Συλλέκτης ροής

4 things that make Ferrari's F80 hypercar go from 0-60 in 2.15 seconds

Gizmag news -

Ferrari's new F80 hypercar has tongues wagging about the new design language, and whether it'll make for a suitable successor to the 2013 LaFerrari. What's probably more important, though, is that the Maranello-based marque's latest creation can get from 0-62 mph in just 2.15 seconds, and hit a top speed of 217 mph (350 km/h).

Continue Reading

Category: Automotive, Transport

Tags: , ,

New type of plastic biodegrades in the ocean faster than paper

Gizmag news -

Researchers have spent the last few years trying to find which type of plastic biodegrades the fastest in a marine environment as millions of tons of plastics find their way into our oceans every year. It turns out that a common bioplastic we've been using for over 100 years does, and they've learned how to accelerate that process.

Continue Reading

Category: Environment, Science

Tags: , , ,

London's "flawless" new train network wins UK's top architecture prize

Gizmag news -

The Royal Institute of British Architects (RIBA) has named London's Elizabeth Line rail transport network as the winner of the 2024 Stirling Prize, the UK's most prestigious architecture award. The judges lauded its remarkable engineering achievement and passenger-focused design.

Continue Reading

Category: Architecture, Lifestyle

Tags: , , , , , ,

BenQ aims to make movie nights easier for those with open-plan spaces

Gizmag news -

BenQ has launched a new 4K projector that's designed specifically for modern open-plan living spaces. The GP520 is pitched as an all-in-one entertainment hub with smart auto setup technology "for stunning viewing quality, regardless of the wall color, lighting conditions, or room layout."

Continue Reading

Category: Home Entertainment, Consumer Tech, Technology

Tags: , , ,

Adobe Max Roundup: Demoing the latest Lightroom and Photoshop features

Digital Photography Review news -

Photo: Mitchell Clark

This year we attended Adobe Max in person, where we got to demo several of the new features in Photoshop, Lightroom, and Adobe Camera Raw. If you missed the announcement, you can read our coverage of it here, though we'll be covering the hits here.

We documented the demos on our Instagram, but in case you missed it, we're rounding them up here. We were also able to interview some folks at Adobe while at the show, so stay tuned for more on the future of Photoshop, Lightroom, and other Adobe projects like Content Credentials.

Adobe Camera Raw Adaptive profile

Adobe has added a new profile to Adobe Camera Raw, called Adaptive. It uses AI to analyze what's in the scene, and adjust exposure, tones, saturation, and other parameters automatically, potentially giving you a better starting point for your own edits. It's also designed to work with HDR images and produces both HDR and SDR profiles, making it even more useful for those who aren't used to editing for HDR displays yet.

Since it's substantially more opinionated than other profiles like Adobe Color or Adobe Landscape, there's also an amount slider that lets you tone down or turn up the results.

View this post on Instagram

A post shared by Digital Photography Review (@dpreview)

Photoshop automatic distraction removal

Perhaps one of the niftiest features Adobe added to Photoshop is the automatic distraction removal tool. It analyzes your photo for cables, wires, or people that may be in the way of your subject, then automatically fills in the areas they took up.

View this post on Instagram

A post shared by Digital Photography Review (@dpreview)

Lightroom Quick Actions

Lightroom's new Quick Actions, available on Mobile and Web, will automatically mask parts of your image like subjects, backgrounds, and skies, and let you make adjustments to them.

View this post on Instagram

A post shared by Digital Photography Review (@dpreview)

Lightroom Frame.io integration

Frame.io is now built into Lightroom, letting you access images uploaded to the cloud service. Combine that with Frame.io's Camera To Cloud feature, available on some Fujifilm, Panasonic, Nikon, Canon, and Leica cameras, and you can take pictures on your camera then watch them appear wirelessly in Lightroom.

View this post on Instagram

A post shared by Digital Photography Review (@dpreview)

Content Credentials

Adobe's Content Credentials system is part of a larger industry-wide initiative to help prove what content on the web is authentic, and to keep track of what edits have been made to it. While at Max, we got to take a look at the Chrome extension meant to surface the credentials attached to images on social media and other sites, as well as the closed beta site that lets you attach content credentials to your own images, and view what credentials are attached to existing images.

We got to sit down with one of the senior directors of the Content Authenticity Initiative at Adobe while at the conference, so expect a more thorough check-in of the technology to come.

View this post on Instagram

A post shared by Digital Photography Review (@dpreview)

View this post on Instagram

A post shared by Digital Photography Review (@dpreview)

Generative Extend in Premiere Pro

Photoshop has had several generative AI features in beta for a while now, but now Adobe has introduced one for its Premiere video editing software. It lets you extend a clip by up to two seconds, helping you fill in gaps, transitions, or slightly flubbed takes with imagery generated by Adobe's Firefly model.

According to Meagan Keane, Principal Product Marketing Manager for Adobe Pro Video, the idea came from asking customers what some of their biggest editing pain points were. The Pro Video team was then able to take that to the research team, and the result is Generative Extend.

View this post on Instagram

A post shared by Digital Photography Review (@dpreview)

6 Best high-end cameras

Digital Photography Review news -

When you use DPReview links to buy products, the site may earn a commission.

Updated Oct 17, 2024

By the time you're spending over $2,500, you're looking at getting one of the best cameras around. You should expect it to deliver exceedingly detailed images and capture high-end video, all without having to compromise much on speed for when the action picks up.

For most applications, a camera around $2000 will be more than enough, but if you and your photography need the very highest image quality or some specialist capability, the cameras in this guide are among the best we've yet seen. There are a handful of dedicated sports/photojournalism cameras or luxury models above the $4000 upper limit we've set ourselves, but these are usually such singular offerings that we're assuming you don't need our help in choosing if you're seriously considering them.

At this level, there aren't really any bad picks, so if you have any investment at all in the lens system of one company, this should probably be the deciding factor for you. But we'll highlight the particular strengths we found in each camera, just in case you are planning to switch systems.

Our recommendations: Best high-end camera: Canon EOS R5 II

45MP Stacked CMOS sensor | Eye-controlled AF subject selection | Up to 30fps continuous shooting

The EOS R5 II is one of the most all-around capable cameras we've tested.

Photo: Richard Butler

Buy now:

$2769 at Amazon.com What we like:
  • Excellent image quality in a range of circumstances
  • Very fast autofocus with great subject tracking
  • Good video support tools, including waveform display
What we don't:
  • Slight reduction in dynamic range in extreme scenarios
  • Eye control can be tempermental
  • Temperature limits require considered shooting in heaviest video modes
Canon's EOS R5 II is the company's latest high-end, full-frame mirrorless camera, built around a 45MP Stacked CMOS sensor. The grip is very well-shaped and proportioned, and the controls are all well-placed and comfortable to use for extended periods. Eye Control for autofocus is excellent when it works, which isn't always The EOS R5 II does a vast range of things and does most of them extremely well: it's a really impressive all-rounder for action, landscapes, video, you name it. The EOS R5 II has excellent tracking and subject-tracking autofocus performance. The subject detection is effective without getting in your way. It can shoot Raws at up to an extremely rapid 30fps. The 45MP Raws are highly detailed, and the JPEG sharpening and noise reduction are sensible. It can't quite match higher-resolution cameras like the A7R V, but performs well in its own right. It has plenty of video options up to Raw 8K/60p, offering high levels of detail, though it can overheat when shooting in its most impressive modes. Its rolling shutter rates are generally quite good. The EOS R5 II excels at almost everything it tries to do, and that's a long list. It's hard to imagine what photo or video need it won't support you in. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Should I still buy the EOS R5?

Short answer: yes. It lacks some of the newer camera's features like eye-controlled subject selection, action priority modes and AI noise reduction, but if those don't matter to you – or aren't worth the $400 MSRP premium of the EOS R5 II – the EOS R5 is still plenty capable in 2024.

Buy now:

$2559 at Amazon.com Another great option: Nikon Z8

46MP Stacked CMOS sensor | 20fps Raw, 30fps full-size JPEG shooting | 8K/60 and 4K/120 video

The Nikon Z8 delivers just about everything: speed, AF, video and, most importantly of all, image quality.

Photo: Richard Butler

Buy now:

$3116 at Amazon.com What we like:
  • Superb autofocus
  • Fast shooting
  • Excellent video
What we don't:
  • Large, heavy body
  • Relatively low-res (though fast) viewfinder
  • Not all subject detection modes equally good

The Nikon Z8 is a fast-shooting stills and video-capable mirrorless camera with a 46MP Stacked CMOS sensor. It's an extremely strong competitor compared to the EOS R5 II, but Canon's action sports settings and eye control push it over the edge.

If those things don’t matter much to you, you can pretty much base your decision on whether you prefer Nikon or Canon’s lens lineup. They’re broadly similar, and both brands tightly control which options third-party manufacturers can offer. Still, there are some key differences, like how Nikon’s Z mount 70-200mm F2.8 can be used with a teleconverter while Canon's RF-mount version can’t.

The Z8 has a large, comfortable grip with well-placed controls. There's a good level of customizable controls and ergonomics that match the pro-focused Z9. The viewfinder resolution is low but the brightness and lack of lag make it one of best-suited to action. Video quality is excellent with a choice of Raw and 10-bit gamma/compressed formats with up to 8K/60 or 4K/60 derived from it. There's also a less-detailed 4K/120p option. Tools such as waveforms and dependable AF make it easy to shoot with. The Nikon Z8 is a hugely capable all-rounder, combining resolution, autofocus performance and video capabilities not seen before at this price. It's not a small or light camera but it makes you feel ready for anything, photographically while you're carrying it. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. The compact option: Sony a7CR

61MP BSI CMOS sensor | 4K/60p video with 10-bit color | Dedicated ‘AI’ processor for AF system

You can't do much to shrink the lenses, but the a7CR is both the smallest and least expensive camera here.

Photo: Richard Butler

Buy now:

$2998 at B&H Photo $2998 at Adorama $2998 at Amazon What we like:
  • Big camera features in a small body
  • Outstanding AF performance
  • Auto Framing video mode
What we don't:
  • Small, low-res viewfinder
  • No joystick control
  • No fully mechanical shutter

The Sony a7CR is a compact, full-frame camera with a 61MP BSI CMOS sensor. Despite its small size, it packs in most of the features found in Sony’s larger bodies while still delivering stunning detail, without sacrificing much performance.

The a7CR is impressively small for a full-frame camera. The addition of a front control dial improves handling significantly. Notably, there’s no joystick for positioning the AF point, and the viewfinder is small and very low resolution for a camera costing this much. "If you're looking for maximum resolution in a travel-sized body, the a7RC is tough to beat." The a7CR's 61MP sensor can capture a lot of detail, putting it ahead of most full-frame rivals; though it is a little noisier in low light. JPEG colors are pleasing, and excellent sharpening makes the most out of the 61MP sensor. Raw files provide plenty of latitude to pull up shadows at base ISO. The a7CR delivers impressive results for its size. It essentially provides the same level of image quality, and most of the same features, as Sony's a7R V, but in a smaller package. In exchange for the small size, you make a few compromises, like no AF joystick, but if you're looking for maximum resolution in a travel-sized body, the a7CR is tough to beat. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. High-spec high res: Sony a7R V

61MP BSI CMOS sensor | 8K/30p video | Subject recognition AF

Photo: Richard Butler

Buy now:

$3898 at B&H Photo $3898 at Adorama $3898 at Amazon What we like:
  • Very detailed Raw files with excellent dynamic range
  • Tilt/articulating display suits both photo and video
  • Very reliable autofocus, especially for human subjects
What we don't:
  • Pixel shift high res and focus stacking require desktop s/w
  • Severe rolling shutter for e-shutter and many video modes

The Sony a7R V is the company's fifth-generation high-res full-frame mirrorless camera, built around a stabilized 61MP sensor.

The Sony a7R V is focused more on high resolution than the combination of resolution and speed that the Nikon Z8 and EOS R5 II offer. It can shoot 8K video but only with a major crop and significant rolling shutter.

The a7R V is an excellent tool for capturing high-resolution images. The a7R V is an excellent tool for capturing high-resolution images with a mechanical shutter. The impressive autofocus performance means it is suitable for capturing a wide variety of subjects, including sports and wildlife. However, the sensor's slow readout limits its capabilities if your work requires video capture or the use of a silent electronic shutter.

As a high-resolution studio or landscape camera, the a7R V is very, very good, but the existence of the a7CR, which offers much of the same capability in a smaller, less expensive body, is its biggest threat. It offers a much nicer viewfinder, faster USB connector for tethering, and better Wi-Fi than the a7CR, but except in the case of shooting wide apertures and fast shutter speeds together, there's no difference in image quality.

Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Should I still buy a Sony a7R IV?

The Sony a7R IV offers essentially the same image quality as the newer Mark V, and costs less, so it's still worth taking seriously. It's a less capable video camera, not so much because of the lack of 8K capture – which isn't the Mark V's best feature, by any means - but due to the lack of 10-bit recording, which gives the V's footage more editing flexibility.

For stills shooters, the older camera doesn't have the more sophisticated subject recognition AF of the Mark V, nor options such as focus bracketing, motion correction to make the high-res mode more useful, or the latest 2x2 MIMO Wi-Fi and 10Gbps USB port of the V.

IQ above all else: Fujifilm GFX 50S II

51MP CMOS sensor | In-body stabilization system (up to 6.5EV) | Full HD video at up to 30p

Photo: Richard Butler

Buy now:

$3199 at B&H Photo $3199 at Adorama $3199 at Amazon What we like:
  • The most affordable medium-format ILC yet
  • Photographer-friendly ergonomics, with lots of customization
  • Effective in-body stabilization
What we don't:
  • Contrast-detect AF is slower than its peers
  • Image quality not signficantly better than the best full-frame
  • Eye-detection AF isn't as dependable as rival systems
  • Unimpressive video specifications (HD only)

The Fujifilm GFX 50S II is a (relatively) compact 50MP medium format mirrorless interchangeable lens camera with built-in image stabilization.

Fujifilm's most affordable medium format camera is a highly attractive option for enthusiasts and professionals alike. The 50S II is the least expensive digital medium format camera ever launched. Image stabilization and precise focus extend its usability far beyond the studio. Speed, autofocus and video aren't its greatest strengths, but it should have major appeal for enthusiast photographers wanting some of the best image quality available.

The GFX 50S II is perhaps the most specialized here: it's not especially fast or versatile but in terms of image quality, it has a slight edge over the best of its full-frame rivals (some of which comes from its lenses - the GF primes often being particularly good). The more expensive 100MP versions offer a more significant IQ advantage, but for landscape and studio work, the 50S II is still very good.

Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Best for video: Sony FX3

12MP full-frame BSI CMOS sensor | Full-width 4K/60p, 120p w/ slight crop | 10-bit 4:2:2 capture

Buy now:

$3898 at B&H Photo $3898 at Adorama $3899 at Amazon What we like:
  • Excellent video quality
  • XLR top-handle included
  • Fan for extended recording
What we don't:
  • No DCI video options
  • No viewfinder for stills shooters
  • No shutter angle option

The Sony FX3 is part of Sony's Cinema line of cameras, but we've included it here because it shares so much in common with the a7S III, but is a better choice, we feel.

The Sony FX3 is an image-stabilized, fan-cooled full-frame video camera designed to shoot UHD 4K footage at up to 120p.

It loses out on a viewfinder, compared to the a7S III, but gains dependability and extended recording times thanks to the addition of a cooling fan. It appears to cost a little more on paper but the FX3 comes with a top handle with built-in XLR adapters, which is an expensive add-on to the a7S III. Sony has also added some video-centric features, such as EI exposure to the FX3 that haven't then appeared on its more stills-focused cameras.

You may also consider the EOS R5C, which is essentially a video-focused version of the original EOS R5. Compared to the FX3, it gains a fan but omits an image stabilization mechanism, though we prefer the more compact form-factor of the Sony, anyway, especially if you plan to shoot on a gimbal.

Why you should trust us

This buying guide is based on cameras used and tested by DPReview's editorial team. We don't select a camera until we've used it enough to be confident in recommending it, usually after our extensive review process. The selections are purely a reflection of which cameras we believe to be best: there are no financial incentives for us to select one model or brand over another.

Build details showcase incredible scale of Saudi Arabia's Line megacity

Gizmag news -

As the Line gigaproject continues to grow in the Saudi desert, some new construction details have been announced that highlight the mind-boggling challenge of turning a huge tract of rugged landscape into a futuristic megacity, including its reported use of one fifth of the entire world's currently available steel.

Continue Reading

Category: Architecture, Lifestyle

Tags: , ,

‘Insulin with a switch’ will help diabetics avoid dangerous hypos

Gizmag news -

An insulin that switches itself on and off in response to blood glucose levels has proven successful in lowering the risk of dangerously low glucose levels, or hypos, in animals. According to researchers, the drug holds great promise for the tens of millions of insulin-requiring diabetics worldwide.

Continue Reading

Category: Body & Mind

Tags: , , ,

Wireless data speed record closes in on 1 Terabit per second

Gizmag news -

Slow Wi-Fi is a modern bugbear for many people, but thankfully we might soon be cranking those speeds up. Scientists at University College London (UCL) have set a new world record in wireless data transmission speeds, sending a blistering 938 Gigabits per second (Gbps) over the air through a combo of radio and light technology.

Continue Reading

Category: Telecommunications, Technology

Tags: , , , , , , , , ,

Boston Dynamics and Toyota team up: Teaching Atlas how to learn

Gizmag news -

The Toyota Research Institute has been doing some incredible work teaching robots to rapidly learn and perform tasks autonomously – now, it's bringing its Large Behavior Model tech to the extraordinary Atlas humanoid in partnership with Boston Dynamics.

Continue Reading

Category: AI & Humanoids, Technology

Tags: , , , , ,

At-home heart attack detector gives results in minutes, not hours

Gizmag news -

A tiny chip with a unique surface can accurately detect the blood biomarkers of a heart attack within minutes, a fraction of the time taken by current methods, even if they’re at very low concentrations. The researchers behind the device see it being used as an at-home diagnostic tool.

Continue Reading

Category: Science

Tags: , , , ,

Σελίδες

Subscribe to ΠΛΗΡΟΦΟΡΙΚΗ συλλέκτης