
Once a freshwater lake, it has now become a highly concentrated salt pan that is severely
alkaline and toxic to most forms of animal and plant life – except for flamingos, which prefer to forage on the surface.

3rd Place Non-Professional Overall Winner

Artist: Trina O’Hara

IG handle: @trinaoharapainter

Title: Flowers for Caravaggio

Description: For seven years I immersed myself in Caravaggio's world. I copied (in paint)
his entire body of work. I made it my mission to see all of Caravaggio's paintings in the flesh. His vision shaped mine. Now, when sunlight hits a vase of flowers, I don't just see it, I see life through Caravaggio's eyes.

Gold - Architecture, Professional

Artist: Svetlana Fadeeva

IG handle: @fadeevaphotography

Title: Doha

Description: This photo was taken in the morning on the grounds of the Qatar National Museum, designed by French architect Jean Nouvel.

Gold - Film/Analog, Professional

Artist: William Mark Sommer

IG handle: @williammarksommer

Title: Pink Donut

Description: Home can be found in many places from the house you live in to the local
donut shop. I remember as a child being amazed by all the donuts in the case, all the color and sizes, and how my father loved the pink ones. Through this nostalgic memory, I was brought home.

Gold - Nature, Professional

Artist: Carla Rhodes

IG handle: @misscarlarhodes

Title: Dancing In The Moonlight

Description: Gliding like a ghost in the moonlight, a flying squirrel dances across the starry
sky, while the moon casts abstract shadows on my house. After months of late nights and
obsessive observation, I made the image I envisioned—a single frame revealing the hidden
magic just beyond our windows.

Gold - Landscapes, Professional

Artist: Stuart Chape

IG handle: N/A

Title: Glacial blue

Description: This series was photographed from a light aircraft and captures the blue
waters of braided blue glacial rivers flowing into lakes from the high mountains of the
Aoraki/Mount Cook National Park in New Zealand. The blue colouration of the water is due to fine silt particles in the water.

Gold - People, Non-Professional

Artist: Arkadiusz Wójcik

IG handle: @awophotographingtheworld

Title: In the net

Description: In the early morning we planned to shoot in a small fish market. Meanwhile, we met a group of people sewing and repairing fishing nets. They do this once every few months so we were extremely lucky

Gold - Animals, Non-Professional

Artist: David Vaughn

IG handle: @davidvaughnphotos

Title: Family Portrait

Description: Southern India looking for the tiger to photography and this mother and 3 cubs drinking from a small pond and I had to wait until they all looked my way and then it happened.

Gold - Event, Non-Professional

Artist: Dylan Tom

IG handle: @dylantom10

Title: Fire Gods of The Malabar Coast

Description: Theyyam is a Ritual art form practiced in Kerala,India. It enacts the life and legend of local heroes who became martyr for the cause of the people and later revered as
Demigods. Fire is a main protogonist which depicts the life and life after death of the legend. the act takes places deep in the.

Gold - Photojournalism, Non-Professional

Artist: Jeremy Skirrow

IG Handle: @undrgrain

Title: Dust and Despair: A Coastal Cry for Water

Description: In rural Peru, around 40% lack reliable water access. Communities like
Huanchaco rely on costly, unreliable truck deliveries due to poor infrastructure. Despite APEC 2024, rural areas face water and waste challenges, deepening inequality and harming agriculture, businesses, and daily life.

Simple steps to capturing great Northern Lights photos

Digital Photography Review news -

When the right conditions align, you can capture the Aurora in most mid-latitudes.

ISO 2500 | 13.0 sec | F2.5 | 14mm

Photo: Kara Murphy

Witnessing the aurora borealis, or Northern Lights, in person is magical. While it can seem intimidating, capturing it on camera doesn’t have to be complicated. Anyone can photograph this natural phenomenon with the right conditions and a little preparation. You only need a dark, clear sky, strong solar activity and the right gear. Whether you’re using a dedicated camera or smartphone, a few simple steps will help you capture the aurora’s bright, bold colors in all their glory. Let’s dive in.

How to find aurora The Aurorasaurus website makes it easy to see where auroras are forecasted.

First and foremost, you need to know how to find aurora. As the name suggests, Northern Lights are most often visible in northern regions like Alaska or Iceland. It's less common to see them in lower latitudes, such as in the southern US. They are most prevalent from late September to late March, with the best chances occurring during the darkest winter months.

Luckily, there are forecasting tools to help you plan when you should get outside. Apps like Space Weather Live (iPhone; Android) and My Aurora Forecast & Alerts (iPhone; Android) provide up-to-date space weather conditions, helping you track when and where the Northern Lights may make an appearance. Aurorasauras, Aurora Forecast and NOAA are websites that also provide aurora forecasting. Of course, you'll also need clear skies, so be sure to use your favorite weather app to check for cloud cover as well.

Capturing the Northern Lights with your phone

The easiest method for capturing the Northern Lights is with your smartphone. A smartphone can also allow you to see aurora that are too dim for our eyes to catch. It's a valuable tool for simply viewing the phenomena, especially in regions that don't get dramatic displays. That's because your phone automatically combines multiple, longer exposures in real time to capture more light than our eyes can catch.

Photographing the Northern Lights with your phone is as simple as point and shoot. Most phones will automatically switch to a night mode setting, so you don't even need to adjust anything. Just be sure to hold your phone very still or, better yet, prop it on something stable or use a tripod to avoid blurry photos.

Capturing the Northern Lights with a camera

ISO 1250 | 20.0 sec | F1.8 | 20mm

Photo: Kara Murphy

If you want to take things to the next level, any camera with manual settings will give you more control. A wide-angle lens (around 10–14mm) will capture a broad view of the sky and the surrounding landscape. However, if you want to focus on a specific subject, like a lighthouse or bridge, you can use a longer focal length (50mm or 70mm). Ideally, choose a lens with a wide aperture, such as F2.8, as it will let in as much light as possible.

No matter what camera you’re using, a sturdy tripod is essential to prevent blur from camera movement while the shutter is open. A remote shutter release is also helpful to avoid shaking the camera when you start to shoot.

Now it’s time to tinker with your settings. Your exact settings will differ based on your location and the conditions on a given night, so you will need to experiment. No matter what, though, always shoot in Raw format for the best image quality and greater flexibility during editing.

  • Aperture: As wide as possible, ideally F2.8 or wider.
  • Shutter speed: Roughly 5-10 seconds (longer risks averaging the motion out and making the effect less well defined).
  • ISO: Start with 800, though increase to the highest level that produces acceptably clean results on your camera as needed.

Hopefully, this gives you a solid starting point. If you’d like to dive deeper into photographing the aurora, you can check out our more in-depth guide.

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