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Gear of the Year - Richard's choice: Leica D-Lux8

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There's a lot of gloom surrounding cameras and photography, in the past year or so. The devastating impact of smartphones on mass-market cameras seems to be being followed by a wave of AI-generated images that threaten to wash photography away as a creative form, if you believe those prognosticators with half-empty glasses. And yet it's hard to think of a year in which I've found it so difficult to choose a piece of gear to call out, because so many of them have been so good.

Having chosen Nikon's Z8 last year, the obvious decision this time round would be Canon's EOS R5 II: a camera that's almost unbelievably good at almost anything you might ask of it. The Nikon's Z6III's performance comes with a small footnote, but overall it's also sensationally capable and costs over 40% less.

On the lens side of things, Sony has made a usefully small full-frame F2.8 zoom and Sigma has developed what is essentially a full-frame version of its 18-35mm F1.8, creating the world's first AF F1.8 zoom for full-frame in the process. Then there's Fujifilm: not content with updating probably the best kit lens on the market (albeit with a loss of speed and reach at the long end counteracting the gain of width at the other), it's also replaced its premium standard zoom with a much smaller, lighter optic.

The Fujifilm 16-50mm F2.8 R LM WR II would probably be my choice in any other year. Its lightweight re-imagining meant it was small enough for me to take on a five-day hike across North Wales, and helped me assemble one of the best galleries I think I've ever shot.

"It's just exciting to see anyone introduce an enthusiast compact"

And yet instead of any of these worthy winners, I'm going to choose a camera whose merits come with some appreciable caveats and that I'll spend much of this article appearing to criticize.

Let's get this straight out of the gate: in many respects the Leica D-Lux8 is refresh of a seven year old camera. And its price tag of $1599 lands somewhere between fanciful and absurd.

And yet, in an age when second-hand Panasonic LX3s often attract 40% of their original price on eBay, despite their wonky skin tones, outdated performance and 2008-vintage batteries, it's just exciting to see anyone introduce an enthusiast compact.

The D-Lux8 has a pleasantly photo-focused interface, with shutter speed, aperture and exposure comp dominating the controls. Yet it doesn't quite manage to feel like a zoomable X100.

Photo: Richard Butler

And while the D-Lux8 shares the bulk of its hardware with the LX100 II, it gains one of the most photo-focused user interfaces I've had the good fortune to use in the seventeen years I've been writing about cameras.

It also gains a much less distracting viewfinder, which I also appreciate, and its AF tracking, while not coming close to the standards of modern mirrorless cameras, is also improved.

There's a nagging doubt whenever I've used a recent D-Lux or LX100 of why it doesn't feel even more special, given its dial layout and aperture ring suggests it should feel like a smaller X100, but with a zoom. Personally I think the added lag of waiting for the motor-driven zoom to respond helps to distance your input from the camera's reaction. Or it could just be that the photos don't look as good, thanks to its less sharp lens, deeper minimum depth-of-field and absence of Film Simulation fairy dust.

Leica D-Lux8 @ 26mm (58mm equiv) | F2.8 | 1/60 | ISO 800

The D-Lux8's image quality isn't always up to the standard of, say, the Fujifilm X100 series, but its portability means you get photos in situations in which you might not have otherwise brought a camera. But, unlike a phone, makes you feel that you played a part in getting the photo.

Photo: Richard Butler

But the 8's new interface is delightfully shutter speed and aperture focused. There aren't many custom buttons and you don't need a great many: it's a good-looking little camera that focuses your attention on taking photos. And that's something I've really missed.

Maybe there's still time for another blossoming of enthusiast compacts, now they're starting to find an audience, retrospectively. Or maybe I just need to accept that my own preferences don't match those of the wider market.

But even if the D-Lux8 doesn't herald a new Spring for the serious compact, it's not a bad note for the category to go out on. Price aside, it's a lovely little camera.

Buy now:

$1595 at Adorama$1595 at B&H Photo Leica D-Lux8 sample gallery Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab.

Canon makes Super35 global shutter sensor available to third parties

Digital Photography Review news -

Canon's LI5070SA sensor delivers 4K at up to 60p with no rolling shutter, with Canon suggesting 'Cinema' as one of its potential applications.

Image: Canon

Canon has made a 4K/60-capable Super35 (∼APS-C) video sensor with global shutter available to third-party buyers.

The 10.3MP sensor added to the product page of its industrial equipment and semiconductor business unit is 27.4 x 15.3mm, making it a 1.34x crop, relative to a full-frame stills camera, but in a roughly 16:9 aspect ratio.

Its 4288 x 2398 pixel count is clearly designed for delivering 4K footage. We'd usually expect Canon to have already offered it in a camera, if it planned to, before offering it to external users.

Canon sold a 4K/60 Super35 'GS' global shutter version of its EOS C700 camera, back in 2017, though available specs suggest its sensor was slightly smaller, so presumably wasn't the same as the one now being offered to external companies. Notably, Canon claimed its dynamic range was one stop lower than the progressive scan Super35 chip in the regular C700 model. There's still a chance this new chip will underpin a successor to the C700 GS.

An image of Canon semiconductor's LI7080SA sensor: a progressive scan Super35 sensor that closely resembles its global shutter cousin.

Image: Canon

At present, we're not aware of any other consumer camera maker using Canon sensors. Specialist industrial / security camera makers such as Illunis have used its sensors to make high-speed and high-resolution cameras for applications such as aerial photography and machine vision applications, but we've not seen its 120MP or 250MP APS-H chips in consumer cameras, including those from Canon itself.

Canon said it was developing a DSLR based on its 120MP sensor, back in 2015. Prototypes based on EOS 5DS bodies appeared at trade shows, but no final product ever emerged.

Canon's semiconductor business also offers a "full-frame" global shutter sensor. Again this has a roughly 16:9 aspect ratio and proposed uses include microscopy, factory automation and traffic surveillance. This sensor has been available since early 2023.

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