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World Sports Photography Awards announces its 2025 winners

Digital Photography Review news -

World Sports Photography Awards Winners

The World Sports Photography Awards has announced the winners of its 2025 competition, highlighting showstopping moments across a vast number of sporting events. The contest included work from more than 2,200 professional sports photographers from over 96 countries around the world. In total, more than 13,000 images were submitted this year.

Rising to the top and earning the overall Gold award was Tahiti-based French photographer Jerome Brouillet. His image of Brazilian surfer Gabriel Medin, titled "Golden Moment," was captured on the third day of the 2024 Olympic Games surfing event in Teahupo'o. Petr Slavik earned Silver with "Heaven," while Anton Anestiev earned the Bronze overall award for "Zebra Crossing."

Beyond the three overall winners, the contest awarded separate Gold, Bronze, Silver, and Special Merit awards in 24 sports categories. Those categories include specific sports like Rugby, Tennis, and Formula 1, along with broader groups such as Martial Arts, Athletics, Aquatic, and Winter Sports. It also highlights venues or views from sporting events in a separate category. You can see all of the category winners at the competition's website.

World Sports Photography Awards: Gold

Photographer Jerome Brouillet earned overall Gold for his capture of Brazilian surfer Gabriel Medin after he rode the best wave of the day for a perfect ride during the 2024 Olympic surfing competition in Teahupo'o.

Photographer: Jerome Brouillet

Title: "Golden Moment"

World Sports Photography Awards: Silver

Petr Slavik earned Silver overall with his image of biathlete Deedra Irwin racing in the clouds at the Soldier Hollow Nordic Center in Utah.

Photographer: Petr Slavik

Title: "Heaven"

World Sports Photography Awards: Bronze

Anton Anestiev earned overall Bronze with his image of an epic zebra crossing in from of Ian Duncan's Datsun 280Z during the East Africa Safari Classic.

Photographer: Anton Anestiev

Title: "Zebra Crossing"

World Sports Photography Awards: Basketball Gold

Earning Gold in the Basketball category, Andrew Hancock captured a perfect reflection during NC State's impressive win over Duke during March Madness 2024, earning the team a spot in the Final Four.

Photographer: Andrew Hancock

Title: "Seeing Double"

World Sports Photography Awards: Cycling Gold

Gaetan Flamme's image of Wout van Aert cruising past a butcher shop earned Gold in the Cycling category.

Photographer: Gaetan Flamme

Title: "The Butchers"

World Sports Photography Awards: American Football Gold

Kevin Sabitus earned Gold in the American Football category with his capture of a critical moment in a Greenbay Packers versus Chicago Bears game.

Photographer: Kevin Sabitus

Title: "To the Pylon"

World Sports Photography Awards: Venue & Views Gold

Loic Venance's Gold-winning image in the Venue & Views category showed off the moon rising behind the Olympic rings on the Eiffel Tower in Paris on July 22, 2024, just before the Olympic games began.

Photographer: Loic Venance

Title: "Olympic Moonlight"

World Sports Photography Awards: Urban & Extreme Gold

Marton Monus captured a climber in front of the sun on the second day at the Olympic Qualifier Series in Budapest, earning Gold in the Urban & Extreme category.

Photographer: Marton Monus

Title: "Icarus"

World Sports Photography Awards: Football Gold

Max Krause's perfectly timed shot of a player for the TSG 1899 Hoffenheim earned him Gold in the Football category.

Photographer: Max Krause

Title: "Dove of Peace"

World Sports Photography Awards: Baseball Gold

Mike Carlson captured Wesley Chapel High School’s baseball team winning the regional championship and advancing to the FHSAA Final Four, earning him Gold in the Baseball category.

Photographer: Mike Carlson

Title: "Victory and Defeat"

World Sports Photography Awards: Rugby Gold

Romain Perrocheau earned Gold in the Rugby category with his capture of a player from Monaco's Rugby Sevens team on their way to winning the third round of the Supersevens tournament, held in Pau.

Photographer: Romain Perrocheau

Title: "Untitled"

World Sports Photography Awards: Swimming & Diving Gold

Shinya Tanaka's image from the World Aquatic Championships in Doha on February 9th, 2024 earned Gold in the Swimming & Diving category.

Photographer: Shinya Tanaka

Title: "Diving at the Aspire"

World Sports Photography Awards: Formula 1

Thomas Lam captured Lando Norris racing to victory during the Singapore Grand Prix, earning Gold in the Formula 1 category.

Photographer: Thomas Lam

Title: "Push with Lights"

World Sports Photography Awards: Racquet Sports Gold

Tom Weller captured Timo Boll of Borussia Düsseldorf during the Men´s DTTB Pokal Semifinal at Ratiopharm Arena on January 07 in Ulm, Germany, earning Gold in the Racquet Sports category.

Photographer: Tom Weller

Title: "Forehand"

iPhone charging toaster delivers full battery in 2 seconds flat

Gizmag news -

One of the buzziest products at CES 2025 is far simpler than any massive, crisp-pictured TV or next-gen EV for street and sky. The all-new Swippitt IPS is a fast power-up solution for mobile phones. Forget handcuffing your iPhone to an electrical socket or wireless dock for the next two hours, simply drop it into the toaster-like Swippitt Hub and walk away with a fully charged battery in a matter of seconds.

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Category: Mobile Technology, Consumer Tech, Technology

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One of our favorite upscaling apps is expanding to iPhones

Digital Photography Review news -

Images: Topaz Labs

Topaz Labs, the company behind powerful AI-based photo and video editing tools, has announced that it's moving beyond the desktop for the first time. Its image upscaler and image restoration program, Gigapixel AI, will soon be available on iOS devices. As of January 22, when the app is expected to be fully available, iPhone users will have new opportunities to upscale and potentially save photos.

Gigapixel is predominantly used for upscaling images, allowing you to significantly enlarge images while preserving detail and quality. It does so by using AI, meaning it's inventing detail as needed and not simply preserving existing details. The mobile app will allow for up to 4x upscaling, according to the app listing, while the desktop version goes beyond that, depending on the original file size. Beyond upscaling, though, it can also be useful for increasing sharpness and enhancing details], restoring old photos, and recovering blurry or out-of-focus photos (within reason, of course).

Given the processing power needed for Gigapixel, it makes sense that it has been a desktop-only application thus far. I’ve been the desktop version of Gigapixel AI for my upscaling needs (such as creating the larger version of the logo at the top of this story), and it puts quite the strain on my admittedly geriatric MacBook Pro. The description on the app store page says the app will provide “the same cutting-edge AI technology trusted by professionals on desktop, now in your pocket.” However, the fine print in the emailed announcement mentions “limited capabilities compared to desktop app.”

The desktop version allows you to work locally or via a server, making it possible to process confidential or protected images without worry. While Topaz Labs doesn't specify how the mobile app will work, the Apple data security notes list "User Content (Photos or Videos)" as "data which may be collected" by the app. That leads us to believe that processing will be via the cloud, not locally on your iPhone.

We haven’t been able to test it, since it’s only available for pre-order at the moment. It will certainly be interesting to see what those limited capabilities actually are, and how it performs compared to the desktop version. The app will be free to download from the App Store, though unsurprisingly, in-app purchases will be available. Topaz Labs didn’t provide any additional information on pricing or what those in-app purchases will be, however. You need a $99 license (which includes one year of unlimited upgrades) to use the desktop version. As a result, it’s hard to imagine the mobile app will allow free unlimited use.

Canon RF 24mm F1.4 L VCM sample gallery

Digital Photography Review news -

When you use DPReview links to buy products, the site may earn a commission.Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab.

In October, Canon announced the RF 24mm F1.4 L VCM, a lens intended to appeal to both photo and video shooters. We shot a sample gallery with it to see how it performs in a variety of scenarios.

While shooting, we used the aperture control ring, which was only possible because we shot the gallery with a Canon EOS R5 II. The majority of Canon's RF cameras, such as the original EOS R5, R7, R6 II, and others, will only accept input from the aperture ring when shooting in video mode, not in stills mode. It's also worth noting that the ring is completely clickless, and can't be switched to a clicked mode.

View the sample gallery

Buy now:

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Genetic tweak weaponizes mosquito semen for population control

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Mosquitoes looking to mate in Australia are about to have the worst sex of their lives – thanks to genetic modifications turning their semen toxic. That's part of a new mosquito population control method set to be trialed by Macquarie University researchers looking to curb the spread of diseases carried by these insects. Talk about drastic measures, huh?

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Category: Biology, Science

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Multiverse simulation: Robotic AI is about to accelerate sharply

Gizmag news -

The AI behavior models controlling how robots interact with the physical world haven't been advancing at the crazy pace that GPT-style language models have – but new multiverse 'world simulators' from Nvidia and Google could change that rapidly.

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Category: AI & Humanoids, Technology

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Hollowed-out donut motor promises world-high power & torque density

Gizmag news -

As promised, newly minted electric powertrain startup Donut Lab has premiered its first batch of all-electric motors you can see straight through. The company has descended on the annual CES show with not one or two motors but a family of five, ranging from a tiny drone drive to a high-performance hypercar cornerstone the company crowns the world power and torque density king. Each motor promises to cut mass, boost torque and improve overall performance of the target machine.

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Category: Automotive, Transport

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Getty Images buys rival Shutterstock to create "Premier Visual Content Company"

Digital Photography Review news -

Image: Getty Images, Shutterstock

Getty Images and Shutterstock are to join in what's being presented as a merger of equals. The new company will be called Getty Images Holdings Inc and the deal will see Getty Image's CEO retain his position at head of the new company, while Getty's chair will also chair the new company's board. The board of directors will be made with a seven-to-four Getty-to-Shutterstock ratio.

Shutterstock shareholders receive cash, Getty stock or a combination thereof for their holdings. They will end up owning approximately 45.3% of the new company.

The company's press release primarily focuses on the benefits its scale will bring to its image-buying clients. It also talks about the company's increased size, which puts it in a position to provide "customer‑facing technologies" such as "generative AI." Both Getty and Shutterstock currently offer their own AI image generators and promise that the tools' outputs are safe for commercial use.

"With the rapid rise in demand for compelling visual content across industries, there has never been a better time for our two businesses to come together," said Getty Images CEO Craig Peters. "By combining our complementary strengths, we can better address customer opportunities while delivering exceptional value to our partners, contributors, and stockholders."

Getty says "content creators" will benefit from the larger company's increased ability to reach customers around the world.

The press release announcing the merger contains little information about what contributors selling their work on the platforms can expect in the near future. However, it promises that the move "provides contributors substantially greater opportunities to reach customers around the world." We've reached out to Getty and Shutterstock to see if they have any details to share at this time, and will update the story if we hear back.

The companies have not given a timescale for closing the deal, which will require regulatory approval.

Prior to rumors of the merger beginning to swirl late last week, both companies' stock prices were down substantially year-over-year. At the beginning of 2024, Shutterstock was trading around $49 a share, compared to $29 on January 2nd, 2025. Getty's stock was around $5.34 at the start of 2024, and $2.11 at the start of 2025.

Press Release:

Getty Images and Shutterstock to Merge, Creating a Premier Visual Content Company
  • Merged company will be well‑positioned to meet the evolving needs of creative, media, and advertising industries through combined investment in content creation, event coverage, and product and technology innovation
  • Expected annual cost synergies between $150 million and $200 million by year three
  • Expected to be accretive to earnings and cash flow beginning in year two
  • Companies will hold conference call to discuss the transaction with investment community today at 8.30a.m. EST

NEW YORK, January 7, 2025 – Getty Images Holdings, Inc. (NYSE: GETY) and Shutterstock (NYSE: SSTK) today announced that they entered into a definitive merger agreement to combine in a merger of equals transaction, creating a premier visual content company. The combined company, which would have an enterprise value of approximately $3.7 billion[i], will be named Getty Images Holdings, Inc and will continue to trade on the New York Stock Exchange under the ticker symbol “GETY”.

As a combined company, Getty Images and Shutterstock will offer a content library with greater depth and breadth for the benefit of customers, expanded opportunities for its contributor community and a reinforced commitment to the adoption of inclusive and representative content. Furthermore, the stronger financial profile of the combined company is expected to create increased capacity for product investment and innovation for customers in a fast‑evolving and highly competitive environment.

“Today’s announcement is exciting and transformational for our companies, unlocking multiple opportunities to strengthen our financial foundation and invest in the future—including enhancing our content offerings, expanding event coverage, and delivering new technologies to better serve our customers,” said Craig Peters, CEO, Getty Images. “With the rapid rise in demand for compelling visual content across industries, there has never been a better time for our two businesses to come together. By combining our complementary strengths, we can better address customer opportunities while delivering exceptional value to our partners, contributors, and stockholders.”

“We are excited by the opportunities we see to expand our creative content library and enhance our product offering to meet diverse customer needs,” said Paul Hennessy, CEO, Shutterstock. “We expect the merger to produce value for the customers and stockholders of both companies by capitalizing on attractive growth opportunities to drive combined revenues, accelerating product innovation, realizing significant cost synergies and improving cash flow. We look forward to working closely with the Getty Images management team to complete the transaction and drive the next chapter of growth.”

Strategic and Financial Benefits
  • Cutting‑edge innovation: Facilitates greater investment in innovative content creation, expanded event coverage, and customer‑facing technologies and capabilities such as search, 3D imagery and generative AI.
  • Complementary portfolios: Creates a broader set of visual content products across still imagery, video, music, 3D and other asset types.
  • Expanded opportunities for content creators: Provides contributors substantially greater opportunities to reach customers around the world.
  • Strengthened balance sheet and greater cash flow generation: By deleveraging the combined balance sheet through the transaction and driving more robust cash flow, the combined company will be well positioned to accelerate debt repayment, reduce borrowing costs, and capitalize on new opportunities to create value for customers and stockholders.
  • Significant synergies: Drives expected run rate synergies across SG&A and CAPEX between $150 million and $200 million achieved within the first three years post‑close, with approximately two‑thirds expected to be delivered within the first twelve to twenty‑four months.
  • Compelling Financial Profile:On a pro forma 2024 basis the combined company would have an attractive financial profile:
    • Revenue of between $1,979 million and $1,993 million, including 46% of subscription revenue
    • Pre‑synergy EBITDA of between $569 million and $574 million
    • Pre‑synergy Adjusted EBITDA less capital expenditures of between $461 million and $466 million
    • Pre‑synergy net leverage of 3.0x pro forma 2024 pre‑synergy EBITDA
Leadership and Governance

At close, Getty Images’s CEO, Craig Peters, will serve as CEO of the combined company. The combined company will have an eleven‑member Board of Directors, comprised of Getty Images CEO Craig Peters, six directors designated by Getty Images and four directors designated by Shutterstock, including Paul Hennessy, Shutterstock CEO. The Chairman of the Board of Directors of the combined company will be Mark Getty, currently Chairman of Getty Images.

Transaction Details

Under the terms of the agreement, which was unanimously approved by the Boards of Directors of both companies, Shutterstock stockholders at close can elect to receive one of the following:

  • $28.84870 per share in cash for each share of Shutterstock common stock they own;
  • 13.67237 shares of Getty Images common stock for each share of Shutterstock common stock they own; or
  • a mixed consideration of 9.17 shares of Getty Images common stock plus $9.50 in cash for each share of Shutterstock common stock they own.

Shutterstock shareholder elections at close are subject to proration to ensure that the aggregate consideration payable by Getty Images consist of $9.50 in cash per Shutterstock share as of immediately before close and 9.17 shares of Getty Images stock per Shutterstock share as immediately before close.

Based on the common shares outstanding as of the signing date, the aggregate consideration payable by Getty Images would consist of $331 million in cash and 319.4 million shares of Getty Images stock. These figures do not include the impact of unvested Shutterstock equityholders as of the signing date and do not assume any vesting of currently‑unvested Shutterstock equity holdings between signing and close.

Shutterstock equity holders with unvested RSU and PSU grants at close will only be eligible to receive the mixed consideration noted above upon vesting with respect to such grants. Shutterstock option holders will have their options and strike prices adjusted by a ratio equal to the sum of (i) 9.17 and (ii) $9.50 divided by the 10‑day average closing stock price of Getty Images common stock for the period ending two (2) business days prior to the closing as quoted on NYSE. Equity treatment will take into account any employment contracts in place at the close of the transaction. Aggregate cash and share amounts are estimates and are subject to change between signing and close.

At close, Getty Images stockholders will own approximately 54.7% and Shutterstock stockholders will own approximately 45.3% of the combined company on a fully diluted basis. Shutterstock will, at the discretion of its Board of Directors, continue to declare and pay quarterly cash dividends, in accordance with its dividend policy, pending the close of the transaction.

Timing and Closing

The transaction is subject to the satisfaction of customary closing conditions, including receipt of required regulatory approvals, the approval of Getty Images and Shutterstock stockholders and the extension or refinancing of Getty Images’ existing debt obligations.

NYC is set to get its own personal $3 billion offshore wind farm

Gizmag news -

New York City will soon be getting its own personal offshore wind farm. The Empire Wind 1 project just received a US$3 billion project financing package and is expected to go online in 2027, powering roughly half a million borough residents. But what's the catch?

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Category: Energy, Technology

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Shipping container tiny house has room for people and vehicles too

Gizmag news -

Following its shipping container-based sauna, Backcountry Containers once again showcases the versatility of the metal boxes with its Augustine tiny house. A good fit for rural living or as a hunting lodge, it features a flexible bedroom and garage space that can be used to house people or vehicles.

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Category: Tiny Houses, Lifestyle

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Yashica's new compacts probably aren't the return of great point-and-shoots

Digital Photography Review news -

Image: Yashica, via Digital Camera World

Compact cameras have become increasingly popular with young people, some of whom are tired of the sharp, bordering on the over-processed look of modern smartphone photos. While many are turning to thrift shops and eBay to get cameras with a vintage look, some companies have started putting out new models that aim to re-capture the point-and-shoot experience.

One such company is Yashica, which has announced two new compact cameras, the City 100 and City 200. On the surface, they seem like the type of camera that would go viral on TikTok. However, it's probably worth taking a closer look.

Details on the cameras are sparse

Details on the cameras are sparse – they don't appear to be mentioned on Yashica's website or Instagram page, and we weren't able to find an official press release. The image at the top of this article appears to be the only look at the two models. According to Digital Camera World, which appears to be the original source for the announcement, both the City 100 and 200 will use a 13-megapixel Type 1/3.06 (6.0 x 3.9mm) sensor from Sony.

That's substantially smaller than the traditional compacts from which Yashicas draw their inspiration. In the past, most point-and-shoots used either Type 1/2.3 (6.2 x 4.6mm) or Type 1/1.7 (7.6 x 5.7mm) sensors. While most people buying point-and-shoots aren't terribly concerned about image quality – and if they are, they're worried about it being too good – a sensor that small may struggle to produce intelligible images in anything but excellent light, though both cameras do have a built-in flash.

The sensor in the Yashica cameras would be notably small, even for a smartphone.

As a reference for just how small the sensor in the Yashica cameras is, the main camera on the iPhone 16 uses a Type 1/1.28 (9.8 x 7.3mm) sensor, which is just over twice as large. The main camera on the budget-oriented Google Pixel 8a is also substantially larger at approximately 7.4 x 5.5mm.

Of course, compared to phones, the benefit of compacts is that they can zoom optically instead of digitally – the City 100 reportedly has a "3x" optical zoom, while the 200 sports a "10x" zoom, though unlike the City 100, there's no focal length information printed on its lens in the press images. Still, the City 200 could fare a bit better than most phones at its maximum zoom length; the iPhone 16 Pro's "10x" lens is in front of a 4.5x3.4mm sensor, which is smaller than the one in the Yashica, though it almost certainly benefits from more advanced processing.

The City 100's zoom range appears to be roughly 26-77mm equiv., given the 3.45 - 10.35mm focal range printed on the lens and its sensor's roughly 7.4x crop factor. The lens has an aperture range of F1.6 on the wide end and F2.8 on the long end.

According to Digital Camera World, both cameras will feature subject-detection autofocus and 4K60p video recording and will have a maximum ISO of 3200. The outlet says the City 100 will be coming out in February for £219.99, while the City 200 will cost £259.99 and release in March. The cameras will reportedly also be available in the US and Australia, though Digital Camera World doesn't have official pricing for those markets yet. Those prices are relatively high; for less than half you can find several similar point-and-shoots using tiny sensors and branding of once-respected camera companies.

The City cameras aren't Yashica's first compacts.

Image: Yashica

Many people – us here at DPReview included – have been waiting for a major camera manufacturer to release a compact camera again, either an entry-level model or something truly aimed at enthusiasts. However, if you're considering these cameras, it may be worth waiting for some official reviews or at least user-created sample images. The specs are relatively unimpressive, even compared to many of the vintage point-and-shoots you can pick up on the used market, and while the cameras bear a name that may be familiar to photography enthusiasts, Yashica isn't the same company that made cameras and lenses throughout the 20th century.

The trademark has been passed around in the past few years, but it appears that it's currently managed by the Hong Kong-based 100 Enterprises. The Yashica name has appeared on several products since 2017, including the retro-styled 'digiFilm Y35', night vision goggles, and even a few other low-end compacts that are being marketed towards "Teen Girls and Boys." The brand has also been involved with I'm Back, a company that's been working on digital film cartridges that it says will let you take digital pictures using your existing film camera.

Despite the company telling DPReview that the Yashica x I'm Back Film would be entering retail availably in November, that doesn't appear to have panned out – the company put out a Kickstarter update saying it was starting to ship units to backers in December, though there currently aren't any comments from customers who've actually received theirs. The two brands have also collaborated on a "smart" bike helmet currently being sold through crowdfunding site IndieGoGo, as well as a "micro mirrorless" camera.

It's possible we'll see compacts from more established brands start to come along, as they catch up to the unexpected surge in demand. Panasonic, for instance, just announced the TZ99, a point-and-shoot with a 20MP Type 1/2.3 with a 24-720mm equiv lens. At around $500, it's certainly more expensive than the Yashica models, but we'd expect its larger sensor to produce much more pleasing images.

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